‘Wherever You Are Whenever You Want’: Captivating and Encouraging Music Experiences when Symphony Orchestra Performances are Provided Online
Åsa Bergman
2021
View PDFchevron_right
Phillips, M., & Krause, A. E. (2024). Audiences of the future – How can streamed music performance replicate the live music experience? In N. T. Smith, P. Peters, & K. Molina (Eds.), Classical music futures: Practices of innovation (pp. 333-354).
Amanda E Krause
Classical music futures: Practices of innovation , 2024
View PDFchevron_right
Live streaming: A new dimension of classical music performance culture
Maria Koomen
2011
View PDFchevron_right
Views of an audience: Understanding the orchestral concert experience from player and listener perspectives
Melissa Dobson
Participations (10/2), 2013
View PDFchevron_right
Is there an app for that? A case study of the potentials and limitations of the participatory turn and networked publics for classical music audience engagement
Ben Light
View PDFchevron_right
An Orchestral Audience: Classical Music and Continued Patterns of Distinction
Ben Light, Gaynor Bagnall
View PDFchevron_right
Garry Crawford, Victoria Gosling, Gaynor Bagnall and Ben Light (2014) 'Is there an app for that? A case study of the potentials and limitations of the participatory turn and networked publics for classical music audience engagement', Information, Communication & Society.
Garry Crawford
View PDFchevron_right
Learning to Listen: Audience, Listening and Experience in the Classical Music Concert Hall
Dr Claire D Nicholls
View PDFchevron_right
Music Listening in Classical Concerts: Theory, Literature Review, and Research Program
Jutta Toelle
Frontiers in Psychology
View PDFchevron_right
Interrupting the symphony: unpacking the importance placed on classical concert experiences
Juliet L Hess
View PDFchevron_right
The Challenges of Musical Mediation through Streaming
Jane de Almeida
Creative Education, 2018
View PDFchevron_right
MUSIC, PEOPLE AND PLACE: ENTERING AND NEGOTIATING LISTENING COMMUNITIES
Lucy Dearn
View PDFchevron_right
Just join in? Audience Participation in Classical Contemporary Music
Jutta Toelle
Forum Musikvermittlung - Perspektiven aus Forschung und Praxis, 2022
View PDFchevron_right
Performing Nostalgia On Record: How Virtual Orchestras And YouTube Ensembles Have Problematised Classical Music
Eve Klein
View PDFchevron_right
Deep Listening: Selling and Defining the Experience of Live Music
Mark A. Pottinger
The Berlin Journal, 2017
View PDFchevron_right
(Dis-)embodied Voices and Digital Liveness: Music Theatre in Lockdown
Wolfgang Marx
INSAM Journal of Contemporary Music, Art and Technology 6: Music, Art and Humanities in the Time of Global Crisis, 2021
View PDFchevron_right
Background by Design: Listening in the Age of Streaming
Robert Prey
2019
View PDFchevron_right
An approach to the types of interactions that media platforms allow to call to musical events of low and average attendance
santiago videla
View PDFchevron_right
THE BERLIN PHILHARMONIC DIGITAL CONCERT HALL: NEW STRATEGIES OF MUSIC KNOWLEDGE AND CONCEPTION
Alvaro G Diaz Rodríguez
Sound in Motion Cinema, Videogames, Technology and Audiences. Enrique Encabo, ed. UK: Cambridge Scholars Publishing, 2018 , 2018
View PDFchevron_right
1:1 Concerts for a pandemic: Learnings from intimate musical encounters
Catherine Grant
International Journal of Community Music, 2022
View PDFchevron_right
CONSTRUCTING MUSIC: INTERWEAVING CONSTRUALS AT CONCERTS
Devorah Kalekin-Fishman
View PDFchevron_right
“Music Has No Borders”: An Exploratory Study of Audience Engagement With YouTube Music Broadcasts During COVID-19 Lockdown, 2020
Jane Davidson
Frontiers in Psychology, 2021
View PDFchevron_right
Sharing Music: Social and Communal Aspects of Concert-Going
Lucy Dearn, Sarah M Price
View PDFchevron_right
Weaving Audience Engagement: Classical Music, Design, and Democracy
Erling Björgvinsson
View PDFchevron_right
(Un)popular music and young audiences: Exploring the classical chamber music concert from the perspective of young adult listeners
Lucy Dearn
View PDFchevron_right
Synema : Expanses through Connected Environments — Liminalities, A Journal of Performance Studies, Issue 10.1, May 2014. « Remote Encounters : collapsing spaces and temporal ubiquity in networked performance », edited by Garrett Lynch, University of Glamorgan - Cardiff - Wales (UK).
Jerome Joy
Liminalities, A Journal of Performance Studies, 2014
View PDFchevron_right
Listening and Audience Education in the Orchestral Concert Hall
Dr Claire D Nicholls
2019
View PDFchevron_right
Music Listening Activities in the Digital Age: An Act of Cultural Participation through Adequate Music
Raphaël Nowak
View PDFchevron_right
Experiencing Online Orchestra: Communities, connections and music-making through telematic performance
Erik Geelhoed
Journal of Music, Technology and Education
View PDFchevron_right
Music Audiences: an introduction (Participations Journal)
Lucy Bennett
Participations, 2012
View PDFchevron_right
Warts and All: Recording the Live Music Experience
Paul Long
in (eds) Karen Burland & Stephanie Pitts, Coughing and Clapping: Investigating Audience Experience, Ashgate/SEMPRE Psychology of Music series., 2014
View PDFchevron_right
Composing the Musical Self: Social Media as Audience Engagement
Emily Erken
View PDFchevron_right
The audience as artist? The audience’s experience of participatory music
John Sloboda
Musicae Scientiae, 2019
View PDFchevron_right
Playing to the crowd: Musicians, audiences, and the intimate work of connection
Caitlin Dyche
Journal of Radio & Audio Media, 2019
View PDFchevron_right
Venue, Media, and Space: Classical Music at (Le) Poisson Rouge
kc commander
View PDFchevron_right