Hate crime trauma and pain: Affiliation, becoming and in-Betweenness in The Laramie Project (original) (raw)

Challenging Structural Violence through Community Theatre: Exploring Theatre as Transformative Praxis

Christopher Sonn

In D. Bretherton & Siew Fang Law (2015). Methodologies in Peace Psychology: Peace Research by Peaceful Means (pp. 293-308). New York: Springer , 2015

View PDFchevron_right

A Tool for Becoming: Intersecting Currere & Theatre of the Oppressed

Rachel Radina

2022

View PDFchevron_right

Performing Atrocity: Staging Experiences of Violence and Conflict

William McGowan

Representing the Experience of War and Atrocity: Interdisciplinary Explorations in Visual Criminology, 2019

View PDFchevron_right

The Rhythm of the Martyrs? Barricades, Boundaries and Arts-Based Interventions in Communities with a History of Violence

Stephen Linstead

Demo(s), 2016

View PDFchevron_right

When theatre of the oppressed becomes theatre of the oppressor

sonia hamel

View PDFchevron_right

Metatheatrical Dramaturgies of Violence: Staging the Role of Theatre

Emma Willis

2022

View PDFchevron_right

Injured Identities: Pain, Politics and Documentary

Belinda Smaill

Studies in Documentary Film, 2007

View PDFchevron_right

On Border and Identity: A Performative Reflection from an Applied Theatre Project

Taiwo Afolabi

ArtsPraxis, 2021

View PDFchevron_right

From performing heteronomy to devising a theatricality of autonomy A presentation of an ongoing process of Theatre of the Oppressed, documentary theatre and critical ethnography in a multicultural community in Rome

Christina Zoniou

Education & Theatre

View PDFchevron_right

Assimilating Suffering: Performing Banality in Living Out

Judith Rodríguez

View PDFchevron_right

Performing the "Really" Real: Cultural Criticism, Representation, and Commodification in The Laramie Project

Elissa Foster

2005

View PDFchevron_right

Performing the "Really" Real: Cultural Criticism, Representation, and Commodification in

Elissa Foster

ojsprdap.vm.ku.edu

View PDFchevron_right

DRAMATURGIES OF THE ‘OTHER’: SELF-MAKING & SENSE-MAKING IN CONTEMPORARY DOCUMENTARY THEATRE

Martha Bouziouri

ZEITSCHRIFT FÜR GESCHLECHTERFORSCHUNG UND VISUELLE KULTUR (FKW) // NR. 66 // POSITIONIERUNGEN. KRITISCHE ANTWORTEN AUF DIE ‚FLÜCHTLINGSKRISE‘ IN KUNST UND LITERATUR TAKING POSITIONS ON THE ‘REFUGEE CRISIS’: CRITICAL RESPONSES IN ART AND LITERATURE, 2019

View PDFchevron_right

The practice of the “ Theatre of the oppressed” from an ethnological perspective. A dialogue

ARUN FRONTINO

Ricerche di Pedagogia e Didattica. Journal of Theories and Research in Education, 2015

View PDFchevron_right

Royal Central School of Speech and Drama Reconstructing identity and language: What can applied theatre practices offer to communities affected by conflict and how can they achieve its creative transformation

Carlos Alberto Arenas

View PDFchevron_right

Article Acting Up: Theater of the Oppressed as Critical Ethnography

Barbara Dennis

2015

View PDFchevron_right

The Witness Turn in the Performance of Violence, Trauma, and the Real

Suzanne Little

Ethical Exchanges: Translation, Adaptation and Dramaturgy, 2017

View PDFchevron_right

Precarious Identities: Violent Disruptions and the (Re)constructions of Self

Jill Hermann-Wilmarth, Teri Holbrook

Frontiers: A Journal of Women's Studies

View PDFchevron_right

Setting the Stage for Black Choice: Theatre of the Oppressed as Container for Resistance, Black Joy

Quenna Barrett

2017

View PDFchevron_right

Introduction. Performing Cultural Trauma in Theatre and Film. Between Representation and Experience

Frederik Le Roy

Arcadia - International Journal for Literary Studies, 2011

View PDFchevron_right

The Way It Works" Doesn't: Theatre of the Oppressed as Critical Pedagogy and Counternarrative

Sara Schroeter

Canadian Journal of Education, 2013

View PDFchevron_right

On SHOT!: A Rationale for Research and Dramas Depicting Violence in the ’Hood

Kimmika Williams-Witherspoon

Theatre Topics, 2013

View PDFchevron_right

Acting Up: Theater of the Oppressed as Critical Ethnography Introduction

Barbara Dennis

View PDFchevron_right

Performing cultural trauma in theatre and film: between representation and experience

Frederik Le Roy

ARCADIA, 2011

View PDFchevron_right

‘Victimhood, Hope and the Refugee Narrative: Affective Dialectics in Magnet Theatre’s Every Year, Every Day, I am Walking’, Theatre Research International 37.2 (2012): 118-133.

Emma Cox

View PDFchevron_right

Staging (Within) Violence: A Conversation with Frank Wilderson and Jaye Austin Williams

Jaye Austin Williams

Rhizomes: Cultural Studies in Emerging Knowledge, 2016

View PDFchevron_right

Troubling aesthetics: mapping vulnerability as a generative force in community theatre

Elsa Szatek

Research in Drama Education: The Journal of Applied Theatre and Performance

View PDFchevron_right

Editorial for Intersections Postgraduate Journal Arts Humanities Social Sciences

Marc Olivier

Intersections (Postgraduate Journal - Arts , Humanities , Social Sciences), 2020

View PDFchevron_right

Fancy, David. “‘Affective Assemblages,’ in Migrant Worker Theatre. Contemporary Theatre Review. 26:4 (2016): 457-467.

David Fancy

View PDFchevron_right

"We are Orlando": Silences, Resistance, and the Intersections of Mass Violence

Julie Torres

Meridians, 2023

View PDFchevron_right

Victimhood, Hope and the Refugee Narrative: Affective Dialectics in Magnet Theatre'sEvery Year, Every Day, I Am Walking

Emma Cox

Theatre Research International, 2012

View PDFchevron_right

The Theatre of the Oppressed

Sophie Coudray

View PDFchevron_right

Waltzing with Bashir: perpetrator trauma and cinema

bill nichols

Studies in Documentary Film, 2014

View PDFchevron_right

Identity and Victimhood

Diane Enns

Questions for Conflict Management Practice, …, 2007

View PDFchevron_right

Theater of the Oppressed as a Rhizome Acting for the Rights of Indigenous Peoples Today

Mariana Ferreira

View PDFchevron_right