The gallery and its artist (original) (raw)

How Galleries Open The Market To Disruptive Art - The case of Arte Povera

Defne Karakeçe

2021

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Artistic research on two galleries in the periphery of the art world

Rait Rosin

Research in Arts and Education

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Artist-run Galleries - Differentiating Three Models in Current Contemporary Art Markets

Anne Luther

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The End of the Traditional Art Gallery?

Alvaro Santana Acuña

2016

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Art is not a Commodity : An Interview with Mirosław Jasiński, Director of the City Gallery in Wrocław, by Ewa D. Bogusz‐Boltuc

Ewa D . Bogusz-Boltuc

Sztuka i Filozofia, 2014

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Mikhael Subotzky and the Goodman Gallery: Constructions of Cultural Capital

Megan Amy Scott

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7. The Art Galleries - Part of the Cultural and Educational Dynamics in the Contemporary Artistic Space of Iasi

Mirela Stefanescu

Review of Artistic Education

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Less than Friends, More than Acquaintances: Artists, Markets and Gallery Openings in New York

Martin Fuller

International Review of Social Research, 2015

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Shaping the practices - role of different actors within the context of contemporary art market

Annukka Jyrämä

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Between Industry and Art: Display. - The Painting as Photographic Exposure. - Artist, Frame-maker and Client. - The Avant-garde. - The Antiquary and Dismantlement.

Oleg Tarasov

Chapter 4 of the book: Oleg Tarasov. Framing Russian Art. From Early Icons to Malevich. London: Reaktion Books, 2011, pp. 261 - 375.

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Creative Enterprise: Contemporary Art between Museum and Marketplace

Martha Buskirk

2012

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(Alexandra Fernandes; Luís U. Afonso), “Joana Vasconcelos: managing an artist’s studio in the early 21st century”, International Journal of Arts Management, vol. 17, n. 1, 2014, pp. 54-64.

Luís U Afonso

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Art, Capitalist Markets, and Society: Insights and Reflections on Contemporary Art

Ilaria Riccioni

Sociology of the arts, 2018

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“The subject of an exhibition tends more and more to be not so much the exhibition of works of art, as the exhibition of the exhibition as a work of art” - Daniel Buren The Artist as curator and how the gallery functions as an artistic medium and as gendered space. BA Hons Fine Art thesis

Aisling Keavey

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CfP: Der Ausstellungsraum im Kunstmarkt / Exhibiting Art for Sale (Berlin, 22 Nov. 2014)

Lukas Fuchsgruber

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Inventing the New Art World: On Art Institutions and Their Audience

Ewa Grigar

Przegląd Socjologii Jakościowej

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The Thannhauser Gallery: Marketing Van Gogh edited by Stefan Koldehoff and Chris Stolwijk

Janet Whitmore

Nineteenth-Century Art Worldwide, 2018

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"From the artist studio to the amateur's portfolio: the modern drawing market and collecting in Paris early 19th century" at Academic Conference and Workshop on The Formation and Development of New Markets TOOLS FOR THE FUTURE: RESEARCHING ART MARKET PRACTICES FROM PAST TO PRESENT, London, 30-31 may

Sarah Bakkali

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The Studio Exposed: Creative Process and Value in the Art Market

Lydia Dominey-Antonini

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Promoting the Value(s) of Modernism: The Interviews of Tériade and Zervos with Art Dealers in Cahiers d'Art, 1927, Visual Resources, Volume 31, Issue 1-2, 2015, 75-90

Poppy Sfakianaki

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Visual Artists’ Professional Situations and Trajectories Between Institutions and the Market

Johannes M . Hedinger, Olivier Moeschler

The Sociology of Arts and Markets: New Developments and Persistent Patterns, 2020

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A Market Ideology: Kahnweiler's Dissemination of Picasso's Cubism

Francesca Bolfo

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Art & Market: Alienation or Emancipation?

Thomas Mazzurana

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Malcolm Gee Modern Art Galleries in Paris and Berlin, c. 1890-1933: types, policies and modes of display

Malcolm Gee

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Economic Freedom and Inequality in the Art Market: The Case of the Commercial Gallery

Ronit Milano

Arts, 2020

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The System of Contemporary Art 2 2.1 Defining the Art System

Benedict Louie Mendoza

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Sociology of Art: New Stakes in a Post-Critical Time

Line Grenier, Antoine Hennion

The international handbook of …, 2000

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Art Gallery Visitors’ Motivations

Dovilė Peseckienė

Informacijos mokslai

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The Artworld and the Institutional Theory of Art

Massimiliano Lacertosa

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Role of gatekeepers in developing art world. Example of Polish contemporary art

Agnieszka Szymańska-Palaczyk

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16 Sociology of Art: New Stakes in a Post-Critical Time

Line Grenier

The international handbook of sociology, 2000

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Mapping intermediaries in contemporary art according to pragmatic sociology

Nathalie HEINICH

European Journal of Cultural Studies, 2012

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Introduction. Art History, Art Market Studies and the Question of Theory

Thomas Skowronek, Lukas Fuchsgruber

Journal for Art Market Studies, 2017

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The role of the art studio in contemporary artistic production

jenny sjöholm

2013

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Making Audiences Visible: Gallery Education, Research and Recent Political Histories

Andrew Dewdney

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