original ) (raw )All the World’s a Stage: Making Sense of Shakespeare
Michael Olsson
Navigating Streams in an Information Ecosystem: Proceedings of the American Society for Information Science and Technology Annual Meeting, Pittsburgh PA Oct 22-27, 2010
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The play's the thing: Theater professionals make sense of Shakespeare
Michael Olsson
Library & Information Science Research, 2010
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“’What Country, Friends, Is This?’: Touring Shakespeares, Agency, and Efficacy in Theatre Historiography.” Theatre Survey 54.1 (2013): 51-85. *Nominated for the 2014 Association for Theatre in Higher Education's Outstanding Article Award.
Alexa Alice Joubin
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"Global Shakespeares as Methodology." Shakespeare: Journal of the British Shakespeare Association 9.3 (2013): 273-290
Alexa Alice Joubin
Shakespeare, 2013
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The Place of Shakespeare : Shakespearean Performance and Cultural Production in Contemporary Britain
James Tink
英米文学評論, 2010
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All the World's a Stage - the Information Practices and Sense-Making of Theatre Professionals
Michael Olsson
Libri, 2010
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Possible Shakespeares : the educational value of working with Shakespeare through theatre-based practice
Tracy Irish
2016
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'The Great Globe Itself' An introduction to Shakespeare in heterotopia, in Contemporary Readings in Global Performances of Shakespeare, ed. Alexa Alice Joubin. London: Arden Bloomsbury, 2024, pp. 1-21.
Alexa Alice Joubin
Contemporary Readings in Global Performances of Shakespeare, ed. Alexa Alice Joubin, 2024
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Interpretive Multiplicity: Audiences and Mediators on the Shakespearean Stage
Sandra Logan
2018
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"Uncomfortable Bedfellows: Shakespeare and Global Studies," Congrès de la Société Française Shakespeare: Shakespeare et le dialogue des disciplines, March 13, 2021 at 3:35-3:55 pm Paris time (9:35 AM US eastern time)
Alexa Alice Joubin
Société Française Shakespeare, 2021
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"Nudge, Nudge, Wink, Wink, Know What I Mean, Know What I Mean? A Theoretical Approach to Performance for a Post-Cinema Shakespeare" in Performing Transverally: Reimagining Shakespeare and the Critical Future
Bryan Reynolds
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Performing Transversally - Reimagining Shakespeare and the Critical Future
Bryan Reynolds
Palgrave Macmillan Press, 2003
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Immanent Shakespearing: Politics, Performance, Pedagogy
Todd Barnes
2010
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"Cultural Encounters of Otherness through Shakespeare," University of Oxford and Georgetown University, February 26, 2024
Alexa Alice Joubin
University of Oxford, 2024
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Stage(d) Life: Shakespeare and the Ecology of Media
Ingo Berensmeyer
New Theories, Models and Methods in Literary and Cultural Studies
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“Uncomfortable Bedfellows: Shakespeare and Global Studies”, Actes des congrès de la Société française Shakespeare 40 (2022)
Alexa Alice Joubin
Actes des congrès de la Société française Shakespeare , 2022
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Theatrical Political Thought: Shakespeare and the Staging of Civic Experience
Alan Finlayson
2009
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Reframing the Audience in Shakespeare Studies
Ethan Child
2021
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Localising Text and Performance: Avenues for Exploring Shakespeare and Cultural-Creative Adaptation
Claude Fretz
Journal of Language and Communication, 2024
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World-Wide Shakespeares: Local Appropriations in Film and Performance (review)
Sonia Massai
Shakespeare Quarterly, 2007
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"Interfacing Shakespeare Onscreen," Routledge Handbook of Shakespeare and Interface (2023), ed. Clifford Werier and Paul Budra, pp. 332-344
Alexa Alice Joubin
Routledge Handbook of Shakespeare and Interface, 2023
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Shakespearean and Brechtian Drama and Theatre: An Audience Response Perspective
Shakuntala Kunwar
2021
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Seminars on "Global Shakespeare" and "Shakespeare on Film" --- Middlebury College Bread Loaf School of English, Vermont, Summer 2017
Alexa Alice Joubin
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"Shakespearean Emergences: Back from Materialisms to Transversalisms and Beyond" introductory chapter to Rematerializing Shakespeare: Authority and Representation on the Early Modern English Stage
William N. West , Bryan Reynolds
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“The Theatre of the Invisible-Made-Visible”: Shakespeare and the Politics of Perception
Kiernan Ryan
Actes des congrès de la Société française Shakespeare, 2015
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Talking to the Audience: Shakespeare, Performance, Self (review
Pascale Aebischer
Shakespeare Quarterly, 2006
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Social Dreaming and Making Shakespeare Matter
Denise Albanese
Extramural Shakespeare, 2010
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Contemporary Readings in Global Performances of Shakespeare, ed. Alexa Alice Joubin. London: Arden Bloomsbury, 2024
Alexa Alice Joubin
Contemporary Readings in Global Performances of Shakespeare, 2024
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The Use and Abuse of Shakespeare: A Review Essay
anthony dimatteo
College Literature, 2004
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Shakespeare and Queer Theory. Melissa E. Sanchez. Arden Shakespeare and Theory. London: Bloomsbury Arden Shakespeare, 2019. xiv + 228 pp. $102
Mario DiGangi
Renaissance Quarterly, 2020
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Intercultural Intermediality: The Unspoken Text in Intercultural Film Adaptations of Shakespeare
Yu Jin Ko
Journal of Medieval and Early Modern English Studies, 2020
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Ngcongo, N.N. 2018. A methodology for creative interpretation of Shakespearean dramatic texts in post-apartheid theatre.
Dee Pratt
Paper presented at the Annual National Doctoral Conference 2018: Building and Dynamising the Humanities and Social Sciences. Birchwood Conference Centre, Johannesburg, 30 October-1 November 2018., 2018
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Making Shakespeare (London: Routledge, 2004)
Tiffany Stern
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"Global mediation: Performing Shakespeare in the age of networked and digital cultures," The Arden Research Handbook of Shakespeare and Contemporary Performance, ed. Peter Kirwan and Kathryn Prince (London: Bloomsbury, 2021), pp. 132-150
Alexa Alice Joubin
The Arden Research Handbook of Shakespeare and Contemporary Performance, 2021
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Screening the Royal Shakespeare Company: A Critical History
John Wyver
2019
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