The ambivalent identity of Wong Kar-wai's cinema (original) (raw)
The Sensuous Cinema of Wong Kar Wai: Film Poetics and the Aesthetic of Disturbance - Chapter 6 - Appropriations, Reflections, and Future Directions
Gary Bettinson
Hong Kong University Press, 2015
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The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance - Chapter 1
Gary Bettinson
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The Sensuous Cinema of Wong Kar-Wai: Film Poetics and the Aesthetic of Disturbance - Chapter 5 - Popular Genre and In the Mood for Love
Gary Bettinson
Hong Kong University Press, 2015
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The Sensuous Cinema of Wong Kar-Wai: Film Poetics and the Aesthetic of Disturbance - Chapter 3 - Visual Style
Gary Bettinson
Hong Kong University Press, 2015
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The Sensuous Cinema of Wong Kar-Wai: Film Poetics and the Aesthetic of Disturbance - Chapter 4 - Plotting
Gary Bettinson
Hong Kong University Press, 2015
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The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance - Chapter 2 Music in Chungking Express
Gary Bettinson
Hong Kong University Press, 2015
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The Time-Image and the Unknown in Wong Kar-wai's Film Art
Dorothee Hou
The Fascination with Unknown Time, 2017
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Journal Article: Wong Kar-wai: ‘cultural hybrid’, celebrity endorsement and star-auteur branding
Wikanda Promkhuntong
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Wong Kar-wai's Ambivalent Vision
Da-Lun Tang
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Cinephiles, music fans and film auteur(s): Transcultural taste cultures surrounding mashups of Wong Kar-wai's movies on YouTube
Wikanda Promkhuntong
2015
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Journal Article: Cinephiles, music fans and film auteur(s): Transcultural taste cultures surrounding mashups of Wong Kar-wai’s movies on YouTube
Wikanda Promkhuntong
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Connerton, K (2020) 'Bringing People Together Now: Wong Kar-Wai & Hong Kong', in: Narrating the City: Mediated Representations of Architecture, Urban Forms and Social Life, Intellect Press
Kimberly Connerton, Ph.D.
Narrating the City: Mediated Representations of Architecture, Urban Forms and Social Life, 2020
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Between Real and Unreal: Representability and Auteurship in Queer Hong Kong Cinema
Zoran Lee Pecic
The Palgrave Handbook of Asian Cinema, 2018
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Color Design in the Cinema of Wong Kar-wai
Shohini Chaudhuri
A Companion to Wong Kar-wai, 2016
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Yin as the specificity of Hong Kong cinema: mediated tradition and critical potential
Benjamin Freudenberg
2015
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Wong Kar-wai's Films and the Culture of the Kawaii
thorsten botz-bornstein
SubStance, 2008
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Tradition, Culture and Aesthetics in Contemporary Asian Cinema
Stephen Teo
Asian Studies Review, 2014
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ROMANCE, INSULARITY AND REPRESENTATION Wong Kar-wai's In the Mood for Love and Hong Kong Cinema
giorgio biancorosso
2007
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Book Review: Lee, Vivian P.Y.(2009), Hong Kong Cinema Since 1997: The Post-Mostalgic Imagination. London: Palgrave Macmillan
Ming-Yeh Rawnsley (蔡明燁)
New Cinema 7(3): pp.260-262, 2009
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The Martial Art of "Cinema": Modes of Virtuosity a la Hong Kong and the Philippines
Jonathan Beller
positions: asia critique, 2011
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Review of Jing Jing Chang, Screening Communities: Negotiating Narratives of Empire, Nation, and the Cold War in Hong Kong Cinema
Gary Bettinson
The China Journal, 2020
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Authorship in Transnational Cinema: Pedro Almodovar, Wong Kar-wai and the Star-Auteur
Vanna Sann
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Memories of sound and light: musical discourse in the films of Wong Kar-wai
Ludmila Moreira Macedo de Carvalho
Journal of Chinese Cinemas, 2008
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“Ann Hui’s Allegorical Cinema.” Cultural Conflict in Hong Kong: Angles on a Coherent Imaginary. Ed. Jason S. Polley, Vinton Poon, and Lian-Hee Wee. 87–104. Singapore: Palgrave Macmillan, 2018.
Jessica Siu-yin Yeung
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Hong Kong Cinema: A Brief History (UG GE course syllabus, Term 2, 2023–24)
Jessica Siu-yin Yeung
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Hong Kong Connections: Transnational Imagination in Action Cinema
Karen Fang
Journal of Film and Video, 2009
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Identities in motion: Asian American film and video
Peter X Feng
Choice Reviews Online
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Hong Kong Cinema 1982-2002: The Quest for Identity during Transition
Ruby Cheung
2008
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Urban Alienation in Wong Kar Wai's Films
Ethel Chong
Kinema: A Journal for Film and Audiovisual Media
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'Locating Transnationalism: Framing Identity in the Chinese Cinemas of Hou Hsiao Hsien's 'Millenium Mambo' and Wong Kar Wai's 'Happy Together'
GL Lin
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Trans-Aesthetics: The Art of Ming Wong between Nation and State
Jun Kai POW
Intersections: Gender and Sexuality in Asia and the Pacific, 2015
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Artistry and Commercialism in Zhang Yimou’s Filmmaking in the Last Two Decades
Xin Wang
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The Ultimate Female Auteur: Visuality, Subjectivity, and History in the Works of Peng Xiaolian
S. Louisa Wei 魏時煜
Front. Lit. Stud. China, 2017
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• (with Min Hui Yeo) ‘Book Review for Hee Wai Siam (許維賢), Post-Malaysian Chinese-language Film: Accented Style, Sinophone and Auteur Theory 華語電影在後馬來西亞：土腔風格、華夷風與作者論 (Taipei: Lianjin, 2018)', East Asian Journal of Popular Culture, Vol. 4, no. 2 (2018): 165-170. (solicited by author)
Flair Donglai Shi
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The Portrait of “Alienated” Artist and Revisionist Historiography in the East-Asian Auteur Cinema Since 1980s
Manas Ghosh
East Asia, 2019
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