Reclaiming female agency : feminist art history after postmodernism (original) (raw)

Marjorie Och, review of Norma Broude and Mary D. Garrard, editors, Reclaiming Female Agency: Feminist Art History After Postmodernism, SECAC Review 15/1 (2006): 49-51.

Marjorie Och

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‘Back to Basics? Reclaiming Female Agency: Feminist Art History After Postmodernism, edited by Norma Broude and Mary D. Garrard, Berkeley: University of California Press, 2005’ [book review]

Alexandra Kokoli

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Exhibition and Catalogue Review: Royalists to Romantics: Women Artists from the Louvre, Versailles, and Other French National Collections.

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Feminism AND Art: A Review Essay

Susan Ballard

Australian Feminist Studies, 2015

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Melissa Lee Hyde

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Gill Perry, ed., Gender and Art (Art and its Histories: 3). New Haven and London, Open University and Yale University Press, 1999, 267 pp., 69 colour plates, 132 black-and-white illus., 27.50(U.S.),27.50 (U.S.), 27.50(U.S.),41.25 (Cdn) paper

Catherine Harding

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CAITLYN MARIANACCI

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Finding Integrity: "New Woman" artists and female emancipation in the first half of the twentieth century (January 2022)

Dr Marcus Bunyan

Art Blart, 2022

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Framing Feminism: Art and the Women's Movement 1970-1985: Looking On: Images of Feminity in the Visual Arts and Media

Rosetta Brooks

Feminist Review, 1989

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Review of Women, femininity and public space in European visual culture, 1789–1914. Eds. Temma Balducci and Heather Belnap Jensen (Ashgate, 2014) by Mary Healy for Modern and Contemporary France (15 June 2016). DOI: 10.1080/09639489.2016.1188789

Heather Belnap

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In Her Place : Changing Images of Women in Western Society from the Seventeenth to the Twentieth Century

Dianne O'Neill

1986

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"Women Artists 1550-1950": Curating, feminist art theory, and the status of female artists

Ariane Fleury

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A Time of One's Own: Histories of Feminism in Contemporary Art

Catherine Grant

2022

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“Painting for the Ladies: Gender and Portraiture in 18th Century Paris,” in Alexander Roslin, (Stockholm Nationalmuseum, 2007): 68-72

Melissa Lee Hyde

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Feminism And Art: Unexpected Encounters

Agnieszka Golda

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Women “beyond control”? —androcentric discourses in Victorian painting (towards reconstructing meanings)

Agnieszka Melosik

2015

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On the Cusp of Feminism: Women Artists in the Sixties

Kalliopi Minioudaki

2014

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'Fetishism and the Stories of Feminist Art' (contribution to Alexandra Kokoli, ed., Feminism Reframed: Reflections on Art and Difference, Cambridge Scholars Publishing, 2008)

Alexandra Kokoli

2008

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Where have all the women gone? Challenging structural patriarchy and rethinking feminist art history

Catherine Powell-Warren

Leiden Arts in Society Blog , 2020

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Women, Femininity and Public Space in European Visual Culture, 1789�1914

Heather Belnap

Routledge eBooks, 2017

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Genius and gender: Women artists and the female nude 1870-1920

Jane Silcock

British Art Journal (Volume XIX, 3), 2019

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With Jacqueline Millner and Catriona Moore, Art and Feminism: Twenty-First Century Perspectives, Australian and New Zealand Journal of Art 15, no. 2, 2015: 143-149

Georgina Cole

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Her Paris: Women Artists in the Age of Impressionism

Gale Murray

Nineteenth-Century Art Worldwide, 2018

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Challenging Feminist Art History. Carla Lonzi's Divergent Paths, in V. Horne, L. Perry (eds) Feminism and Art History Now, London, I. B. Tauris 2017

Giovanna Zapperi

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"Gender-biased Documentation of Women Visual Artists in Early Twentieth Century Greece, or Where did this Chapter go?" in C. Lollobrigida and A. Modesti (eds), Women in Arts, Architecture, and Literature: Heritage, Legacy, and Digital Perspectives. Rome: Brepolis Publishers, 2023, 351-361.

Elli Leventaki

Brepols Publishers, 2023

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The feminism and visual culture reader, 2009

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‘Inside Out. Sculptures by Women in the Metropolitan Public Space (Paris, London, Brussels, 1750-1950)’, in: M.D. Goggin & B.F. Tobin (eds.), Women and Things 1750-1950: Gendered Material Strategies (Surrey, UK & Burlington, USA: Ashgate, 2009) 189-204.

Marjan Sterckx

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The feminine in contemporary art : representation and contamination in the work of Helen Chadwick, Michèle Roberts and Helena Almeida

Maria Luisa Coelho

2012

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