“Horror Film”: How the Term Came to Be (original) (raw)

Screams on Screens: Paradigms of Horror

Barry Grant

2014

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3. Cinéma du Grand Guignol : Theatricality in the Horror Film

Andre Loiselle

University of Toronto Press eBooks, 2011

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"The 'Horror Serials' of the 1910s: Episodes in the Construction of a Film Genre"

Gary D . Rhodes

Historical Journal of Film, Radio and Television, 2022

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NEWLY AND EXTENSIVELY REVISED Introductory Book Chapter 1 "Whatever is Horrible is Difficult "from What Ought to Scare You - Discourses of Horror and the Classical Hollywood Cinema (Part 1: Achieving the Genre, 1922 - 1936))

Marshall Leicester

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"Cinéma du Grand Guignol : Theatricality in the Horror Film", Stages of Reality: Theatricality in Cinema. (UTP, 2012): 55-80

Andre Loiselle

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Nasty visions: Violent spectacle in contemporary British horror cinema

Johnny Walker

Horror Studies, 2011

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Most Stories of This Type: Genre, Mystery and Horror in the Silent Cinema

Mark Jancovich

Historical Journal of Film, Radio and Television, 2021

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Horror films a necessary evil paper

Carla J . Glen

Crossing Boundaries and Fear, Horror, and Interface, 2007

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Loading… Special Issue, " Thinking After Dark " Screams on Screens: Paradigms of Horror

muchen zhou

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Aesthetics of Horror in Cinema (Celebrating 100 years of The Cabinet of Dr. Caligari: World’s First Horror Film )

Preeti Oza

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Horror and Pleasure Visual Histories, Sensationalism and Modernity in Britain in the Long Nineteenth Century

Billie Melman

Geschichte und Gesellschaft, , 2011

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Lonergan review of theatricality in the horror film

Meg D Lonergan

Horror Studies, 2020

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‘A horror picture at this time is a very hazardous undertaking’:

Alex Naylor

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Robin Wood on the Horror Film: Collected Essays and Reviews ed. by Barry Keith Grant [book review]

Khara D Lukancic

Film & History, 2019

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Spectacle horror and Hostel: why 'torture porn'does not exist

Sovet Sadyrsson

Critical Quarterly, 2011

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The Palgrave Encyclopedia of American Horror Film Shorts, 1915-1976 [Uncorrected Proofs]

Gary D . Rhodes

2022

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“Not like how Hollywood shows us”: Reintegrating hardcore horror into 21st Century horror discourse (Conference presentation Fear 2000 Sheffield Hallam April 2016)

James Aston

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A Place of Darkness: The Rhetoric of Horror in Early American Cinema

Kendall Phillips

2018

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‘It’s About Time British Actors Kicked Against these Roles in “Horror” Films’: Horror stars, psychological films and the tyranny of the Old World in classical horror cinema

Mark Jancovich

Historical Journal of Film, Radio and Television, 2013

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‘“Thrills and Chills”: Horror, the Woman’s Film and the Origins of Film Noir’

Mark Jancovich

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American Horror: Origins and Early Trends

Agnieszka Soltysik

2016

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The Importance of Horror

Patrick Johnson

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Voiceless Screams: Pictorialism as Narrative Strategy in Horror Silent Cinema

Delia Enyedi

Acta Universitatis Sapientiae: Film and Media Studies, 2021

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Traumatized subjects : horror film and the legacy of mass extermination in post-dictatorship Spain

Scott Boehm

2012

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Review: Horror Film: A Critical Introduction by Murray Leeder

John Lynskey

Open Screens

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The Birth of the American Horror Film [Uncorrected Proofs]

Gary D . Rhodes

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Old Horror, New Hollywood and the 1960s True Crime Cycle

Tim Snelson

Film Studies, 2018

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Bodies without borders : body horror as political resistance in classical Hollywood cinema

Kevin Chabot

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Reel Evil: A Critical Reassessment of Found Footage Horror

Xavier Aldana Reyes

Gothic Studies, 2015

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Female Horror Filmmakers in the New Hollywood Era

Em Marie Canon

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Review of Gothic Terrors: Incarceration, Duplication, and Bloodlust in Spanish Narrative by Abigail Lee Six.

Wan S Tang

Extrapolation, 2014

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THE MEMORY OF HORROR IN THE FILMIC BODY AND THE WRITING OF THE EVENT

Alex Pereira de Araujo

International Journal of Advanced Engineering Research and Science | ISSN : 2349-6495(P) | 2456-1908(O), 2019

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Horror and Its Affects

Darren Hick

The Journal of Aesthetics and Art Criticism, 2021

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The Eye of the Machine. Fear, Power and Technology in Screencasting Horror

Giuseppe Previtali

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'Hot Profits Out of Cold Shivers!': Horror, the First Run Market and the Hollywood Studios, 1938-1942

Mark Jancovich

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