The Straw Donkey Paper: A Re-Discovery of an Exhibition | 1 THE STRAW DONKEY PAPER: A RE-DISCOVERY OF AN EXHIBITION
Lisa Hockemeyer
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The Fantastic Flying Donkey and the Tattoo
Alejandra Bronfman
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Two fragments about donkeys from the collection of the Oslo University Library
Anastasia Maravela
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Chris Ware and the Burden of Art History
Katherine (Kerry) Roeder
The comics of Chris Ware drawing is a way of thinking, 2010
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Art, artistic research, and the animal question
Bryndis Snaebjornsdottir
… : Kultur~ Natur: Konferens för kulturstudier i …, 2009
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Thomas F. Reese, “Subversive Artifacts: Some Reflections on Art Making and Society,” Introductory Remarks, a conference on The Aesthetics of Community-Based Art Making, CalArts, Valencia, California; March 4, 1993.
Thomas Reese
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The Animal Is Present: The Ethics of Animal Use in Contemporary Art
Anthony Cross
The Journal of Aesthetics and Art Criticism, 2018
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How do we look at animals? – Decolonising Documentary Art Practices and the Global Crisis for Donkeys
Ronny Hardliz
Film Education Journal, 2023
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CFP: Elephant & Castle, n. 27 (2022): Artists’ Animals. Between Abstraction, Figuration, and Hybridization from the Late Twentieth Century to the Present (ed. by Elio Grazioli and Maria Elena Minuto) - Deadline February 18, 2022
Maria Elena Minuto
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The Animal is Present: The Ethics of Animal Use in Contemporary Art (Journal of Aesthetics and Art Criticism)
Anthony Cross
Journal of Aesthetics and Art Criticism, 2018
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The Discourse of Icons, Then and Now
Robert S Nelson
Art History, 1989
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Hunter-gatherer or the other ethnographer? The artist in the age of historical reproduction
Nora Annesley Taylor
Journal of Material Culture, 2021
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Representing Animals in Contemporary Art
Valeria Barvinska
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Logical Horses: Or Several Historical, Aesthetic, Allegorical, and Mythical Vignettes
Catherine Czacki
InterActions: UCLA Journal of Education and Information Studies, 2019
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Melville, Stephen, ed. The Lure of the Object. Williamstown, MA: Sterling and Francine Clark Art Institute (Clark Studies in the Visual Arts), 2005 (pp219). Distributed by Yale University Press. ISBN (Clark) 0931102618, (Yale) 0300103379
David Teh
2018
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"Contested Exhibitions: The Debate Over Proper Animal Sights in Post-Revolutionary America," Worldviews: Environment, Culture, Religion 9.2 (2005), 219-235.
Brett Mizelle
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Artists and Curators as Authors - Competitors, Collaborators, or Teamworkers?
Dorothee I Richter
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"Exanimate Subjects: Taxidermy in the Artist's Studio" Panorama: Journal of the Association of Historians of American Art 2 no. 1 (Summer, 2016)
Corey Piper
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JB Art Historypublished
Jonathan Bordo
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“Hans Haacke's Animal Aesthetics and Ethics: Becoming Art, Becoming-Animal” in “The Nexus of Animals and Humans: Space, Experience, Representation” panel at Southeastern College Art Conference, Sarasota, FL, October 10, 2014
John A Tyson
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"All Our Relations" as an Eco-Art Historical Challenge: Lessons from Standing Bear's Muslin
Jessica L Horton
Ecologies, Agents, Terrains (Clark Art Institute and Yale University Press), 2018
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The Donkey in the Narrative Culture and Changing Sociohistorical Epistemology
Monika Kropej
Studia mythologica Slavica 21, 2018
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Giovanni Aloi-The Death of the Animal - Journal of Visual Art Practice-2010
Giovanni Aloi
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Understanding Paintings: The Icon as a Paradigm
Anthony Rudd
Religion and the Arts, 2018
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Animal Studies and Art: Elephants in the Room
Giovanni Aloi
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“Art versus Artifact,” Introduction and Summary, Symposium, Hood Museum of Art, Dartmouth College, September 28, 1985
Irving Lavin
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"Reusable Parts": Re-Performance and Alternative Methods of Documentation for the History of Art
Bethany Tabor
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What matters? Returning to perplexity with spurse at the Indianapolis Museum of Art
Rebecca Uchill
Journal of Art Historiography, 2019
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The Office/Humanities 112
Jim LeBlanc
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Identity and difference: Jackson Pollock and the Ideology of the Drip
Matthew Rampley
Oxford Art Journal, 1996
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Liberations Condemned to Be Free: A Case for Proximity between the Artist and the Art Object
IZABELA GOLA
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Thinking with animals : an exploration of the animal turn through art making and metaphor
Wilma Cruise
2017
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“Fidelity to Failure: Re-enactment and Identification in the Work of Mike Kelley and Paul McCarthy,” Oxford Art Journal, vol. 36, no. 3 (2013): 437–56.
Milena Tomic
Oxford Art Journal, 2013
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Theory of the Ridiculous: Jean Paul, Max Beckmann, and Dostoevsky's Donkey, Art History, Vol. 33, No. 3, 2010.
Catherine Clinger
Art History, 2010
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When an Image Becomes a Work: Prolegomena to Cattelan’s Iconology
Domenico Quaranta
Pool.info, 2012
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