How Advertising Enforces Local Cultural Identity Through Fashion in Timun Mas TV Ads (original) (raw)

Representation of Javanese culture in Television Commercials (Semiotics Analysis on depiction of Javanese culture in Television Commercial of Kuku Bima Ener-G Yogyakarta version)

Advertisement is one of the promotional media which is used by marketers either to introduce or sell their products. Marketers have many ways to make the advertisement interesting. One of the ways is by bringing cultures into the advertisement. Kuku Bima Ener-G Yogyakarta version is one of the products which used culture in its advertisement. It mixes the pattern of energy drink products’ advertisements which are usually show masculinity, men, and muscle with a culture. Kuku Bima Ener-G Yogyakarta version used Javanese culture in the advertisement. This research has a purpose to know the representation of Javanese culture in Yogyakarta used by Kuku Bima Ener-G Yogyakarta version’s advertisement. This research used qualitative approach with semiotic analysis method. Pierce’s semiotic method which is divided the indicator in to sign, object and interpretant is used by the researcher. Kuku Bima Ener-G Yogyakarta version’s advertisement is used as the research object. The data collection technique is unit data analysis documentation that are some captures from the advertisement. The result of this research shows that Yogyakarta’s culture is portrayed representing Javanese cultures widely in Kuku Bima Ener-G Yogyakarta version’s advertisement. In a broad way, there are four theme put in this advertisement. They are (a) The harmony of modern and traditional life in Yogyakarta; (b) A confirmation about Yogyakarta Landmark as a local element; (c) Multiculturalism as the main point of Yogyakarta, and (d) Main commodity in Yogyakarta. In a further research, it’s found that the majority products show in the advertisement is from Yogyakarta. In other words, Yogyakarta is portrayed as the center of Javanese cultures. Keyword: Advertising, Kuku Bima Ener-G Yogyakarta version, Java culture.

Semiotic Study on Bangladeshi Clothing Brands Advertisements

North American Academic Research, 2019

Abstract: Advertised objects (e.g. texts, images, signs) have multidimensional meanings. Within the modern mechanisms of fashion advertising clients are being encountered by numerous adverts through walking, shopping, and overall each and every movement they do. In the light of semiotics advertisements are not solely images or written words, it has subtle meanings. Meaning may be too discontinuous and ambiguous that every time and every person will decipher those in a bunch of different forms. The term here seems much compatible with the characteristics of advertised images is Polysemy, an image entitles to many meanings at a time. Thus advertisements (e.g. rhetoric of image) create dynasty of myths over human imagination. This research will focus how consumers interpret and perceive advertisements disseminated by photographers and image designers for promoting their online products acceptance (i.e. marketing). Four advertisements will be studied based on Roland Barthes Semiotic Analysis method. Also this study integrates other semioticians’ commentaries on semiotic analysis as the study of signs including words, pictures, and non-verbal expressions as well as their interrelationships to figure out how advertisements are mostly interpreted as the ends of encouraging vulgar consumerism, sexist mindset, and overall dehumanization of our society.

Construction Of Female Identity In Pakistani Television Commercials (November, 2015-April, 2016): A Semiotic Analysis

Pakistan Journal of Gender Studies, 2017

This study explores how TV commercials in Pakistan construct female identity in the present era. Advertising becomes an essential part in moulding and shaping our behaviour, attitude, values towards lifestyle and advertisers use visual, semiotic and printed text aims to convey their specific messages. This work attempts to analyze how the belief system of "flawless" and "perfect" society is created and constructed in and through advertisements. This study employed semiotic analysis as a research method to examine Pakistani TVCs. With stratified sampling technique, ten TVCs selected that appeared during intervals breaks of famous TV serials ,obtained from main three private Pakistani channels, on a week after week premise for a time of six months. TVCs were analyzed with reference to the representation of Pakistani women in selected time period. As sign frameworks are included in the construction of meaning and advertising utilizes these signs to transmit its mess...

A Semiotic Analysis and Cultural Values of Malaysian Automotive TV Advertisements

2017

Advertising is one of the marketing strategies to promote products to consumers. In fact, semiotic helps to get messages across to audiences in a persuasive way. This paper examines automotive TV advertisements in Malaysia to determine how advertisers seek to achieve their primary goal of persuading or influencing an audience by the use of both language and visual semiotic. How the advertisements encode national identity and cultural values is discussed. Semiotics’ theory can be used as references for the Malaysian car advertising development, such as content analysis, semiology, audience research and in-depth interviews with advertising practitioners, media and opinion leaders are the main components of the data collection. Malaysia, with its ethnic, language and religious differences is an obvious choice of research to observe possible cultural influences on business practices. The ways in which the semiotic interact with each other within an advertisement is discussed, and these ...

Cultural identity in Turkish advertisements

Social Semiotics, 2019

Advertising discourses are made of symbols, stereotypes, and myths, that is why analyzing cultural identities in advertisements could provide information on how to see and think of a society. Cultural identity is at first and foremost a "shared individuality" that social actors develop, activate and modify in contexts of social and historical interaction according to specific issues that lead them to act. Advertising appears as a cultural mirror which gives brands symbolic values and a narrative identity. Generally speaking, national identity has always been a sensitive issue for Turkey. The purpose of this paper is to analyze how the advertising discourse constructs the "Turkish being" identity. To that end advertisements offered in the various Turkish media from 1930 until today have been taken into account. Semiotic method has been used. Meaning occurs by progressive enrichment from an elementary core where the constituent values of a society are structured. These values are exploited by narrative structures and later staged through figures which constitute real life.

THE USE OF CULTURAL ELEMENTS IN SOCIAL MEDIA ADVERTISEMENTS: SEMIOTIC ANALYSIS OF APPLE TÜRKİYE "THE GREAT ESCAPE" COMMERCIAL FILM

Turkish Online Journal of Design, Art and Communication, 2024

Today, social media has caused a major transformation, especially in the field of advertising, and these platforms have become a powerful tool for brands to deliver their products and services to wider audiences. Each culture has its own unique language, symbols, traditions and set of values, and these cultural elements can help advertisers convey their messages in a way that is appropriate for the target culture. The purpose of advertising is to persuade consumers by appealing to the values of the target group. In this study, cultural elements and how they are positioned are analysed by making use of Roland Barthes' semiotic approaches. According to the YouTube Ads Leaderboard Turkey results of the second quarter of 2023, the Apple commercial film titled "The Great Escape" was announced to be the most watched commercial film. In this study, this commercial film which was shot in Istanbul Grand Bazaar using only an iPhone 14 Pro was analysed in eight sections. In the two minutes thirty-seven seconds long film which was directed by Sinan Sevinç, seventeen cultural elements were found to be used and each element was analysed in detail. As a result, it was determined that the use of local cultural elements in the advertisements enables the target audience to identify themselves with the advertisement providing a strong emotional bond with the brand. It also creates the impression that the brand shows cultural sensitivity in consumers, and is an indicator that it endeavours to understand the lifestyle and values of the target audience.

Distinctive Collectivist Identity on Digital Ads: Hari Raya and Lebaran 2021

Interaksi: Jurnal Ilmu Komunikasi

Every family has a particular moment, especially in Malaysia and Indonesia, where the majority of the population is Muslim, where Eid al-Fitr has established a tradition for bringing family members closer together. Simply said, the tradition is known as "Hari Raya” whereas, in Indonesia, the term "Lebaran" is used. The year 2021 will be remembered for the social restraints put in place to prevent the spread of COVID-19. This study aims to capture this once-a-year event, which will then be interpreted using Oswald's Marketing Semiotics strategy to juxtapose the two digital advertising media on the Youtube Channel for cellular operator brands in each country in the Interpretivism Paradigm using a qualitative approach based on Hofstede's Cultural Dimension Theory. The Hari Raya 2021 Maxis advertisement symbolizes the State of Malaysia, while the 2021 Lebaran advertisement from the Indosat Ooredoo Provider represents the State of Indonesia, both of which are displ...

MYTH AND IDEOLOGY CONSTRUCTION IN INDONESIA TELEVISION ADVERTISING: A SEMIOTIC BASED APPROACH

This paper uses Roland Barthes semiology to reveal the myth and ideology constructed in television commercial advertisement. The study tries to explain how the product consumed and used, work ideologically, by observing the dynamic relationship between the signifier and the signified in the broadcast commercial product text. The study focuses its area of concern in the motorcycle product advertisement aired on television and completed with direct interview with members of motor community of Makassar Indonesia. The result indicates that commercialtelevisionadvertising mediainIndonesia does notemphasizethemeaning ofdenotation(the benefits of the product), butitemphasizesthe symbolicsignwhich representsasimulacrumreality. The true meaning of the current human life is much determined by the relationship established between the man and the commercial products. Product serves from time to time as a symbol of social identity. Commercial advertisement works as a simulacrum that consists in making product impression and images constructed in human mind become natural and reasonable though around an ambivalent reality.

Visualization of Indonesian culture as backgrounds in Pocari Sweat Ads “Bintang SMA”

Dynamics of Industrial Revolution 4.0: Digital Technology Transformation and Cultural Evolution, 2021

COVID-19 made the advertising business drop forcing shifts in its media strategy toward digital media. One of them is by using animation media, such as the Pocari Sweat animation ad "Bintang SMA", where the ad also carries some cultural values. This research studies how Indonesian culture is represented in the animated background of the Pocari Sweat animation ad "Bintang SMA". The data obtained from case studies, documentation, and distributing questionnaires methods were analyzed using the theory of cultural movement and local culture. From this study, it is known that the Indonesian culture is represented in Balinese and Jakarta culture through location, architecture, and property settings. The results of this research can be used as input for those involved in the world of advertising, especially in compiling an animated media advertisement by raising cultural elements as an advertising solution in the middle of the pandemic.

SEMIOTIC ANALYSIS OF THE APPEALING STRATEGIES IN COMMERCIALS: A CASE OF THREE PAKISTANI BEAUTY CREAM COMMERCIALS

The Women-Annual Research Journal of Gender Studies, 2021

The aim of this project is to examine the commercials of beauty creams in Pakistan. In order to find the ideology of the beauty advertisements in Pakistan, three renowned beauty commercials were taken for analysis of their discourse. The three beauty creams that are made a part of the critical discourse are Golden Pearl Beauty Cream, Fresh White Beauty Cream and Faiza Beauty Cream. The analysis of discourse was done critically with adoption of Fairclough's model (1989). The model is well acknowledged in the field of CDA to have an analysis of the employment of specific features in discourse for manipulation of particular ideology within certain class of individuals. It is perceived through beauty cream advertisements to buy the beauty products. The data was collected from the YouTube commercials. The research paradigm was qualitative to highlight the marketing based lingual elements that have been cleverly devised in beauty commercials. The results have revealed that the Pakistani beauty commercials are made to attract the minds of Pakistani women. The findings will help to develop a proper understanding in Pakistani consumers with facilitation in their decision power to buy the products without exploitation of media commercials.