A brief history of significant precursors of international artists’ books (original) (raw)

Revelatory Words and Images: William Blake and the Artist's Book

Ruth Li

2013

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Burning Bright: William Blake and the Art of the Book, John Rylands Library, University of Manchester, February–June 2013

Sibylle Erle

Blake/An Illustrated Quarterly

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The book as an artefact

Magda Polo Pujadas

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The Book as a community of practice: Some thoughts on the research project A Manifesto for the Book, What will be the Canon for the Artist’s Book in the 21st Century?

David Paton

On Making. Integrating Approaches to Practice Led Research in Art and Design, VIAD, UJ., 2010

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The book & the artist: rethinking the traditional order / Word & Image A Journal of Verbal/Visual Enquiry

William Cole

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The Archaic Stillness of the Book

Marian Crawford

The Blue Notebook, 2021

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An Afterword on William Blake: His Art and Times

David Bindman

2017

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David Bindman, William Blake: His Art and Times

David Bindman

2017

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“The Dialectical Nature of Inspiration: Shared Iconography in Blake’s Large Colour Prints”

Michelle Gompf

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The Artists Book in General, the Altered Book in Particular

Cheryl Penn

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Freedom of the Presses Artists Books in the Twenty-first Century

María Verónica San Martín

Freedom of the Presses, 2016

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Joseph Viscomi, Blake and the Idea of the Book

Alexander Gourlay

2017

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The Legacy of William Blake in Contemporary Culture, B.A. Thesis

Katarzyna Poręba

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The Wond'rous Art: William Blake and Writing (review)

Kevin Hutchings

University of Toronto Quarterly, 2006

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Simultaneous journeys: Thematics in the curating of Booknesses: Artists’ Books from the Jack Ginsberg Collection

David Paton

Booknesses: Artists’ Books from the Jack Ginsberg Collection, 2017

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From the Novel to the Artists’ Book And Back Again

Barrie Tullett

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Blake’s Poetry and Designs: A Norton Critical Edition (review)

James Rovira

College Literature, 2009

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Painting, Poetry and the Interference of the Genres in English Art: The Case of William Blake

Patricia Denisa Dita

2020

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Digital Facsimiles: Reading the William Blake Archive

Joe Viscomi

2002

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Blake in Exhibition and on Display, 1904–2014

Martin Myrone

Visual Culture in Britain, 2018

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Colin Trodd, Visions of Blake: William Blake in the Art World 1830–1930

Sibylle Erle

Blake/An Illustrated Quarterly

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The Joy of Looking: What Blake's Pictures Want

Mike Goode

2012

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Towards an analytical description of South African artists' books

David Paton

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Journal of Literature and Art Studies Issue 6 Vol.11 2021 June

Journal of Literature and Art Studies JLAS

David Publishing Company, 2021

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Brief Notes on the Art and Manner of Exhibiting Books

Regine Ehleiter

Dressed in Black, ed. Wayne Daly, Adrien Vasquez, London: Precinct, 2017

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The Shape of Limitation: A Visual Pattern in the Illuminated Works of William Blake

Minna Doskow

Colby Quarterly, 1981

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WILLIAM BLAKE'S ILLUMINATED BOOKS – THE ULTIMATE REALITY

June Pham

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On Photographing Artists’ Books

Egidija Ciricaite

Journal of Medical Humanities, 2019

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William Blake in Contexts: Family, Friendships, and Some Intellectual Microcultures of Eighteenth-and Nineteenth-Century England

Keri Davies

PhD thesis, 2003

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The Self-Conscious Codex: Artists' Books and Electronic Media

Johanna Drucker

SubStance, 1997

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The Concept of the Book and its Page as an Actual (Real) and Metaphysical Space in Michael Gordon’s Works

Gal Shneor

2020

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Towards a theoretical underpinning of the book arts: Applying Bakhtin’s dialogism and heteroglossia to selected examples of the artist’s book

David Paton

Literator, 2012

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Queering Artists' Books: A Queer Critical Analysis of Artists' Books

Michael Carosone

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William Blake in the collection of the National Gallery of Victoria

Ted Gott

1989

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Artists' Books as Resistant Transmitters

Jo Milne

Artists’ Books: Concept, Place, and a Quiet Revolution, 2019

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