De la creación de un archivo a la práctica artística en el proyecto Intimal Lecciones aprendidas de la escucha de un archivo de historia oral de mujeres migrantes colombianas (original ) (raw )From collecting an archive to artistic practice in the INTIMAL project: lessons learned from listening to a Colombian migrant women’s oral history archive.
Ximena Alarcon
Acervo. Revista do Arquivo Nacional, 2019
View PDFchevron_right
Víctimas, duelo y arte: Una reflexión sobre el papel del arte en el proceso de paz en Colombia
Alejandra Toro
2016
View PDFchevron_right
Impossible histories: violence, identity, and memory in Colombian visual arts
Marta Cabrera
View PDFchevron_right
Archives are Machines: A Review of Artistic Discourses on Art and Archives in Iberoamerica, 2011-2022
Marta Lucia Giraldo , Daniel Jerónimo Tobón Giraldo , Andrés Villegas
Revista Interamericana de Bibliotecologia, 2024
View PDFchevron_right
La fotografia como estrategia para contar historias del horror del conflicto colombiano
SONIA NATALIA COGOLLO OSPINA
Calle14: revistas de investigación en el campo del arte, 2017
View PDFchevron_right
Objects and narratives from Mexican roots artists: a Chicana experience
Cristina Castellano
View PDFchevron_right
Artist Archives: Experimentation in Peruvian Art about the Memory of the Armed Conflict
Olga Rodríguez-Ulloa
View PDFchevron_right
Official Memories of Violence at the National Museum of Colombia, 1980-2000: Cocktails, Art or Social Criticism?
Jimena Perry
A Contracorriente: una revista de estudios latinoamericanos, 2020
View PDFchevron_right
Ethnographic Storytelling, Subjectivity, and the Visual in Latin America
Clate J Korsant
New Course Syllabus, 2023
View PDFchevron_right
Representing violence in colombia: visual arts, memory and counter-memory
Marta Cabrera
View PDFchevron_right
The "art of witness" in US Central American cultural production: An analysis of William Archila's _The Art of Exile_ and Alma Leiva's _Celdas_
Marisel Moreno
Latino Studies, 2017
View PDFchevron_right
Violent Tales: Cultural Representation in Colombia and Mexico
Juanita Aristizabal , Juliana Martinez
Revista de Estudios Hispánicos, 2019
View PDFchevron_right
From the Truth Commission Report to the Stage and the Museum: The Artistic Dislocation of Violence from the Ecuadorian Chapter of
Jorge Poveda Yánez
Documenta, 2024
View PDFchevron_right
"´Tenues límites entre la historia y las historias´: Reading Alicia Partnoy’s Textual and Visual Testimony, La Escuelita."
Patricia López-Gay
View PDFchevron_right
Counter Narratives: Visual Anthropology and 'Memory Activism' in Peru
martha-cecilia dietrich
Visual Anthropology From Latin America, Anthrovision, 2018
View PDFchevron_right
Sewing Migrant Journeys in a Bullet-proof Vest: The Museum as a Site of Memory and Mutual Learning in Medellín, Colombia
Jennifer Allsopp
Education, Migration and Development: Critical Perspectives in a Moving World, 2022
View PDFchevron_right
Three Case Studies of National Narratives in Central American Art
Gustavo Larach
2010
View PDFchevron_right
Painting, Literature, and Film in Colombian Feminine Culture, 1940-2005: Of Border Guards, Nomads, and Women
Maria Figueredo
Hispanic American Historical Review, 2014
View PDFchevron_right
Researching With Poetic and Artistic Dispositifs - Eva Marxen, Luis F. González, Reslie Cortés, Cristina Valencia Mazzanti, Renata Matsuo, 2021
Reslie Cortés , Eva Marxen
2021
View PDFchevron_right
Sublime Affects: Contemporary Art and the Colombian War
Ruben Yepes
View PDFchevron_right
Art and Collective Memory in the Southern Cone. The Argentine case.doc
Karina Maddonni
View PDFchevron_right
Indigenous agency through visual narratives in the Sierra Nevada de Santa Marta, Colombia
Laura Ximena Triana Gallego
Journal of alternative and community media, 2019
View PDFchevron_right
Cross Cultural Presentation on Latin American Artists [Modern Languages and Literatures]
Ernesto menendez-conde
2018
View PDFchevron_right
Layers of Memory and the Discourse of Human Rights: Artistic and Testimonial Practices in Latin America and Iberia Hispanic Issues On Line (2014) Afterword Tell Me How It Happened: Unbinding the Discourse on Memory, the Political Crimes of the Recent Past, and Human Rights
gustavo remedi
View PDFchevron_right
Chilean Traumatized Identity. Discourse Theory and the Analysis of Visual Arts (2008)
Hernan Cuevas
View PDFchevron_right
Bodies and Violence: Intersections and Effects Within Women's Experience in Colombian Contemporary Female Literatures. A Study of Azares del cuerpo, by María Ospina Pizano
Ana López Hurtado
2018
View PDFchevron_right
Affecting the Conflict: Mediations of the Colombian War in Contemporary Art and Film
Ruben Yepes
View PDFchevron_right
The Onset of a New Time Through the Recycling of Colombian Pioneros, Visionarios and Referentes
Annatina Aerne
Mitologías hoy
View PDFchevron_right
Layers of Memory and the Discourse of Human Rights: Artistic and Testimonial Practices in Latin America and Iberia Hispanic Issues On Line (2014) 4 Plain Things and Space: Metonymy and Aura in Memorials of Social Trauma
Margarita Saona
View PDFchevron_right
Making the past perpeptible: reflections on the temporal and visual enframings of violence in the Museum of Memory in Uruguay
Susana Draper
View PDFchevron_right
The exodus' metaphor: contemporary Colombian artists on forced displacement
Christian Padilla
View PDFchevron_right
Layers of Memory and the Discourse of Human Rights: Artistic and Testimonial Practices in Latin America and Iberia Hispanic Issues On Line (2014) 6 Memory, Postmemory, Prosthetic Memory: Reflections on the Holocaust and the Dirty War in Argentine Narrative
Amy Kaminsky
View PDFchevron_right
Archives, Performance, and Resistance in Uruguayan Art Under Dictatorship
Andrea Giunta
Representations, 2016
View PDFchevron_right
The reclamation of national trauma and cultural memory in Spain through the translation of Uchronia by Marin, Vaquerizo, Negrete, And Eximeno
Ana Rodriguez
View PDFchevron_right
Art from a Fractured Past: Memory and Truth-Telling in Post–Shining Path Peru
Nathalie Koc-Menard
Hispanic American Historical Review, 2016
View PDFchevron_right