Relational Returns: Relationships and the Repatriation of Legacy Song Recordings in Australia (original) (raw)

Cultural precedents for the repatriation of legacy song records to communities of origin

Sally Treloyn

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Traditional Aboriginal songs: from digital files to living culture’

Myfany Turpin

Australasian Sound Archive 42, 2018

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Building a National Recording Project for Indigenous Performance in Australia: Five years on

Aaron Corn

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Katelyn Barney (Hrsg.): Collaborative Ethnomusicology - New Approaches to Music Research between Indigenous and Non-Indigenous Australians

André Rottgeri

Journal of World Popular Music, 2016

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Recirculating songs: revitalising the singing practices of Indigenous Australia

Jim Wafer

2017

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The Western Australian New Music Archive: Performing as remembering

Tos Mahoney

2015

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Review of Collaborative Ethnomusicology: New Approaches to Music Research between Indigenous and Non-Indigenous Australians

Jared Mackley-Crump

Perfect Beat, 2016

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The Western Australian New Music Archive: finding, accessing, remembering and performing a community of practice

Cat Hope

2013

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Returning Recordings of Songs That Persist: The Anmatyerr Traditions of Anmanty and Akiw

Jason M Gibson

Archival Returns: Central Australia and Beyond, 2019

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National Recording Project for Indigenous Performance in Australia

Allan Marett, Marcia Langton

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Approaching an Epistemic Community of Applied Ethnomusicology in Australia: Intercultural Research on Australian Aboriginal Song

Sally Treloyn

Applied Ethnomusicology in Institutional Policy and Practice (Klisala Harrison, editor), pp. 23-39

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Repatriation of Song Materials to Support Intergenerational Transmission of Knowledge about Language in the Kimberley Region of Northwest Australia

Rona Charles

2013

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Ethnographic sound collections and Australian Aboriginal Heritage: Kaytetye song traditions remembered

Jason M Gibson

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Contemporary aboriginal songs and songwriters: post-colonialism, categorisation and orality

David Beniuk

1995

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Returning recordings of songs that persist: The Anmatyerr traditions of akiw and anmanty

Jason M Gibson

2019

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The National Recording Project for Indigenous Performance in Australia: Year one in review

Allan Marett, Aaron Corn, Marcia Langton

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Music museum curatorship: Reclaiming rights and responsibilities for musicking on Minjerribah (North Stradbroke Island), Australia

Sandra Kirkwood

2016

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Singing Translators and Mobile Traditions: Cross-cultural Performances of Italian Folk Music in Contemporary Australia

Rita Wilson

LEA - Lingue e letterature d’Oriente e d’Occidente, 2017

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Kennedy, R 2011, 'Indigenous Australian Arts of Return: Mediating Perverse Archives', in Marianne Hirsch and Nancy K. Miller (ed.), Rites of Return: Diaspora Poetics and the Politics of Memory, Columbia University Press, New York, USA and Chichester, West Sussex UK, pp. 88-104

Rosanne Kennedy

Marianne Hirsch and Nancy K. Miller (ed.), Rites of Return: Diaspora Poetics and the Politics of Memory, Columbia University Press, New York, USA and Chichester, West Sussex UK., 2011

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Repatriation and innovation in and out of the field: the impact of legacy recordings on endangered dance-song traditions and ethnomusicological research

Rona Charles

Sydney University Press eBooks, 2015

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Towards a Reflexive Paradigm for the Study of Musics in Australian Colonial Societies (1788-1900)

Alan Maddox, David Irving

Context, 2020

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Archiving the new, for future users unknown: Western Australian New Music Archive

Kylie J Stevenson, Cat Hope

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Dancing with the Devil (Spirit): How Audiovisual Collections Reveal and Enact Social and Political Agency in Dance and Song (A Case from the Kimberley)

Rona Charles

Preservation, digital technology & culture, 2021

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What is New, Here? Locating an Art Form Within the Western Australian New Music Archive

Cat Hope

Journal of the Australian Library and Information Association

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Collecting in context: reissuing forgotten sounds from Australia and beyond

Michael Alexandratos

2017

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Stories of Reconciliation: Building Cross-Cultural Collaborations between Indigenous Musicians and Undergraduate Music Students in Tennant Creek

Brydie-Leigh Bartleet FAHA

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Review of Landscapes of indigenous performance: Music, song and dance of the Torres Strait and Arnhem Land edited by Fiona Magowan and Karl Neuenfeldt.

Myfany Turpin

2007

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Singing with a Distinctive Voice: Comparative Musical Analysis and the Central Australian Musical Style in the Kimberley

Sally Treloyn

2017

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The Oud, the Bad and the Ugly: Transmitting 'Roots' in the discourse and experience of World music in Australia

Brent Keogh

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Song-poetry of Central Australia: Sustaining Traditions

Myfany Turpin

Language Documentation & Description 10: 15-36, 2011

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Central Australian Songs: a history and reinterpretation of their distribution through the earliest recordings

Jason M Gibson

Oceania, 2015

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Disturbances and Dislocations: Understanding Teaching and Learning Experiences in Australian Aboriginal Music

Elizabeth Mackinlay

The Australian Journal of Indigenous Education

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Maintaining song traditions and languages together at Warruwi (western Arnhem Land)

Reuben Brown, Isabel O'Keeffe, Jenny Manmurulu

2017

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Collecting and Connecting: Archiving Filipino American Music in Los Angeles

Jesse D. Ruskin

ethnomusic.ucla.edu

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Playing with Others and Selves: Australian Aboriginal Desert Musicians on Tour

Ase Ottosson

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