Relational Returns: Relationships and the Repatriation of Legacy Song Recordings in Australia (original ) (raw )Cultural precedents for the repatriation of legacy song records to communities of origin
Sally Treloyn
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Traditional Aboriginal songs: from digital files to living culture’
Myfany Turpin
Australasian Sound Archive 42, 2018
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Building a National Recording Project for Indigenous Performance in Australia: Five years on
Aaron Corn
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Katelyn Barney (Hrsg.): Collaborative Ethnomusicology - New Approaches to Music Research between Indigenous and Non-Indigenous Australians
André Rottgeri
Journal of World Popular Music, 2016
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Recirculating songs: revitalising the singing practices of Indigenous Australia
Jim Wafer
2017
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The Western Australian New Music Archive: Performing as remembering
Tos Mahoney
2015
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Review of Collaborative Ethnomusicology: New Approaches to Music Research between Indigenous and Non-Indigenous Australians
Jared Mackley-Crump
Perfect Beat, 2016
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The Western Australian New Music Archive: finding, accessing, remembering and performing a community of practice
Cat Hope
2013
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Returning Recordings of Songs That Persist: The Anmatyerr Traditions of Anmanty and Akiw
Jason M Gibson
Archival Returns: Central Australia and Beyond, 2019
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National Recording Project for Indigenous Performance in Australia
Allan Marett , Marcia Langton
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Approaching an Epistemic Community of Applied Ethnomusicology in Australia: Intercultural Research on Australian Aboriginal Song
Sally Treloyn
Applied Ethnomusicology in Institutional Policy and Practice (Klisala Harrison, editor), pp. 23-39
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Repatriation of Song Materials to Support Intergenerational Transmission of Knowledge about Language in the Kimberley Region of Northwest Australia
Rona Charles
2013
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Ethnographic sound collections and Australian Aboriginal Heritage: Kaytetye song traditions remembered
Jason M Gibson
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Contemporary aboriginal songs and songwriters: post-colonialism, categorisation and orality
David Beniuk
1995
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Returning recordings of songs that persist: The Anmatyerr traditions of akiw and anmanty
Jason M Gibson
2019
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The National Recording Project for Indigenous Performance in Australia: Year one in review
Allan Marett , Aaron Corn , Marcia Langton
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Music museum curatorship: Reclaiming rights and responsibilities for musicking on Minjerribah (North Stradbroke Island), Australia
Sandra Kirkwood
2016
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Singing Translators and Mobile Traditions: Cross-cultural Performances of Italian Folk Music in Contemporary Australia
Rita Wilson
LEA - Lingue e letterature d’Oriente e d’Occidente, 2017
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Kennedy, R 2011, 'Indigenous Australian Arts of Return: Mediating Perverse Archives', in Marianne Hirsch and Nancy K. Miller (ed.), Rites of Return: Diaspora Poetics and the Politics of Memory, Columbia University Press, New York, USA and Chichester, West Sussex UK, pp. 88-104
Rosanne Kennedy
Marianne Hirsch and Nancy K. Miller (ed.), Rites of Return: Diaspora Poetics and the Politics of Memory, Columbia University Press, New York, USA and Chichester, West Sussex UK., 2011
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Repatriation and innovation in and out of the field: the impact of legacy recordings on endangered dance-song traditions and ethnomusicological research
Rona Charles
Sydney University Press eBooks, 2015
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Towards a Reflexive Paradigm for the Study of Musics in Australian Colonial Societies (1788-1900)
Alan Maddox , David Irving
Context, 2020
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Archiving the new, for future users unknown: Western Australian New Music Archive
Kylie J Stevenson , Cat Hope
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Dancing with the Devil (Spirit): How Audiovisual Collections Reveal and Enact Social and Political Agency in Dance and Song (A Case from the Kimberley)
Rona Charles
Preservation, digital technology & culture, 2021
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What is New, Here? Locating an Art Form Within the Western Australian New Music Archive
Cat Hope
Journal of the Australian Library and Information Association
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Collecting in context: reissuing forgotten sounds from Australia and beyond
Michael Alexandratos
2017
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Stories of Reconciliation: Building Cross-Cultural Collaborations between Indigenous Musicians and Undergraduate Music Students in Tennant Creek
Brydie-Leigh Bartleet FAHA
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Review of Landscapes of indigenous performance: Music, song and dance of the Torres Strait and Arnhem Land edited by Fiona Magowan and Karl Neuenfeldt.
Myfany Turpin
2007
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Singing with a Distinctive Voice: Comparative Musical Analysis and the Central Australian Musical Style in the Kimberley
Sally Treloyn
2017
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The Oud, the Bad and the Ugly: Transmitting 'Roots' in the discourse and experience of World music in Australia
Brent Keogh
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Song-poetry of Central Australia: Sustaining Traditions
Myfany Turpin
Language Documentation & Description 10: 15-36, 2011
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Central Australian Songs: a history and reinterpretation of their distribution through the earliest recordings
Jason M Gibson
Oceania, 2015
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Disturbances and Dislocations: Understanding Teaching and Learning Experiences in Australian Aboriginal Music
Elizabeth Mackinlay
The Australian Journal of Indigenous Education
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Maintaining song traditions and languages together at Warruwi (western Arnhem Land)
Reuben Brown , Isabel O'Keeffe , Jenny Manmurulu
2017
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Collecting and Connecting: Archiving Filipino American Music in Los Angeles
Jesse D. Ruskin
ethnomusic.ucla.edu
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Playing with Others and Selves: Australian Aboriginal Desert Musicians on Tour
Ase Ottosson
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