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Australasian Sound Archive 42, 2018
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Recirculating songs: revitalising the singing practices of Indigenous Australia
Jim Wafer
2017
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Review of Landscapes of indigenous performance: Music, song and dance of the Torres Strait and Arnhem Land edited by Fiona Magowan and Karl Neuenfeldt.
Myfany Turpin
2007
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Katelyn Barney (Hrsg.): Collaborative Ethnomusicology - New Approaches to Music Research between Indigenous and Non-Indigenous Australians
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Journal of World Popular Music, 2016
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Australian indigenous performing arts and cultural policy
Hilary Glow
Iccpr 2008 Proceedings of the Fifth International Conference on Cultural Policy Research, 2008
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Ethnographic sound collections and Australian Aboriginal Heritage: Kaytetye song traditions remembered
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Indigenous performing arts and the problem of judging 'excellence': A discussion paper
Hilary Glow
The Asia Pacific Journal of Arts and Cultural Management, 2009
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Productive Ambiguity: Fleshing out the Bones in Yolŋu Manikay "Song" Performance, and the Australian Art Orchestra’s "Crossing Roper Bar
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Critical Studies in Improvisation / Études critiques en improvisation, 2014
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Singing with a Distinctive Voice: Comparative Musical Analysis and the Central Australian Musical Style in the Kimberley
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2017
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Saving Torwali Music and Dance: Community Led Performance and ‘Public’ Archiving
Mujahid Torwali
Preservation, Digital Technology & Culture
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Dancing with the Devil (Spirit): How Audiovisual Collections Reveal and Enact Social and Political Agency in Dance and Song (A Case from the Kimberley)
Rona Charles
Preservation, digital technology & culture, 2021
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The Western Australian New Music Archive: Performing as remembering
Tos Mahoney
2015
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An Integrated Approach to Sustaining Music While Sustaining Indigenous Communities
Todd Saurman
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Dancing with a Difference: Reconfiguring the Poetic Politics of Aboriginal Ritual as National Spectacle
Fiona Magowan
The Australian Journal of Anthropology, 2000
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How to (re) value Indigenous performing arts
Hilary Glow
The Asia Pacific journal of arts and …, 2011
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Disturbances and Dislocations: Understanding Teaching and Learning Experiences in Australian Aboriginal Music
Elizabeth Mackinlay
The Australian Journal of Indigenous Education
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Body, Space and Place: Creating Indigenous Performance
Thomas P Riccio
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Reclaiming Culture Indigenous Performers Take Back Their Show
Ross Kidd
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When the echoes are gone : a Yolngu musical anthropology
Peter Toner
2001
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Repatriation and innovation in and out of the field: the impact of legacy recordings on endangered dance-song traditions and ethnomusicological research
Rona Charles
Sydney University Press eBooks, 2015
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Song-poetry of Central Australia: Sustaining Traditions
Myfany Turpin
Language Documentation & Description 10: 15-36, 2011
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Sustainability of Indigenous Music Culture through Video Documentation
Jonathan Irene Sartika Dewi Max
Jurai Sembah, 2021
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Karen indigenous music and dance learning in an Australian non-formal context: A case study in maintenance and transmission
peter htoo
2010
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The Western Australian New Music Archive: finding, accessing, remembering and performing a community of practice
Cat Hope
2013
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Maintaining song traditions and languages together at Warruwi (western Arnhem Land)
Reuben Brown, Isabel O'Keeffe, Jenny Manmurulu
2017
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Returning Recordings of Songs That Persist: The Anmatyerr Traditions of Anmanty and Akiw
Jason M Gibson
Archival Returns: Central Australia and Beyond, 2019
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A Meeting of Nations: Trans-Indigenous and Intercultural Interventions in Contemporary Indigenous Dance
Rachael Swain
Theatre Journal, 2015
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Conversing tradition : Wagilak manikay 'song' and the Australian Art Orchestra's Crossing Roper Bar
Samuel Curkpatrick
2014
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Relational Returns: Relationships and the Repatriation of Legacy Song Recordings in Australia
Sally Treloyn
2017
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