Verdi and Wagner (original) (raw)

Review of Ernö Lendvai, Monika Palos, and Judit Pokoly, Verdi and Wagner.pdf

Jesse Rosenberg

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Review of Carolyn Abbate and Roger Parker, Analyzing Opera: Verdi and Wagner

Jesse Rosenberg

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Abstracts from the Belfast International Verdi Congress (pt. 2)

Carlo Matteo Mossa

1995

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Review of Reading Opera Between the Lines: Orchestral Interludes and Cultural Meaning from Wagner to Berg by Christopher Morris

Shersten Johnson

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Five Operas and a Symphony: Words and Music in Russian Culture. By Boris Gasparov. pp. xxii + 268. Russian Literature and Throught. (Yale University Press, New Haven and London, 2005, 30. ISBN 0-300-10650-5.)

Pauline Fairclough

Music and Letters, 2006

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Review of Pierluigi Petrobelli's Music in the Theater: Essays on Verdi and Other Composers

Jesse Rosenberg

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"Verdi beyond Verdi"

Claudio Vellutini

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German Opera: From the Beginnings to Wagner (review)

Kevin Amidon

Notes, 2002

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Christoph Clausen: "Macbeth Multiplied: Negotiating Historical and Medial Difference between Shakespeare and Verdi" (review). Comparative Literature Studies 44.4 (2007): 521-523.

Suddhaseel Sen

Comparative Literature Studies, 2007

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Tonal Space in the Music of Antonio Vivaldi (review)

Eleanor Selfridge-Field

Notes, 2010

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JOHN WARRACK GERMAN OPERA: FROM THE BEGINNINGS TO WAGNER Cambridge: Cambridge University Press, 2001 pp. xvi 447, ISBN 0 521 23532 4

David Buch

Eighteenth Century Music, 2004

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The Puccini Problem: Opera, Nationalism and Modernity (review)

Arman Schwartz

Notes, 2008

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Review: Ruth Müller, Erzählte Töne: Studien zur Musikästhetik im späten 18. Jahrhundert

John A Rice

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Hybrid Critical Editions of Opera: Motives, Milestones, and Quandaries

Eleanor Selfridge-Field

Notes, 2015

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Operatic ambiguities and the power of music

Ellen Rosand

Cambridge Opera Journal, 1992

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Commentary: Was Verdi a “Revolutionary”?

Stefano Castelvecchi

Journal of Interdisciplinary History, 2006

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Metrical Theory and Verdi's Midcentury Operas

William Rothstein

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A Note from the Guest Editor (introduction to "Opera and the Avant-Garde")

Arman Schwartz

Opera Quarterly 30, 2014

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"The Future of Opera" (translation draft)

Emily Richmond Pollock

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Verdi and Schiller: Die Rauber/I Masnadieri

Jane Susanna S Ennis

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La traviata: Melodramma in Three Acts , by Giuseppe Verdi, libretto by Francesco Maria Piave, edited by Fabrizio Della Seta. The Works of Giuseppe Verdi, ser. 1, Operas 19. 2 vols. Chicago: University of Chicago Press; Milan: Ricordi, 1996. Introduction and score: lxxv, 525 pp., 5 plates

Claudio Toscani

2005

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Géza Fodor, Das hoffnungslose Meisterwerk: Essays zur Musikphilosophie

Veronika Studer-Kovács

Studies in East European Thought, 2008

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Review of Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition by David Beach and Ryan McClelland. New York: Routledge, 2012.

Steven D Mathews

Indiana Theory Review, 2017

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Sunk in the Mystic Abyss: Wagner’s ‘Choral’ Orchestra

Laurence Dreyfus

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Am liebsten wäre mir Rom!": Stefan Zweig und Italien ed. by Arturo Larcati and Klemens Renolder

Cynthia Klima

Journal of Austrian Studies, 2020

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Work Published in Music Analysis 1982-2001 (Vols. 1-20)

Bethany Lowe

Music Analysis, 2002

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A Comparison of the Late Motets of Giuseppe Verdi and Johannes Brahms

Katie T Moss

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Review of David Levin. 2007. Unsettling Opera: Staging Mozart, Verdi, Wagner, and Zemlinsky . Chicago and London: University of Chicago Press

Delia Casadei

Current Musicology, 2009

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MICHAL GROVER-FRIEDLANDER, Operatic Afterlives, New York, Zone Books, 2011, pp. 253 (ISBN 978-1-935408-06-2)

Nicola Badolato

2012

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"A Note from the Guest Editor," The Opera Quarterly: Performance + Theory + History, themed issue entitled Strauss despite Strauss, guest edited by Wayne Heisler Jr., 31/4 (2015): 195–98.

Wayne Heisler

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«Introduction», in Teresa Cascudo (ed.), Nineteenth-Century Music Criticism. Turnhout: Brepols, 2017, pp. ix-xxiv.

Teresa Cascudo

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Giuseppe Verdi's Jérusalem between Adaptation and Self-Borrowing

Francesco Izzo

Nineteenth-Century Music Review

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Verdi and Schiller: Die Jungfrau von Orleans/Giovanna d'Arco

Jane Susanna S Ennis

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Allen Cadwallader and David Gagne, Analysis of Tonal Music: A Schenkerian Approach

Victoria Vaughan

Music Analysis, 2000

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Interpreting Wagner (review)

Linda Hutcheon

University of Toronto Quarterly, 2004

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