Socio-Technical Networks and Music Production Competencies (original) (raw)

An intermediary between production and consumption: the producer of popular music

Antoine Hennion

Science, Technology & Human Values, 1989

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Production Perspectives in the Sociology of Music

Timothy J Dowd

Poetics: Journal of Empirical Research on Culture, the Media, and the Arts, 2004

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McIntyre, P. (2008) ‘The Systems Model of Creativity: Analyzing the Distribution of Power in the Studio’, 4th Art of Record Production International Conference, University of Massachusetts, Lowell, Nov 2008: published in Journal of the Art of Record Production, Issue 4

Phillip McIntyre

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Tuomas Auvinen : Differences and Similarities in the Role and Creative Agency of Producers in Pop , Rock and Classical

Tuomas Auvinen

2019

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Music Production as a Tool of Research, and Impact

Lucy Durán

Ethnomusicology Forum, 2011

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The Role of the Music Producer: A Critical and Comparative Account of Two Eras – 1950's and 2000's' - Rae, A. (2017)

Andrew S Rae

University of Glasgow, 2017

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McIntyre, P. (2007) ‘Rethinking Creativity: Record Production and the Systems Model’, 3rd Art of Record Production International Conference, Queensland University of Technology, Brisbane Dec 10-11, 2007.

Phillip McIntyre

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A study of social relations in the recording of popular music

Stephen Struthers

1986

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Differences and Similarities the Role and Creative Agency of Producers in Pop, Rock and Classical

Tuomas Auvinen

Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi, 2019

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Making Music Sociology

Timothy J Dowd

Poetics: Journal of Empirical Research on Culture, the Media, and the Arts , 2004

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Producing Music, Producing Myth? Creativity in Recording Studios

Dr Paul Thompson

Journal of the International Association for the Study of Popular Music, 2016

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A New Breed of Home Studio Producer: Agency and Cultural Space in Contemporary Home Studio Music Production

Tuomas Auvinen

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(2016) Eds. Klein, E. and Bennett, S. Perspectives on Popular Music and Sound Recording. iaspm@journal [online] Vol. 6, #2 ISSN: 2079-3871

Eve Klein, Samantha Bennett

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Women in the Studio: Creativity, Control, and Gender in Popular Music Sound Production. By Paula Wolfe. Abingdon: Routledge, 2020. 224 pp. ISBN 9781472474872

Yngvar Kjus

Popular Music

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The Role and Working Practice of Music Producers: An Interpretative Phenomenological Analysis

Adam Martin

2014

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"What Happens in the Cabin . . .": An Arts-Based Autoethnography of Underground Hip Hop Song Making

Anthony Kwame Harrison

2014

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Tracking the creative process in music: New issues, new methods

Caroline Traube

Musicae Scientiae, 2016

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The Rise and The Craft of The Record Producer

Burak Beklenoglu

Coursework for MSc in Music Information Technology, 1996

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Producing, Reproducing and Exposing the Myths of Creativity Inside the Recording Studio

Dr Paul Thompson

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Is music production now a composition process?

Paul Ramshaw

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'The labour that dare not speak its name: musical creativity, labour process and the materials of music', in Eric F. Clarke, and Mark Doffman (eds), Distributed Creativity: Collaboration and Improvisation in Contemporary Music

Jason Toynbee

Oxford Scholarship Online, 2017

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A New Breed Of Home Studio Producer?: Agency And The Idea ‘Tracker’ In Contemporary Home Studio Music Production

Tuomas Auvinen

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Dawn of the DAW: The Studio as Musical Instrument. By Adam Patrick Bell. New York: Oxford University Press, 2018

Jasmine A . Henry

Journal of the Society for American Music

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Skeletons in the DJ booth - Technology and the mystification of creative processes in modern electronic dance music (early observations)

Jonathan Weatherill-Hunt

2019

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Understanding Musical Practices as Agency Networks

Andrew R Brown

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CMNS 321: The Cultural Production of Popular Music

Robert Prey

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Musical implications of media and network infrastructures Perturbations of traditional artistic roles

Atau Tanaka

H2PTM, 2001

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Tracking the creative process in music: New issues, new methods, Musicae Scientiae special issue, 2016, Vol. 20(3)

Caroline Traube

Musicae Scientiae, 2016

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Social, Musical and Technical Processes in the Recording Session

Adam Martin

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Hip-Hop Turntablism, Creativity and Collaboration (Sophy Smith)

Sophy Smith

Dancecult, 2014

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Scratching out authorship: Representations of the electronic music DJ at the turn of the 21st century

Bill D Herman

Popular Communication, 2006

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Topical Interpretations of Production Music

Anna Kaila

2012

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What has been left unsaid about studio practices - How producers and engineers prepare, manage, and direct recording sessions

Amandine Pras

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Snowflake Music: A Music Production Company in the Making

Ingrid M . Tolstad

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Delocalization of Sound Recording and the Development of Transnational Networks: Music Production in the Post-COVID Era

Marco Antonio Juan de Dios Cuartas

Journal of the International Association for the Study of Popular Music, 2021

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