Socio-Technical Networks and Music Production Competencies (original) (raw)
An intermediary between production and consumption: the producer of popular music
Antoine Hennion
Science, Technology & Human Values, 1989
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Production Perspectives in the Sociology of Music
Timothy J Dowd
Poetics: Journal of Empirical Research on Culture, the Media, and the Arts, 2004
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McIntyre, P. (2008) ‘The Systems Model of Creativity: Analyzing the Distribution of Power in the Studio’, 4th Art of Record Production International Conference, University of Massachusetts, Lowell, Nov 2008: published in Journal of the Art of Record Production, Issue 4
Phillip McIntyre
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Tuomas Auvinen : Differences and Similarities in the Role and Creative Agency of Producers in Pop , Rock and Classical
Tuomas Auvinen
2019
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Music Production as a Tool of Research, and Impact
Lucy Durán
Ethnomusicology Forum, 2011
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The Role of the Music Producer: A Critical and Comparative Account of Two Eras – 1950's and 2000's' - Rae, A. (2017)
Andrew S Rae
University of Glasgow, 2017
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McIntyre, P. (2007) ‘Rethinking Creativity: Record Production and the Systems Model’, 3rd Art of Record Production International Conference, Queensland University of Technology, Brisbane Dec 10-11, 2007.
Phillip McIntyre
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A study of social relations in the recording of popular music
Stephen Struthers
1986
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Differences and Similarities the Role and Creative Agency of Producers in Pop, Rock and Classical
Tuomas Auvinen
Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi, 2019
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Making Music Sociology
Timothy J Dowd
Poetics: Journal of Empirical Research on Culture, the Media, and the Arts , 2004
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Producing Music, Producing Myth? Creativity in Recording Studios
Dr Paul Thompson
Journal of the International Association for the Study of Popular Music, 2016
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A New Breed of Home Studio Producer: Agency and Cultural Space in Contemporary Home Studio Music Production
Tuomas Auvinen
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(2016) Eds. Klein, E. and Bennett, S. Perspectives on Popular Music and Sound Recording. iaspm@journal [online] Vol. 6, #2 ISSN: 2079-3871
Eve Klein, Samantha Bennett
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Women in the Studio: Creativity, Control, and Gender in Popular Music Sound Production. By Paula Wolfe. Abingdon: Routledge, 2020. 224 pp. ISBN 9781472474872
Yngvar Kjus
Popular Music
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The Role and Working Practice of Music Producers: An Interpretative Phenomenological Analysis
Adam Martin
2014
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"What Happens in the Cabin . . .": An Arts-Based Autoethnography of Underground Hip Hop Song Making
Anthony Kwame Harrison
2014
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Tracking the creative process in music: New issues, new methods
Caroline Traube
Musicae Scientiae, 2016
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The Rise and The Craft of The Record Producer
Burak Beklenoglu
Coursework for MSc in Music Information Technology, 1996
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Producing, Reproducing and Exposing the Myths of Creativity Inside the Recording Studio
Dr Paul Thompson
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Is music production now a composition process?
Paul Ramshaw
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'The labour that dare not speak its name: musical creativity, labour process and the materials of music', in Eric F. Clarke, and Mark Doffman (eds), Distributed Creativity: Collaboration and Improvisation in Contemporary Music
Jason Toynbee
Oxford Scholarship Online, 2017
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A New Breed Of Home Studio Producer?: Agency And The Idea ‘Tracker’ In Contemporary Home Studio Music Production
Tuomas Auvinen
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Dawn of the DAW: The Studio as Musical Instrument. By Adam Patrick Bell. New York: Oxford University Press, 2018
Jasmine A . Henry
Journal of the Society for American Music
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Skeletons in the DJ booth - Technology and the mystification of creative processes in modern electronic dance music (early observations)
Jonathan Weatherill-Hunt
2019
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Understanding Musical Practices as Agency Networks
Andrew R Brown
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CMNS 321: The Cultural Production of Popular Music
Robert Prey
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Musical implications of media and network infrastructures Perturbations of traditional artistic roles
Atau Tanaka
H2PTM, 2001
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Tracking the creative process in music: New issues, new methods, Musicae Scientiae special issue, 2016, Vol. 20(3)
Caroline Traube
Musicae Scientiae, 2016
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Social, Musical and Technical Processes in the Recording Session
Adam Martin
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Hip-Hop Turntablism, Creativity and Collaboration (Sophy Smith)
Sophy Smith
Dancecult, 2014
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Scratching out authorship: Representations of the electronic music DJ at the turn of the 21st century
Bill D Herman
Popular Communication, 2006
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Topical Interpretations of Production Music
Anna Kaila
2012
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What has been left unsaid about studio practices - How producers and engineers prepare, manage, and direct recording sessions
Amandine Pras
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Snowflake Music: A Music Production Company in the Making
Ingrid M . Tolstad
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Delocalization of Sound Recording and the Development of Transnational Networks: Music Production in the Post-COVID Era
Marco Antonio Juan de Dios Cuartas
Journal of the International Association for the Study of Popular Music, 2021
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