Beethoven's intellectual game: the evolutionary process of melody from Cannabich to Schiller's Ode to Joy (original) (raw)

The Ode to Joy: Music and Musicality in Tragic Culture

Lydia Goehr

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Beethoven and creativity

Michelle Rasmussen

Executive Intelligence Review, 2021

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Beethoven's Erinnerungen: a musical journey from Joseph Haydn to Paul Wranitzky

Leone M. Jennarelli

XHAMUEL Papers (Musicology Series), 2014

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Review of Jeremy Yudkin, From Silence to Sound: Beethoven's Beginnings

Jeffrey Swinkin

Ninetenth-Century Music Review, 2021

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Festivity. Expressive Quality and Historical Semantics in Beethoven

Frank Hentschel

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Festiveness: Expressive quality and historical semantics in Beethoven

Frank Hentschel

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The change in Beethoven’s music composition: Is there a role of his mental distress?

Jean-françois Jusot

4open

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Structure, Rhetoric, Imagery: Intersections of Literary Expression and Musical Narrative in the Vocal Works of Beethoven

Matthew Pilcher

2013

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'All Men Become Brothers': The Decades-Long Struggle for Beethoven's Ninth Symphony

Michelle Rasmussen

Executive Intelligence Review, 2015

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Beethoven's Anvil: Music in Mind and Culture, Chapters 2 & 3

Bill Benzon

2001

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Pour the sweet milk of concord into hell': Theories of Unity and Disunity in Late Beethoven

James Parsons

Music Analysis, 1999

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Relating Musical Structure and Content to Aesthetic Response: A Model and Analysis of Beethoven’s Piano Sonata Op. 110

Adam Ockelford

Journal of the Royal Musical Association, 2005

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Mozart’s Klaviersonate KV 457: An inspiration for Beethoven's "Pathétique" (op. 13)

Charalampos Risvas

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"A Heap of Broken Images"? Reviving Austro-German debates over musical meaning, 1900-1936

Matthew Pritchard

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A quantitative analysis of Beethoven as self-critic: Implications for psychological theories of musical creativity

Aaron Kozbelt

Psychology of Music, 2007

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An approach to Beethoven's 10th Symphony

Gonzalo Mendez

ArXiv, 2020

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Beethoven and his Others (BF)

Nicholas Mathew

Beethoven Forum, 2006

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On Narrativity in Music: Expressive Genres and Levels of Discourse in Beethoven

Robert Hatten

1991

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Beethoven's Symphony No. 1 in C Major, Op. 21: Historical, Theoretical and Performance Interpretations

Nicholas Alexander Brown

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Review of Richard Will, The Characteristic Symphony in the Age of Haydn and Beethoven (Cambridge University Press, 2002)

John Snyder

Music theory online, 2004

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Text, Sound and the Freedom of Interpretation: Observations on Beethoven's Music (Musiktheorie: Zeitschrift für Musikwissenschaft, 28(4), 2013, 325-350)

Antonio Baldassarre

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On Listening to Atonal Variants of Two Piano Sonatas by Beethoven

Joanna Kantor-Martynuska, Philippe Lalitte

Music Perception, 2009

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Beethoven at large: reception in literature, the arts, philosophy, and politics

David Dennis

The Cambridge Companion to Beethoven, 2000

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Looking into the minds of Bach, Haydn and Beethoven: Classification and generation of composer-specific music

Dorien Herremans

Working paper

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Across the extremes. Notes on the last period of Beethoven

Diego Agulló

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Beethovens' Cavatina

Arvid Munson

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W.Dean Sutcliffe, Instrumental Music in an Age of Sociability: Haydn, Mozart and Friends (Cambridge University Press, 2020). xiv + 598 pp. £135 (hb). ISBN 9781107013810

Marten Noorduin

Music Analysis, 2023

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"Perceiving Irony in Music: The Problem in Beethoven's String Quartets" Music Theory Online (2016)

Janet Bourne

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Beethoven — the Zeus of Modernity

Helmut Loos

The Culturology Ideas, 2020

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“The Gospel of World Harmony”; Or, Beethoven’s Transformation of Schiller’s “An Die Freude” Into World Music Literature

Peter Höyng

Modern Language Quarterly, 2013

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Name That Tune: Semiconscious and Subconscious Musical Borrowing in Western Music, 1750-1900

James S . MacKay

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On the Task of the Music Historian

Sanna Pederson

repercussions, 1993

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Manchester 1st International Beethoven Conference

Benedetta Saglietti

Martin Harris Centre | The University of Manchester, 2012

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Writing Under the Influence?: Salieri and Schubert's Early Opinion of Beethoven

Christopher Gibbs

Current Musicology, 2003

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The Correspondence Between Composition in Fine Arts and Music throughout History

Aleksey Nikolsky

Frontiers in Psychology, 2016

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