original ) (raw )From the Scriptoria to the Printing Press
Deirdre Barron
International Journal of the Book, 2009
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PRINTING REVOLUTION AND SOCIETY 1450-1500. FIFTY YEARS THAT CHANGED EUROPE (Conference - Venice, 19-21 Sept. 2018)
Cristina Dondi , Alessandra Panzanelli , Birgit Mikus , Geri Della Rocca de Candal , Sabrina Minuzzi
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Manual Impressions: Visualizing Print in Manuscript, Europe c.1450-1850, ed. Sonja Drimmer, special issue of Digital Philology 9.2 (2020).
Sonja Drimmer
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On Digital-Medieval Manuscript Culture: A Tentative Manifesto
Emily Francomano
Digital Philology: A Journal of Medieval Cultures, 2018
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Research Project “Communities of Print in Early Modern Europe”
Rosamund Oates
Actual Problems of Theory and History of Art
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Co-curated with David Jordan, "Scripting the Sacred: Medieval Latin Manuscripts," exhibition overview / Stanford Libraries and Special Collections
Kathryn Dickason
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The Illuminated Manuscript in the Age of Digital Reproduction: Beyond Benjamin and "contra" Camille?
Nicholas Herman
The challenge of the object: 33rd congress of the International Committee of the History of Art, Nuremberg, 15th - 20th July 2012 = Die Herausforderung des Objekts: 33. Internationaler Kunsthistoriker-Kongress/ CIHA 2012, Nürnberg. Germanisches Nationalmuseum, pp. 599-602, 2013
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Printing and Misprinting: A Companion to Mistakes and In-House Corrections in Renaissance Europe (1450-1650), ed. Geri Della Rocca de Candal, Anthony Grafton, and Paolo Sachet, Oxford 2023
Marta Celati , Geri Della Rocca de Candal , Grigory Vorobyev , Anna Dlabačová , Paolo Sachet , Jan Hillgärtner , Veronika Sladka , Amy Lidster , Pavel Sladek , Caroline Duroselle-Melish
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Review: Jurkowlaniec and Herman, eds. The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries (London: Routledge, 2021), in HNAR: https://hnanews.org/hnar/reviews/the-reception-of-the-printed-image-in-the-fifteenth-and-sixteenth-centuries-multiplied-and-modified/)
Arthur J . DiFuria
Historians of Netherlandish Art Reviews, 2021
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From Pen to Print-a Revolution
Angela McShane
The European World 1500-1800, ed. Beat Kumin, 2022
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Print, Community and Conflict in the Erasmian Republic of Letters, 1517-1521
Tim Wade
Communities of Print: Authors, Readers, and Printers in the Early Modern World: A Conference in Memory of Natalie Zemon Davis and James K. McConica on the Sixtieth Anniversary of the Founding of the Colloquium
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Persuaded by Script: Handwriting in the Age of Print
Renée Schilling
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Introduction: Beyond the Text. Interpretation and Materiality of Early Modern Manuscripts and Prints
André de Melo Araújo
Espacio, Tiempo y Forma. Serie IV, Historia Moderna, 2022
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Review of Printing the Classical Text, by Howard Jones
Julia Gaisser
2005
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Julia Boffey, Manuscript and Print in London c. 1475-1530 (London: British Library, 2012)
Ivan Lupić
2015
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Manuscripts and Printed Books in Europe 1350-1550: Packaging, Presentation and Consumption, ed. Emma Cayley and Susan Powell
Elizabeth L'Estrange
Cahiers de recherches médiévales et humanistes, 2016
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“Medieval Manuscripts and Electronic Media: Observations on Future Possibilities,” New Directions in Later Manuscript Studies, ed. Derek Pearsall (Woodbridge: Boydell for York Medieval Press, 2001), pp. 53-64.
Martha Driver
“Medieval Manuscripts and Electronic Media: Observations on Future Possibilities” , 2001
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‘The Rise of the stampatore camerale: Printers and Power in the Early Sixteenth-Century Rome’, in Print and Power in Early Modern Europe (1500-1800), ed. by J. Cumbie, N. Lamal and H. Helmers, Leiden and Boston 2021, pp. 181-201
Paolo Sachet
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Review of Scribes, Script, and Books: The Book Arts from Antiquity to the Renaissance, by Leila Avrin
Fred Jenkins
1992
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From Manuscript as Text-container to Manuscript as Artefact: An Odyssey
Michael E . Stone
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To Copy, To Impress, To Distribute: The Start of European Printing
Bennett Gilbert
On_Culture, 2019
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Medieval Manuscripts, Their Makers and Users. A Special Issue of Viator in Honor of Richard and Mary Rouse, published under the auspices of the Center for Medieval and Renaissance Studies, University of California, L
John Crossley
Studi Francesi, 2016
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Continuities in spite of capitalism: a brief examination of manuscripts and printed books in and around the fifteenth and sixteenth centuries
Michael J . Garabedian
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Printed for Performance: Ceremonial and Interactive Aspects of Books from Europe’s First Presses
Eric White
RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage
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Reproducible Media in the Fifteenth Century, Mostly Italian
Arne R Flaten
Post-Medieval, 2012
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Not set in stone : epigraphy between manuscript and print in Renaissance Europe, 1521-1603
Paloma Galván
2021
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Programme of the London Medieval Manuscripts Seminar 2018/19
Julia Crick
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Publishing for the Popes : The Roman Curia and the Use of Printing (1527-1555), Leiden-Boston 2020
Paolo Sachet
Publishing for the Popes: The Roman Curia and the Use of Printing (1527-1555) , 2020
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Introduction: Script, Print and History
Julia Crick
their The Uses of Script and Print
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Leila Avrin, Scribes, Script, and Books: The Book Arts from Antiquity to the Renaissance
Fred Jenkins
College & Research Libraries, 1992
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Histories of Print, Manuscript, and Performance in America, American Antiquarian Society, Worcester, Massachusetts, June 2005 (review)
Elizabeth Maddock Dillon
Early American Literature, 2006
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“Teaching the Codex as Communication Technology.” Studies in Medieval and Renaissance Teaching 19.1 (2012): 25-38.
David C. Mengel
Studies in Medieval and Renaissance Teaching, 2012
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The Cultural Heritage of Printing in the 15-18th Centuries as Digital Resources – a Reconnaissance
Agnieszka Fluda-Krokos
Perspektywy Kultury
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Tributes to Jonathan J.G. Alexander: the Making and Meaning of Illuminated Medieval & Renaissance Manuscripts, Art & Architecture (review)
Susan L'Engle
Parergon, 2008
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"’None haue behynde theim, left so greate treasure’: tracing intertextuality and paratextual development from manuscript to print in 15th and 16th century English chronicles” in Session #565 “Manuscript to Print and Back Again: Medieval Manuscripts and Early Printed Books.”
Dr. Andrea Nichols
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