Cross-Cultural and Anti-Colonial/Imperial Research: ICMPC-ESCOM 2021 Workshop (original) (raw)

Towards a Global History of Music? Postcolonial Studies and Historical Musicology.

Jacob Olley

Ethnomusicology Review [non-peer-reviewed article], 2016

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SHARED RESEARCH PRACTICES ON AND ABOUT MUSIC: TOWARD DECOLONISING COLONIAL ETHNOMUSICOLOGY (2018)

Susana Sardo

Martí, Josep and Revilla Gútiez, Sara (eds) (2018) Making Music, Making Society. Newcastle: Cambridge Scholars Publishing. , 2018

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Music and Imperialism

Pegram Harrison

2011

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Review of Michael Tenzer and John Roeder, eds.,Analytical and Cross-Cultural Studies in World Music(Oxford University Press, 2011)

Chelsea Burns

Music Theory Online, 2012

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Special issue: Decolonising music and music studies

Shzr Ee Tan

Ethnomusicology Forum, 2021

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Ronald Radano and Tejumola Olaniyan, eds., Audible Empire: Music, Global Politics, Critique (Durham, NC: Duke University Press, 2016), ISBN 978-0-82235-986-9 (hb), 978-0-82236-012-4 (pb)

Gavin Williams

Twentieth-Century Music, 2018

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World Music Research Essay 1

Margaret Dunleavy

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Introduction to Special Issue: "Contemplating Music across Cultures and Contexts: Philosophical Perspectives"

Jonathan L Friedmann

Journal of Comparative Literature and Aesthetics, 2023

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"Music, Migration, and Sexuality" [review essay], Journal of World Popular Music 2:2 (2015): 271–282.

Samuel Dwinell

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Cross-Border Theorizing without Extraction? Legacies and Possibilities for Global Music History (Co-authored with Olivia Bloechl)

Hyun Kyong Hannah Chang

Journal of the American Musicological Society, 2023

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(CALL FOR PAPERS) Fifth International Conference on Analytical Approaches to World Music (AAWM 2018) June 26–29, 2018 Aristotle University of Thessaloniki, Greece

Mohammad Reza Azadehfar محمدرضا آزاده فر

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Analytical Studies in World Music edited by Michael Tenzer. New York: Oxford University Press, 2006. 434 pp + CD, £17.99 paperback. ISBN 0195177894

K. Natasha Foreman

British Journal of Music Education, 2008

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Musical discovery, colonialism, and the possibilities of intercultural communication through music

Gavin Carfoot

Popular Communication, 2016

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A Cross-Cultural Study of Music in History

Michael Opoku Agyeman

International Journal of Culture and History (EJournal), 2016

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Beyond Exoticism: Western Music and the World. Taylor, Timothy D. 2007. Durham: Duke University Press. xv, 304 pp., 16 illustrations, notes, bibliography, index

Lee Watkins

African Music: Journal of the International Library of African Music, 2007

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The Universalist Claims of Music History in the Absence of Postcolonial Theory

Wouter Capitain

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Music and Empire in Britain and India: Identity, Internationalism, and Cross-Cultural Communication by Bob van der Linden

Wim van der Meer

Asian Music, 2018

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The Music of the Other: New Challenges for Ethnomusicology in a Global Age , by Laurent Aubert . Foreword by Anthony Seeger . Translated by Carla Ribeiro . Paperback ed. Aldershot, UK, and Burlington, VT: Ashgate, 2007. xii, 96 pp. (Originally published as La musique de l'autre: Les nouveaux défi...

Laurent Aubert

Journal of The American Musicological Society, 2009

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Jähnichen, Gisa (2011). Constructions of the Musical “West” in Asian Cultures. Musical Thoughts in the Globalised Century. Edited by Fung Ying Loo, Mohd Nasir Hashim, Fung Chiat Loo. Saarbrücken: VDM, pp. 1-25.

Gisa Jähnichen

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Review: Audible Empire: Music, Global Politics, Critique by Ronald Radano and Tejumola Olaniyan

Gavin Williams

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MUSIC IN POSTSOCIALISM: THREE DECADES IN RETROSPECT, Biljana Milanović, Melita Milin and Danka Lajić Mihajlović (eds.), Belgrade: Institute of Musicology SASA, 2020.

Biljana Milanovic, Danka Lajic Mihajlovic, Melita Milin

2020

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The Conflicting Discourses of World Music and world music

eammon msetfi

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The Music of The Other: New Challenges for Ethnomusicology in a Global Age

Izaly Zemtsovsky

Journal of Folklore Research Reviews, 2008

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Jähnichen, Gisa (2018). Review Essay—Francesco Giannattasio & Giovanni Giuriati, eds. 2017. “Perspectives on a 21st Century Comparative Musicology: Ethnomusicology or Transcultural Musicology?’ AEMR-EJ, 1: 65-69.

Gisa Jähnichen

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Jähnichen, Gisa (2012). How Much “World” Is World Music? Essays on World Music and its Preservation. Edited by Loo Fung Chiat, Loo Fung Ying, Mohd Nasir Hashim. Saarbrücken: LAP LAMBERT Academic Publishing, pp. 71–83.

Gisa Jähnichen

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Perspectives on a 21st Century Comparative Musicology: Ethnomusicology or Transcultural Musicology?

Giovanni De Zorzi

Ethnomusicology, 2021

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Editorial: Anthropology of Music Part III

Dragana Antonijevic

Etnoantropološki Problemi, 2019

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Musical Composition in the Context of Globalization. New Perspectives on Music History in the 20th and 21st Century (open access)

Christian Utz

2021

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(with Philip Bohlman) Editorial: Musicology in an Era of Response and Responsibility

Federico Celestini

Acta Musicologica, 2018

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Global Musical Modernisms as Decolonial Method

Gavin SK Lee

Twentieth-Century Music 20.3, 2023

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World Music: A Medium for Unity and Difference?

Carsten Wergin

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Reflections of coloniality in the new music scene (English translation)

Gabriel Dharmoo

Intersections, 2019

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Social Justice and Music Education: Claiming the Space of Music Education as a Site of Postcolonial Contestation

Lise Vaugeois

2007

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Bob van der Linden. Music and Empire in Britain and India: Identity, Internationalism, and Cross-Cultural Communication. Palgrave Studies in Cultural and Intellectual History series. Basingstoke, UK: Palgrave Macmillan, 2013. Pp. 232. $85.00 (cloth)

Bennett Zon

Journal of British Studies, 2014

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[Book Review] Towards a Global Music Theory: Practical Concepts and Methods for the Analysis of Music Across Human Cultures, by Mark Hijleh

Michael Balonek

Global Forum for Arts & Christian Faith, 2016

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