original ) (raw )Spanish Comedy and Historical Contexts in the 1620s
Barbara Mujica
Bulletin of the Comediantes, 1997
View PDFchevron_right
Towards a Definition of European Tragicomedy and Romantic Comedy of the Seventeenth Century: The Courtly Fashion in England and Spain
Luciano García García
1999
View PDFchevron_right
The Discourse of Courtly Love in Seventeenth Century Spanish Theater , by Robert Bayliss
Hilaire Kallendorf
Comparative Drama, 2009
View PDFchevron_right
"What’s the Matter?" Murderous Husbands and “Adulterous” Wives in Early Modern English and Spanish Drama
Rachel E. Holmes
In Pursuit of Truth: Law and Emotion in Early Modern Europe (=Forum for Modern Language Studies 54.1), 2018
View PDFchevron_right
Homosociality and Dramatic Conflict: A Reconsideration of Early Modern Spanish Comedy
Barbara Simerka
View PDFchevron_right
Mary Pix As “Female Wit” of English Stage: The Representation of The Seventeenth Century Women in The Beau Defated And The Spanish Wives
Gökçenaz Gayret
2023
View PDFchevron_right
Motherhood And The Identity Formation Of Masculinities In Sixteenth-Century “Erudite Comedy”
Yael Manes
2010
View PDFchevron_right
Comparative Critical Approaches to Renaissance Comedy
Massimo Ciavolella
Renaissance and Reformation, 1969
View PDFchevron_right
Theory of Mind and Early Modern Spanish Courtship Drama (Zayas, Caro, Azevedo, Ruiz de Alarcón, Moreto)
Barbara Simerka
View PDFchevron_right
Family Matters: A Study of On- and Off-Stage Marriage and Family Relations in Seventeenth-Century Spain
Darci Strother
1999
View PDFchevron_right
Review of Jean Marsden, _Fatal Desire: Women, Sexuality, and the English Stage, 1660-1720_
Brett Wilson
View PDFchevron_right
Jorge Figueroa, “Having ‘To Bear the Yoke': Women and Jest-Books of the Early Seventeenth Century”
SEDERI Yearbook
View PDFchevron_right
The adulteress in Spanish tragedy (1830--1930)
Tracie Amend
2009
View PDFchevron_right
Purificación Ribes, "Country viwes and country girls in eighteenth-century England . A history of theatrical rewriting"
SEDERI Yearbook
View PDFchevron_right
Contexts for Early English Drama ed. by Marianne G. Briscoe and John C. Coldewey
Ann Nichols
Comparative Drama, 1990
View PDFchevron_right
Restoration and Eighteenth-Century Drama: New Directions in the Field
Laura J . Rosenthal
View PDFchevron_right
Representations of gentility in the dramatic works of the Beaumont and Fletcher canon
Marina Hila
1997
View PDFchevron_right
Household stuff": The Sexual Politics of Domesticity and the Advent of English Comedy
Wendy Wall
Elh, 1998
View PDFchevron_right
Alicante Journal of English Studies 25(2012): 241-255
Jesús Tronch
2016
View PDFchevron_right
Politeness and Prurience: Situating Transgressive Sexualities in the Long Eighteenth Century
Freya Gowrley
View PDFchevron_right
‘Tickling the senses with sinful delight’: the pleasure of reading comedies in early modern England
Hannah August
The senses in early modern England, 1558–1660, 2015
View PDFchevron_right
The Comedia of Virginity: Mary and the Politics of Seventeenth-Century Spanish Theater
Rosilie Hernández
Hispanic American Historical Review, 2014
View PDFchevron_right
Katrina O’Loughlin, ‘‘‘Strolling Roxanas”: Sexual Transgression and Social Satire in the Eighteenth Century’ in Susan Broomhall (ed) Spaces for Feeling: Emotion and Sociabilities in Britain, 1650-1850 (Routledge, 2015).
Katrina O'Loughlin
Spaces for Feeling: Emotion and Sociabilities in Britain, 1650-1850
View PDFchevron_right
Eighteenth-Century Losers: Anxious Performances of Masculinity in Long Eighteenth- Century England
Kellye Corcoran
2011
View PDFchevron_right
"How emotions were used as strategies of power and shaped language in the plays and Memoirs of Margaret Cavendish"
María José Álvarez-Faedo
(Re)defining gender in Early Modern English drama, 2020
View PDFchevron_right
The Bella Donna and the Zerbino: Female Authorship and Effeminate Masculinity in Margherita Costa’s 1639 Lettere amorose
Sara Diaz , Konrad Eisenbichler
2020
View PDFchevron_right
The Comedia of Virginity: Mary and the Politics of Seventeenth-Century Spanish Theater. By Mirzam C. Pérez. Waco, TX: Baylor University Press, 2012. Pp. ix + 173. $39.95 Hb
Rosilie Hernández
Theatre Research International, 2014
View PDFchevron_right
"The play of characters in the fragments of Middle Comedy". International conference: Sub palliolo sordido. Studi sulla commedia frammentaria greca e latina. University of Padova, 15 October 2020. (With full video of the conference.)
Ioannis Konstantakos
View PDFchevron_right
Book Review of Helen Hackett's A Short History of English Renaissance Drama. Sixteenth Century Journal. 44.3 (2013): 1186-88
Horacio Sierra
View PDFchevron_right
Protestantism and Drama in Early Modern England (review)
Richard McCoy
Shakespeare Quarterly, 2012
View PDFchevron_right
Women Playwrights of Early Modern Spain: Feliciana Enríquez de Guzmán, Ana Caro Mallén and Sor Marcela de San Félix ed. by Nieves Romero-Díaz and Lisa Vollendorf
Alexander Samson
Bulletin of the Comediantes
View PDFchevron_right
Playing with Passions: Two Parallel Adaptations of Calderón's El mayor encanto amor in the Low Countries, c. 1670
Tim Vergeer
International Federation of Theatre Research: Theatre and Migration: Theatre, Nation and Identity: Between Migration and Stasis, 2018
View PDFchevron_right
Theatre and State in France, 1760-1905 by Hemmings, F. W. J
Felicia H Londré
Comparative Drama, 1996
View PDFchevron_right
The Theatrical Self in Renaissance England
Michael Macrone
Qui Parle, 1989
View PDFchevron_right
Her Own Humor: Contrasting Philosophical Discourses of Femininity in Shakespeare's Comedies of Humors
Aviva T Farkas
Comitatus: A Journal of Medieval and Renaissance Studies, 2022
View PDFchevron_right