Between Plasticity and Performance: an ontological account of electroacoustic music (original) (raw)
Related papers
Organised Sound Volume 18 / Special Issue 01 / March 2013, pp 60 - 70, 2013
2016
Practice, process and aesthetic reflection in electroacoustic music
Organised Sound, 2007
COMPOSITIONAL EXPLORATIONS OF PLASTIC SOUND, 2007
Where are the works? Sketches for an ontological musicology of (electroacoustic) music
From tape to typedef 2013 Conference, 2013
Diminishing Returns: On the Performativity of Musical Sound
Routledge Companion to Performance Philosophy, 2020
The Acousmatic Musical Performance: an ontological investigation
The Acousmatic Musical Performance: an ontological investigation, 2013
The Identity of the Work: agents and processes of electroacoustic music
Organised Sound, 2006
Les Musiques Électroacoustiques: Construction of a Discipline
Sound Art and Music: Philosophy, Composition, Performance
Adam Stanovic (Stansbie), John Dack, tansy spinks
Sound Art and Music: Philosophy, Composition, Performance, 2020
Organised Sound, 2015
Organised Sound, 2018
The Flux Between Sounding and Sound: Towards a Relational Understanding of Music as Embodied Action
Towards a Taxonomy of Electroacoustic Music: Dualistic Continuums as Compositional Tools
SSSP 2013, De Montfort University: conference proceedings
Sound models, metaphor and mimesis in the composition of electroacoustic
2015
Performing structure: Music, art and space
Virtual Works – Actual Things : Essays in Music Ontology
Leuven University Press eBooks, 2018
Materials, Meaning and Metaphor: Unveiling Spatio-Temporal Pertinences in Acousmatic Music
2007
Being Itself: Improvised electronic music as simulation, interface and shadow- maker
Music as performance – gestures, sound and energy
Journal for Research in Arts and Sports Education
The musical process in the age of digital intervention
2000
Beyond the acousmatic: hybrid tendencies in electroacoustic music
Music, electronic media and culture, 2000
Towards a Taxonomy of Electroacoustic Music : Dialectic Continuums as Compositional Tools
2014
Sound as Musical Material. Three Approaches to a Material Perspective on Sound and Music
In: Papenburg, Jens, Holger Schulze (Eds.): Sound as Popular Culture. A Research Companion. Cambridge, MA: MIT press 2016, p. 53-64., 2016, 2016
CONFIGURING CORPOREALITY: Performing bodies, vibrations and new musical instruments
2014
Across Fields: Sound, art and technology from an electromechanical perspective
Organised Sound
2018
Ontological topics of music composition
Древен Египет, светът на Средиземноморието и Изтока, 2022
The electroacoustic and its double : duality and dramaturgy in live performance
2011