“God’s Capellmeister: The Proclamation of Scripture in the Music of Johann Sebastian Bach”, Pacifica 24.2 (2011). (original) (raw)

Composition as Art of Speculation and Theological Expression in Bach’s “Musical Offering”

Alberto Ferro

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Exploring the Limits: the Tonal, the Gestural and the Allegorical in Bach's Musical Offering

Ruth HaCohen (Pinczower)

Understanding Bach 1 , 2006

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Re-reading Bach as a Lutheran Theologian

Roland Chia

Dialog-a Journal of Theology, 2008

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The Triumph of ‘Instrumental Melody’: Aspects of Musical Poetics in Bach’s St. John Passion

Laurence Dreyfus

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Johann Sebastian Bach's Symbolum Nicenum: A Catholic Text with Lutheran Implications

Tucker B Bilodeau

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Authority as performance: the love of Bach in nineteenth-century France

Joël-Marie Fauquet, Antoine Hennion

Poetics, 2001

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Bach's Changing World: Voices in the Community - Edited by Carol K. Baron

Carol K Baron

Journal for Eighteenth-century Studies, 2008

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‘Thinking through Singing’— The Strategic Significance of J.S. Bach’s {A Musical Offering}

David Shavin

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Program notes, 1956: Bach, The Passion of Our Lord According to St. Matthew

Emanuel Winternitz

Metropolitan Museum of Art: Concerts for Members, 1956

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Savouring the essence of Christianity: the first Dutch performances of Bach's sacred music (1870-1899)

Jeroen van Gessel

Tijdschrift van de Vereniging voor Nederlandse muziekgeschiedenis, 2024

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Preaching and the Power of Music: A Dialogue between Pulpit and Choir Loft in 1689 (Yale Journal for Music and Religion 2015)

Markus Rathey

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Expression and Meaning In Bach Performance and Reception: An Examination of the B Minor Mass on Record

Uri Golomb

2004

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The cult of Luther in music

Grantley McDonald

Early Music Printing in German-Speaking Lands, ed. Andrea Lindmayr-Brandl, Elisabeth Giselbrecht and Grantley McDonald (London: Routledge, 2018): 199–224.

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14. Johann Sebastian Bach’s Two-Choir Passion

Hans Walter Gabler

Open Book Publishers, 2018

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J.S Bach in Leipzig: Compositions and Context

Aaron Poole

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The songs of C. P. E. Bach: a performer's perspective

Pamela Dellal

Early Music, 2014

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“Was wird sich dein Gesang aus Satans Kindern machen?: Cantata BWV 210, a Response by Bach to His Critics”

Charlene Pauls

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JOHANN SEBASTIAN BACH AS TEACHER by A. Schweitzer

LA ACADEMIA DE LA FLUIDEZ Y ELOCUENCIA (EST. 1738), LA CASA EDITORIAL Σίγμα (EST. 1951), LA FILOLÓGICA POR LA CAUSA (EST. 1738)

JOHANN SEBASTIAN BACH AS TEACHER, 2013

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The Mother, the Sinners, and the Cross: Pergolesi's Stabat Mater and Bach's Tilge, Höchster

Chiara Bertoglio

Pro Ecclesia: A Journal of Catholic and Evangelical Theology, 2018

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Emanuel Bach: A Composer ahead of His Time

Tyler Dellaperute

2019

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The Trio in the " Musical Offering " : Perceptions of Bach Late in Life

Anthony Piraino

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Bach's Suites for Solo Cello (BWV 1007 - 1012) and the Textual Geographies of Modernity, PhD Thesis

Nadya Markovska

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Death and (Re)Birth of J. S. Bach: Reconsidering The Musical Work- and Author-Concepts

Roberto Alonso Trillo

Routledge, 2019

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Sermons in music or sacred opera? The reception and performance of love duets in Bach’s sacred cantatas

Uri Golomb

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'Musica est optimum': Martin Luther's Theory of Music

Andreas Loewe

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The Music of Wilhelm Friedemann Bach" by David Schulenberg

David Ledbetter

Performance Practice Review, 2011

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From Bull to Bach: In Search of Precedents for the 'Complete' Version of the Canon by Augmentation and Contrary Motion in J. S. Bach's Musical Offering

Denis Collins

BACH, 2007

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Lutherans, Catholics, and Musical Ecumenism (Pergolesi and Bach, Together Again for the First Time)

A J Godzieba

Conference paper, Leuven Encounters in Systematic Theology XI (KU Leuven), 2017

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Bach’s choral music: readings and interpretations

Uri Golomb

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'J. S. Bach's Meine Seele erhebt den Herren (BWV 10) in the Context of Other Uses of the Magnificat Text for the Feast of Visitatio Mariae'

Mattias Lundberg

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New Sources and Old Methods: Reconstructing and Applying the Music-Theoretical Paratext of Johann Sebastian Bach’s Compositional Pedagogy

Derek K . Remeš

Zeitschrift der Gesellschaft für Musiktheorie, 2019

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Eternity in Bach's Music Interview with Márta Ábrahám in Hetek Journal 2024.03.01. (3)

Márta Ábrahám

Eternity in Bach's Music, 2024

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Analyzing Bach Cantatas (review)

Calvin Stapert

Notes, 2004

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"AS ESSENTIAL AS PRAYER:" Hildegard and Luther's Theologies of Song for Congregations Stuck on Mute

Gabriella Makuc

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Catholic Influences on Lutheran Sacred Music in Saxony from Heinrich Schütz to J. S. Bach

Samuel Gordon Huston

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