Drawing on the Walls: Graffiti, Street Art or Walls in Time. Analysis of the Torrevieja Experience (original) (raw)

25 Años de Graffiti en Valencia: aspectos sociológicos y estéticos

JAUME GOMEZ MUÑOZ

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Image versus writing: from post-graffiti and murals’ assault to graffiti’s scriptural riposte in Madrid, Spain

Lisa Garcia

SAUC - Journal V4 - N1 , 2018

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‘Musealizar por aí’ Graffiti – The Street as Exhibit

Ema Rocha

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The graffiti texture in Barcelona: An ethnography of public space and its surfaces

Plácido Muñoz Morán

[Thesis]. Manchester, UK: The University of Manchester; 2015., 2015

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Andjelkovic, K.: “Understanding the Image of Architecture in the Postmodern Transformation of Time, Space and Subjectivity”, in The International Conference Times and Movements of the Image, at Universidade NOVA de Lisboa, Portugal, Nov 15-16, 2018; organized by Instituto de História da Arte

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"turning a vandal into a hero" - a world of controversies trying to capture the thin boundary between legal and illegal walls in Lisbon painted by...

véronique J . L . van grieken

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Muñoz 2016 – Tactile Encounters and the Ephemerality of the Graffiti Image

Plácido Muñoz Morán, Field Notes: A Journal of Collegiate Anthropology

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(In)Visibilidades urbanas: Mu‐ lheres Artistas de Graffiti na Cidade de Salvador

Rafael Câmara

Combart 2023: Art, artivism and citizenship. Utopias and imagined futures, 2023

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Reflections about the Relevance of Graffiti and Mural Painting in the Current Architectural Scenario

IJAERS Journal

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Graffiti, Street Art, and Culture in the era of the Global City

Luis Menor Ruiz

2018

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Political critique in Madrid's urban art scene: from the late '90s until now

Violeta Izquierdo Expósito

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Gráfica callejera y post-graffiti: el papel del muro

María del Mar Bernal

Grabado y Edición [Print and Art Edition Magazine] , 2019

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Sequeira, Ágata (2013) «Off the Wall: Processes of Production of street art in the urban public space of Lisbon», Proceedings, XII Conference ‘European Culture’.

Ágata D Sequeira

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Graffiti/Pixação no chão da escola: reflexões do diário de campo para formação docente em geografia

Eduardo Oliveira Miranda

Revista de Educação Popular, 2018

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'La Escocesa': A fabric of images

Plácido Muñoz Morán

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Viana Do Castelo: Stucco Art and Artists

Anabela Moura

International Journal of Advance Research in Education & Literature (ISSN: 2208-2441), 2021

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When architecture wanted to be drawing

Teresa Larumbe

2018

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Temporary or Permanent? The Duration of Works of Street Art: between Intentions and Techniques

Alessandra Meschini

DISEGNARECON, 2020

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1 Sequeira, Ágata Dourado (2015) «Letting the Walls of the City Speak: The route of a sociological research project on Lisbon's street art». Street Art and Urban Creativity Journal , Vol.1, nº2: Places and Non Places, November 2015, pp.82-88.

Ágata D Sequeira

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STANO, S. (2013) "Signs of Impertinence… Graffiti Art and Mural Re-writing", in L. Borriello and C. Ruggiero (eds.) Inopinatum. The unexpected impertinence of urban creativity, ArtiGrafiche Boccia, Salerno, pp. 175-197.

Simona Stano

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“Towards a conceptual and multi-positional understanding of the object in street and graffiti art”, published in Inopinatum. The unexpected impertinence of urban creativity, by Borriello, Luca & Ruggiero, Christian (ed.), Roma 2013

Jacob Kimvall

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Orengo, HA and DW Robinson. 2008. Contemporary engagements within corridors of the past: temporality and the urban space of St. Rock Street, Barcelona. Journal of Material Culture 12(3):267-286.

David Robinson

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Political critique in Madrid’s street art scene: from the late ‘90s until now

Violeta Izquierdo Expósito

Communication & Society, 2021

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The wall as a spatial work: The reliefs of Jorge Oteiza in architecture (1951-58). El muro como trabajo espacial: los relieves de Jorge Oteiza en la arquitectura (1951-58)

Emma López Bahut

VCL arquitectura, 2014

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Modalities of Publicity: Leon's City of Murals Project

Caitlin Bruce

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Drawing Transgression, Transgressing Drawing: Tracing Graffiti Traces

Konstantinos Avramidis

Avramidis, K. (2024). Drawing Transgression, Transgressing Drawing: Tracing Graffiti Traces. In T.B. Kenniff & C. Lévesque (Eds.), -In Drawing. Inquiry, Time, Dialogue and Materiality (pp. 133-141). Montreal: University of Quebec at Montreal Press.

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TREMBLIN, Mathieu. « From Post-Posters to Un gilet ». In : Graffiti, Street Art & Urban Creativity Scientific Journal. Novembre 2019, « Desire Lines: Literal », vol. 5, no 1, pp. 78–87.

Mathieu Tremblin

Graffiti, Street Art & Urban Creativity Scientific Journal, 2019

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Architectural Drawing in the "Escuela de Madrid" during the 1960s

Carlos Montes Serrano, Jesús Luna Buendía, Amparo Bernal

Diségno. Biannual Journal of the UID - Unione Italiana per il Disegno Scientific Society. (ISSN: 2533-2899) , 2018

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"On urban graffiti: Bairro Alto as a liminal place" in A. M. Brighenti, (Ed..) The Wall and the City, Professional Dreamers, Trento, pp. 135-151.

Ricardo M O Campos

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Space of Architecture: From the Canvas to the City

Sezin Sarıca

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"Bookshow", in The Bridges of Graffiti, Modena, Fondazione De Mitri, 2015, p. 20-29

Christian Omodeo

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Sequeira, Ágata Dourado, «Ephemeral Art in Impermanent Spaces: The effects of street art in the social construction of public space» (2016). Urban Interventions, Street Art and Public Space. Lisboa, Urban Creativity, 2016. 978-989-97712-6-0.

Ágata D Sequeira

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More to see than a canvas in a white cube: For an art in the streets

Joe Austin

City, 2010

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A Boneyard of Data: Graffiti and Street Art's Temporalities

Lachlan J MacDowall

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Between the Street and the Gallery: Trajectories of “Pixadores” and Graffiti Writers in Lisbon and São Paulo

Gabriela Leal

Exploring Ibero-American Youth Cultures in the 21st Century, 2021

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