Post-sonic Perspectives on Socially Engaged Compositional Practices: Composing ‘after sound’ and beyond music (original) (raw)

Introduction to After Sound: Toward a Critical Music

G Douglas Barrett

2016

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Listen while you work: negotiating power and meaning in post-concrete music.

Dr Matthew Herbert

2019

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After Sound: Toward a Critical Music - G. Douglas Barrett. London: Bloomsbury, 2016 [Book Review]

Jonathan Impett

2018

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The Politics of Sound and the Biopolitics of Music: Weaving together sound-making, irreducible listening, and the physical and cultural environment

Agostino Di Scipio

Organised Sound, 2015

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The Bright Sound Behind the Sound: Real-World Music, Symbolic Discourse and the Foregrounding of Imagination

Phil Legard

2016

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Alternative Means of Musical Operation: Repurposing Sonic Creativity Within and Beyond Capital

Joan Arnau Pàmies

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Representation, Radicalism, and Music “After Sound”

Aaron Moorehouse

Voices: A World Forum for Music Therapy

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Sound/Society/Subjectivation: Epistemological Consequences of Sound Studies for Musical Analysis (Music in the Prism of Sound Studies, International Conference, 24-26 January 2019, EHESS Paris)

José Gálvez

2019

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Music, Sound and Space. Transformations of Public and Private Experience

Jean-Paul Thibaud

SoundEffects, 2013

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Music as Performative Utterance: Towards a Unified Theory of Musical Meaning with Applications in 21st-Century Works and Social Life

Andrew J Chung

2019

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Analysing Sonic Authority: Sensoriality, Affect and the Unsettled Body

Rachel Beckles Willson

Music Analysis and the Body: Experiments, Explorations and Embodiments, 2016

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Situated Sound and Compositional Circumstance in My Recent Musical Practices

jorge boehringer

2019

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Composing for Sound: Sonic Rhetoric as Resonance

Mary Hocks

Computers and Composition, 2017

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Music, Sound and Space. Transformations of Public and Private Experience [note de lecture]

Jean-Paul Thibaud

HAL (Le Centre pour la Communication Scientifique Directe), 2013

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Doing (things with) sounds: introduction to the special issue

Daniela Veronesi

Social Semiotics, 2014

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Sound Art and Music: Philosophy, Composition, Performance

Adam Stanovic (Stansbie), John Dack, tansy spinks

Sound Art and Music: Philosophy, Composition, Performance, 2020

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Socio-­Sonic: An ethnographic methodology for electroacoustic composition

Tullis Rennie

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Postmodern Fiction as a Reflection of Aural Manipulation. UPM Book Series on Music Research, No. 7, 2015 – ISSN 2289-3938.

Dr. RUZBEH BABAEE

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Be(com)ing “In-Resonance-With” Research: Improvising a Postintentional Phenomenology Through Sound and Sonic Composition

Jon M. Wargo

Qualitative Inquiry, 2019

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Editorial - Sound, Listening and Place II (Organised Sound)

Katharine Norman

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"Sound Art and the Sonic Unconscious"

Christoph Cox

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Music, Noise, and Discourse: Pathways for Queer Agency in the Modern Sonic Landscape

Casey Robertson

Intersections | Cross-Sections, 2019

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The Musicians of Memory – compositional silence and the audio-visuality of sound

Joe Osmond

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A Sonic Trilogy: Sound, Ostranenie and Social Consciousness

Mick Winter

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Rethinking musical cosmopolitanism as a visceral politics of sound

Karolina Doughty

Sounding Places: More-than-representational geographies of sound and music, 2019

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'I am Just Practising: A personal conversation among the boundaries and subjectivties of current musicologies', in: Music and/as Process

Charlotte Purkis

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A Performative Investigation of the Agency of Sound: Mapping the Sound/ Soundscape Portrait

Angela Viora

ADSJ Australasia Drama Studies Journal, Issue 79, 2021

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A Sonic Trilogy: Sound, ostranenie and social consciousness - Master's Thesis

Mick Winter

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"Listening to the world. Sound, Media and Intermediality in Contemporary Sound Art" In: Soundeffects 2011.

Anette Vandsø

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Noise in Action: The Sonic (De)Construction of Art Worlds

Jacob Sargent

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The composer as facilitator. Composition as an invitation for improvisation and collective processes by the performers.

Alexis Porfiriadis

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The Poetics of Electrosonic Presence: Recorded Music and the Materiality of Sound

Jeremy Wallach

Journal of Popular Music Studies, 2003

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Typification, Transcendence, and Critique: On the Social Construction of New Age Music

Pete Blum

All Music: Essays in the Hermeneutics of Music, ed. Fabio B. Dasilva and David L. Brunsma (Avebury Press), 1996

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Rethinking Classical Sound Recordings: Creativities Beyond the Score. In A. Aguilar, R. Cole, M. Pritchard & E. Clarke (Eds.), Remixing Music Studies: Essays in Honour of Nicholas Cook (Routledge, 2020), 61-75.

Georgia Volioti

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From You to Me and Back Again: Interdependent Listening and the Relational Aesthetics of Sound

Julian Day

Leonardo Music Journal, 2016

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