The Etruscan Inferno: A Spatial and Synaesthetic Reading by Gabriele D’Annunzio (original) (raw)
“Per tremoto o per sostegno manco”: The Geology of Dante Alighieri’s Inferno
Marco Romano
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Resurrecting Dante's Florence: Figural Realism in the Decameron and the Esposizioni
Kristina Olson
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Illustrations for Dante’s Inferno: A Comparative Study of Sandro Botticelli, Giovanni Stradano, and Federico Zuccaro
Liana Cheney
Journal of Cultural and Religious Studies, 2016
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International Seminar on Critical Approaches to Dante. Struttura/Poesia and Figura. October 16-16, 2015
Simone Invernizzi, Elisa Brilli
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Roberto Rea, and Justin Steinberg, eds. Dante. Rome: Carocci, 2020. Pp. 412.
filippo gianferrari
Annali d'Italianistica, 2021
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'Occhi Fissi': Fixing the Gaze in Dante's Commedia, 'Italian Studies', 78.1 (2023): 1-18
Rebecca Bowen
Italian Studies, 78:1, 1-18, 2023
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Kristina M. Olson. Courtesy Lost: Dante, Boccaccio, and the Literature of History. Toronto: University of Toronto Press, 2014. x + 248 pp.
David Lummus
Heliotropia, 2015
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'Virgilian tropes in Dante's 'mesta selva'.' Fertile Spaces, Dynamic Places: Mapping the Cultures of Italy (ACIS 8th Biennial Conference, University of Sydney, 1-4 July 2015)
Emma L Barlow
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Dante's Tears: The Poetics of Weeping from “Vita nuova” to the “Commedia.” Rossana Fenu Barbera. Biblioteca dell'“Archivum Romanicum,” Serie 1: Storia, Letteratura, Paleografia 468.Florence: Olschki, 2017. xviii + 218 pp. €34
Anna Wainwright
Renaissance Quarterly, 2020
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L'ardüa sua opra" (Par., XXXI, 34): Architectural Aspects of Dante's Rome
Chiara Sbordoni
2021
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Teodolina Barolini, Dante and the Origins of Italian Literary Culture
K P Clarke
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Review: Giancarlo Fiorenza, Dosso Dossi. Paintings of Myth, Magic, and the Antique
Arvi Wattel
The Burlington Magazine, 2010
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Illustrations for Dante's Inferno: A Comparative Study of
Liana Cheney
Cultural and Religious Studies, 2016
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"A Book for All Seasons: Reading Habits and Material Reception of Dante's 'Divina Commedia' in Early Modern Italy," PhD Dissertation (University of Pennsylvania, 2022)
Natale Vacalebre
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Review of Simone Marchesi, Roberto Abbiati, A proposito di Dante. Cento passi nella Commedia con disegni. Rovereto (Tn): Keller editori, 2020.
Matteo Pace
Annali d'Italianistica, 2022
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Review of: Simon Gilson. 'Reading Dante in Renaissance Italy. Florence, Venice and the ‘Divine Poet’.' Cambridge: CUP, 2018; 'Leggere Dante a Firenze. Da Boccaccio a Cristoforo Landino (1350-1481).' Rome: Carocci, 2019, in "Bibliotheca Dantesca. Journal of Dante Studies" 3 (2020): 180-182
Natale Vacalebre
Bibliotheca Dantesca: Journal of Dante Studies, 2020
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Review of Fulvio Conti, Il Sommo italiano. Dante e l’identità della nazione, Carocci, 2021 «Textual Cultures» 14, 2, fall 2021
Beatrice Pecchiari
2021
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From Purgatory to the Primavera: Some Observations on Botticelli and Dante
Max C Marmor
2003
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The Poetic Exchanges between Dante Alighieri and His ‘Amico’ Dante da Maiano: A Young Man Takes His Place in the World
Teodolinda Barolini
“Legato con amore in un volume": Essays in honour of John A. Scott. Eds. John J. Kinder and Diana Glenn. Florence: Olschki, 2013. Pp. 39-61.
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Olga’s Journey to Hell and Back: Echoes of Dante’s Commedia in Elena Ferrante’s I giorni dell’abbandono
Stefania Porcelli
Annali d’Italianistica 39, 2021
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“Orecchie rose e labbra mozze” and Other Bodily Suffering in Alfonso Varano: Dantean Reminiscences in Eighteenth-Century Sepulchral Poetry
Simona Di Martino
Bibliotheca Dantesca: Journal of Dante Studies, 2021
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‘Dante’s Poetics of the Subhuman: A Reading of Inferno XXXII’, L’Alighieri, 54.2 (2019), 99-115
Tristan Kay
L'Alighieri, 2019
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Follow the Light: Lumen Gloriae and Visio Dei in the Works of Dante Alighieri and Marguerite dicta Porete
Pablo Acosta-García
Eikón Imago ISSN 2254-8718, 2014
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"Un’invenzione dantesca, dai trecentisti non voluta intendere"? Cast Shadows in Early Modern Painting. An Attempt in Deconstructing the General Narrative (Courtauld Institute of Art , 3rd May 2019)
Gerd Micheluzzi
2019
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[Book Review] Camilla S. Fiore, Athanasius Kircher: Natura e antico nella Roma del Seicento. ESORDI Collana del Dottorato di ricerca in Storia dell’arte, Sapienza Università di Roma. Rome: De Luca Editori d’Arte, 2020. Pp. 168. €40.00
Martje de Vries
History of Humanities, 2021
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Le lettere di Dante: Ambienti culturali, contesti storici e circolazione dei saperi, review by Stocchi-Perucchio
Donatella Stocchi-Perucchio
Renaissance Quarterly, 2022
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“Compagni d’amore” nella Grecia arcaica e classica: una prospettIva tra Archeologia e Psicologia sull’omosessualità nel mondo Antico, in V. Nizzo (a cura di), AntArc4, incontro di Studi di Antropologia e Archeologia a confronto, Roma 26-28 maggio 2017, Roma 2021, pp. 613-629 (FULL TEXT).
Luca Basile
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Review of: Erminia Ardissino and Elisabetta Selmi , eds. Visibile teologia: Il libro sacro figurato in Italia tra Cinquecento e Seicento . Temi e Testi 101. Rome: Edizioni di storia e letteratura, 2012. xxvi + 464 pp. €68. ISBN: 978–88–6372–409–7
Evelyn Lincoln
Renaissance Quarterly, 2013
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Giorgia Alù and Nancy Pedri (eds), Enlightening Encounters: Photography in Italian Literature (Toronto Italian Studies. Toronto: University of Toronto Press, 2015)
Valentina Abbatelli
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Courtesy Lost: Dante, Boccaccio and the Literature of History
Kristina Olson
2014
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‘Liminal Narratives of Self-Destruction in Dante’s Commedia and Beyond’ (invited presentation, Department of Italian Studies Research Seminar Series, University of Sydney (co-hosted by Department of Italian Studies and Medieval and Early Modern Studies Centre), delivered online, 15 October 2020)
Emma L Barlow
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Vicissitudes of a Dantean Collection: The 1527 'Giuntina delle rime'
Maria Clotilde Camboni
Italian Studies, 2023
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Book Review, 'Reading Dante with Images: A Visual Lectura Dantis,' Matthew Collins, ed. Turnhout: Harvey Miller Publishers, 2021.
Joseph Kopta
Bibliotheca Dantesca, 2022
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Book Review of A. Moudarres, The Enemy in Italian Renaissance Epic: Images of Hostility from Dante to Tasso, Newark, University of Delaware Press, 2019, The Sixteenth Century Journal, LII, 1, Spring 2021, pp. 265-268
Alessio Panichi
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REVIEW Valentina Vannicola. Dante's Inferno. Simona Antonacci, curator MAXXI -Museo nazionale delle arti del XXI secolo, Rome June 17-September 26, 2021
Dijana Omeragić Apostolski, Ph.D.
Italian Quarterly - Issue 58 Summer-Fall - Dante Special Issue, 2021
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