The Concept of the Baroque/Italy, iii: 1600–1640 (original) (raw)

1. Inventing the Baroque: A Critical History of Nineteenth- and Early Twentieth-Century Debates

Jane Newman

Benjamin's Library

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THE AESTHETICS OF MUSIC IN THE BAROQUE ERA

Shola Folalu

Aesthestics of music of the Baroque era, 2019

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Conceptions and determinations of baroque and new baroque in the last decade A discussion between

Helen Hills

Perspective (France)

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The Baroque

Helen Hills

Fabrications, 2007

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Reflections on the Baroque in the History of Science

Jens Hoyrup

1997

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The Oxford Handbook of the Baroque. John D. Lyons, ed. Oxford: Oxford University Press, 2019. xviii + 888 pp. $175.

Juan Pablo Gil-Osle

Renaissance Quarterly 75.2, 2022

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Reflections on the Baroque in the History of Science Essay review of

Jens Hoyrup

1997

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On the (New) Baroque

Gregg Lambert

2009

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"What is Baroque?,” Annual Meeting, College Art Association, New York, February 15, 1986

Irving Lavin

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Introduction to the Global Baroque

Carmen Ripollés

Smarthistory, 2022

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Music in the Baroque World: History, Culture and, Performance, written by Susan Lewis

Dr. Peter N K Leech

Journal of Jesuit Studies, 2017

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The Return of the Baroque in Modern Culture (review)

Monika Kaup

Modernism/modernity, 2006

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Baroque final history

Matthew Engleman

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Reflections on the Link between Baroque and Time

Vizureanu Viorel

Ingenium. Revista Electrónica de Pensamiento Moderno y Metodología en Historia de las Ideas, 2021

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Baroque & Art History

Helen Hills

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The Future of the Baroque, ca. 1945: Panofsky, Stechow (and Middeldorf) (2011)

Andrew Leach

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Perspective: A Debate on Baroque

Helen Hills

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Architecture and Music in the Baroque Period

Hare Kılıçaslan

Procedia - Social and Behavioral Sciences, 2012

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In defence of Baroque: The Wölfflin-Frankl-Giedion tradition

Lino Bianco

The Journal of Baroque Studies, 2016

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Baroque Assumptions

Aaron Hyman

21: Inquiries into Art, History, and the Visual – Beiträge zur Kunstgeschichte und visuellen Kultur , 2022

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Review: Rethinking the Baroque, ed. Helen Hills (Ashgate, 2011)

Jesse Locker

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Hans Rose, Commentary to Heinrich Wölfflin, Renaissance and Baroque, fourth edition, Munich: Bruckmann, 1926, 181-328.

Arnold A Witte, Andrew Hopkins

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Eleventh Biennial Conference on Baroque Music (review)

Drew Edward Davies

Eighteenth-Century Music, 2005

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Publishing and Performing Baroque Repertoires: The French Case

Louis Castelain, Barbara Nestola

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Else Marie Bukdahl, The Recurrent Actuality of the Baroque

Lisbeth Bonde

Critique d’art, 2019

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16th International Conference on Baroque Music 9-13 July, 2014 Mozarteum University, Salzburg

Evangelia Kopsalidou

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The Spanish Baroque. Oral defense of PhD Thesis, University of Copenhagen, 23 October 2007

Sofie Kluge

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What is the Baroque

David R Marshall

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Unfolding the Baroque: Culture and Concepts (Vol 2, No 1/2010)

Ars Aeterna

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Daniele Barbaro, Nicola Vicentino, and Vitruvian Music Theory in Sixteenth-Century Italy

Daniel K . S . Walden

Daniele Barbaro: Vénitien, patricien, humaniste. Ed. by P. Caye, F. Lemerle, L. Moretti, and V. Zara (Brepols), 2018

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Baroque-Style in the Age of Magnificence 1620–1800

Nikos Vandoros

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Baroque Mindset and New Science: A Dialectic of Seventeenth-Century High Culture

Jens Hoyrup

Sartoniana, 2009

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"Our Baroque Confection"

Evonne Levy

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Good and Bad Beats: Changes in the musical notation of rhythm in the Baroque as an expression of baroque values

Philip Rice

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MUSIC AND POWER IN THE BAROQUE ERA

Simone Ciolfi

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