original ) (raw )Review of "Watteau à Fragonard, les fêtes galantes" at the Musée Jacquemart-André, Paris for The Burlington Magazine, June 2014
David E Pullins
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"Beyond terminology, or, the limits of ‘decorative arts’"
Deborah Krohn
Journal of Art Historiography 11 (December 2014)
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Framing, Symmetry, and Contrast in Edmond de Goncourt's Aesthetic Interior
Pamela Warner
Studies in the Decorative Arts, 2008
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Four Beauvais tapestries with grotesque motifs
merit laine
2017
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“ 'Quelques misérables places à remplir' : Locating Shaped Painting in Eighteenth-Century France," Zeitschrift für Kunstgeschichte, Band 80 (2017): 544-571
David E Pullins
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“A Renaissance without Order: Ornament, Single-sheet Engravings, and the Mutability of Architectural Prints,” Journal of the Society of Architectural Historians (2012)
Michael Waters
Journal of the Society of Architectural Historians, 2012
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Step and Repeat: Pattern in Artists' Publications
Janelle Rebel
Exhibition Takeaways, 2019
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“Documenting the Recueil de décorations,” in Charles Percier: Revolutions in Architecture and Design (New Haven: Bard Graduate Center in collaboration with Yale University Press, 2016).
Iris Moon
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Interfacing Paris. Display and Form in the Work of Atelier E.B (Lucy McKenzie, Beca Lipscombe)
Philipp Ekardt
Atelier E.B: Passer-by. London, Cologne (Koenig Books), 2020
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An unusual conflagration of motifs
Yolande Crowe
2008
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“Difference, Repetition, and Utopia: European Print’s New Worlds” in Crossing Cultures: Proceedings of the 31st International Congress of the History of Art, Melbourne, 13-18 January 2008 (Melbourne UP, 2009), pp. 244-250.
Christopher P . Heuer
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The Cultural and Historical Contexts of Ornamental Prints Published in the Nineteenth and Twentieth Centuries in Europe: A Case Study for the Standardized Description of Museum Objects
Júlia Katona
Knowledge Organization 44 (7) (2017): 559-577. 30 references. , 2017
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Translation of Medium: Kesi Meets Painting
Jean Kares
2008
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LIGHT, TIME & SPACE: Mimetic Painting & Drawing as Installation 1 July, 1995–31 October, 2000
John R Neeson
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Iconographic Series in Attic Vase Painting: Technical Simplification or Semantic Strategy?, in: A. Reinhardt (Hrsg.), Strictly Economic? Ancient Serial Production and its Premises: Panel 3.18 (Heidelberg 2021) 45–59
Mariachiara Franceschini
Archaeology and Economy in the Ancient World – Proceedings of the 19th International Congress of Classical Archaeology, Cologne/Bonn 2018, Vol. 20, 2021
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[Book Review]: Corrélations: les objets du décor au siècle des Lumières
Jean-François Bédard
Journal 18, 2016
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CHAPTER 27. The Elusive and Transitory Materials in Contemporary Drawings
Federica Presciutti
Science and Art
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A New Method of Interpreting the Valois Tapestries, through a History of Catherine de Médicis
Pascal Bertrand
Studies in the Decorative Arts, 2006
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“The Camaïeu Print in Seventeenth-Century Paris: On the origins of multi-tonal printmaking in France”
Alexander Dencher
Printing in Colour in the Handpress Period: Histories, Techniques, Functions and Receptions 1400-1700, 2015
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Style and Substance: Balin's gilding techniques revealed for the first time
Wivine Wailliez , Florie Toussaint
Wallpaper History Review, 2012
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The Matter of Art: Materials, Practices, Cultural Logics, c. 1250–1750. Christy Anderson, Anne Dunlop, and Pamela H. Smith, eds. Studies in Design. Manchester: Manchester University Press, 2014. xvi + 340 pp. $29.95
Bonnie J Noble
Renaissance Quarterly
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Matisse and the book arts
David Paton
Henri Matisse Rhythm and Meaning. Standard Bank Gallery, Johannesburg, South Africa. , 2016
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"Polychrome sculpture interpreted in context: the retable of the Lady Chapel of Saint-Germer-de-Fly", dans Polychrome Steinskulptur des 13. Jahrhunderts, Actes du colloque international du Naumburg Kolleg à Naumburg/Saale, 13-15 oct. 2011, dir. T. Danzl et al., Naumburg, G. Oettel, 2012, p. 31-40.
Géraldine Victoir
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"The Collector’s Cut: Why Pierre-Jean Mariette Tore Up His Drawings and Put Them Back Together Again," Master Drawings, vol. 46, 2008.
Kristel Smentek
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Texts presented in summary, in Textes dispersés sur l’art contemporain Miscellaneous Texts On Contemporary Art , Jean-François LYOTARD, Leuven University Press 2012
Peter Milne , Vlad Ionescu
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“Permutations on the Cube: Michel Seuphor’s Historicization of Cercle et Carré, 1930-1970.” In Cercle et Carré and the International Spirit of Abstract Art, edited by Lynn Boland. 270-291. Athens: University of Georgia Museum, 2013
Catherine Dossin
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The Arts in Conflict in Ronsard's Des peintures contenues dedans un tableau
Roberto Campo
Romance Quarterly, 1992
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Variations on a theme? Examining the repetition of patterns on British Iron Age art
Jody Joy
Toby Martin (ed.), Barbaric Splendour: The use of image before and after Rome, pp. 34-46, 2020
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Image and Illustration in Jean Fouquet’s Grandes Chroniques de France
Erik Inglis
French Historical Studies, 2003
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Ann-Sophie Lehmann, "How Materials Make Meaning", Nederlands Kunsthistorisch Jaarboek (NKJ) / Netherlands Yearbook for History of Art Vol. 62, 2012, MEANING IN MATERIALS, 1400-1800: 6-27
Ann-Sophie Lehmann
2012
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Formation, transmission and genres in the recipe books of art technology between the Middle Ages and the 18th century: new proposals for analysis and interpretation
Sandro Baroni , Paola Travaglio
Claire Betelu, Anne Servais, Cécile Parmentier (dir.), Contribution à une histoire tech- nologique de l’art, actes de journées d’étude de la composante de recherche PBC, Paris, INHA, site de l’HiCSA, mis en ligne en septembre 2018, p. 9-42., 2018
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Chambres d'amour: Tapestries of Love and the Texturing of Space
Laura Weigert
Oxford Art Journal, 2008
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Aglio, R. The dispersion, circulation and reuse of ceiling panels in France in the 19th and 20th centuries, "The Commerce & Circulation of Decorative Arts 1792-1914: Auctions, Dealers, Collectors and Museums", projet OBJECTive ANR, Université Lyon 2 (Lyon, Musée des Beaux-Arts, 25-27 settembre 2024)
Roberta Aglio
2024
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Producing Classicism, motif by motif (Renaissance Society of America Conference)
Jason Nguyen
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Art-Making in Texts and Contexts
Betsy Bryan
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