Everything that arises does not converge: the audiovisual and the incomplete (original) (raw)

The Im/mediate Noise: Sound Art in the Algorithmic Culture

Kevin Day

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"Listening to the world. Sound, Media and Intermediality in Contemporary Sound Art" In: Soundeffects 2011.

Anette Vandsø

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The Oxford Handbook of New Audiovisual Aesthetics; The Routledge Companion to Music and Visual Culture; Representation in Western Music

Claudia Gorbman

Popular Music and Society, 2014

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Where Sound Meets Vision: Art and the Convergence of Sound and Vision

Benjamin Phillips

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"Sound Art and the Sonic Unconscious"

Christoph Cox

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Rheo: Japanese Sound Art Interrogating Digital Medially", in: Acta Univ. Sapientia, Film and media studies, vol. 9 (2014)

Anette Vandsø

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Essays on Sound & Vision (co-edited with John Richardson) (2007)

Stan Hawkins

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"An Eye for Music: Popular Music and the Audio-Visual Surreal", John Richardson (Oxford: OUP, 2012)

Alexis Bennett

Popular Music (Cambridge University Press)

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Unsound Sound: On the Ontology of Sound in the Digital Age

Martin Knakkergaard

Leonardo Music Journal, 2016

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Listening to the world. Sound, Media and Intermediality in Contemporary Sound Art

Anette Vandsø

SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience, 2011

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Machines Of the Audiovisual: The Development Of “Synthetic Audiovisual Interfaces” in the Avant-Garde Art since the 1970s

Jihoon Kim

Leonardo Electronic Almanac, Vol. 19, No. 3, pp. 78-87., 2013

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The Frenzy of the Audible: Voice, Image, and the Quest for Representation

Serena Guarracino

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The Aesthetics of Sound Art (2002/03)

David Cunningham

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The Noises of Art: Audiovisual Practice in History, Theory and Culture

John Harvey

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An Exploration of the Notion of Sound (Re)Production Through Media Archaeological Creative Praxis

Calum Scott

eSharp, 2018

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Rheo: Japanese Sound Art Interrogating Digital Mediality

Acta Universitatis Sapientiae, Film and Media Studies Journal

Acta Universitatis Sapientiae, Film and Media Studies, 2014

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Audible (Art): The invisible connections

José Gomes

2021

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“Out of Joint. Audiovisual Media as Technologies of the Time”, in Luca Malavasi, Sara Tongiani (eds.), Technophobia and Technophilia in the Media, Art and Visual Culture, Canterano (RM), Aracne, 2020, pp. 15-28, ISBN 9788825539851

Ruggero Eugeni

Luca Malavasi, Sara Tongiani (eds.), Technophobia and Technophilia in the Media, Art and Visual Culture, 2020

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Sonic Modernity: Representing sound in literature, culture and the arts. By Sam Halliday

Christin Hoene

Music & Letters, 2014

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Listening to Listening Machines: On Contemporary Sonic Media Critique

Anette Vandsø

Leonardo Music Journal, 2016

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How computer-based musical creation drawing upon sound pertaining to modern technology reflects an increasingly digitally-influenced consciousness

Mateo P

2018

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'Review: Unruly Media: YouTube, Music Video and the New Digital Cinema (Carol Vernallis) / An Eye for Music: Popular Music and the Audiovisual Surreal (John Richardson)'

Holly Rogers

Twentieth-Century Music, 2014

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Sound as Synthesis: technological listening and intra-faces of sound

Erik Nyström

2022

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Hearing the Contradictions: Aesthetic Experience, Music and Digitization

Nancy Hanrahan

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The Oxford Handbook of Sound and Image in Digital Media

Carol Vernallis

2013

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Isolated Tracks and Media Clouds: Surveying Problems and Positions in Music, Sound, and the Moving Image before and af ter Digital 'Convergence'

James Tobias

Music, Sound, and the Moving Image, 2015

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SOUND STUDIES: LISTENING & CREATING BETWEEN THE MATERIAL, MEDIUM AND METAPHOR

Ian M. Cook

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Postmodern Fiction as a Reflection of Aural Manipulation. UPM Book Series on Music Research, No. 7, 2015 – ISSN 2289-3938.

Dr. RUZBEH BABAEE

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Beyond Representation and Signification: Toward a Sonic Materialism

Christoph Cox

Journal of Visual Culture, 2011

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‘Explode All Our Metaphors’ – On the Potential of Sound in Media and Audience Studies. An Interview with Martin Barker

Rafal Zaborowski

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Situating Cinematic Space within an Acoustemological Framework: Transmissions from the Technological Sublime, An Audio-Visual Exhibition

Michael Trommer

2015

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Situated Soundscapes: Redefining Media Art and the urban experience

Fionnuala Conway

Leonardo Electronic Almanac, Vol. 18, No. 3. , 2013

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Audio-visual poetics in interactive multimedia

Scot Mcphee

… : The International Journal of Research into New …, 1997

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Sounding New Media: Immersion and Embodiment in the Arts and Culture (review)

Frances Dyson

Notes, 2011

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Architectures of Emptiness Musical Sources the Digital Derive and the Senses

Sascia Pellegrini

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