Everything that arises does not converge: the audiovisual and the incomplete (original) (raw)
The Im/mediate Noise: Sound Art in the Algorithmic Culture
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The Oxford Handbook of New Audiovisual Aesthetics; The Routledge Companion to Music and Visual Culture; Representation in Western Music
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Where Sound Meets Vision: Art and the Convergence of Sound and Vision
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"Sound Art and the Sonic Unconscious"
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Rheo: Japanese Sound Art Interrogating Digital Medially", in: Acta Univ. Sapientia, Film and media studies, vol. 9 (2014)
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Essays on Sound & Vision (co-edited with John Richardson) (2007)
Stan Hawkins
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"An Eye for Music: Popular Music and the Audio-Visual Surreal", John Richardson (Oxford: OUP, 2012)
Alexis Bennett
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Unsound Sound: On the Ontology of Sound in the Digital Age
Martin Knakkergaard
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Listening to the world. Sound, Media and Intermediality in Contemporary Sound Art
Anette Vandsø
SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience, 2011
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Machines Of the Audiovisual: The Development Of “Synthetic Audiovisual Interfaces” in the Avant-Garde Art since the 1970s
Jihoon Kim
Leonardo Electronic Almanac, Vol. 19, No. 3, pp. 78-87., 2013
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The Frenzy of the Audible: Voice, Image, and the Quest for Representation
Serena Guarracino
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The Aesthetics of Sound Art (2002/03)
David Cunningham
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The Noises of Art: Audiovisual Practice in History, Theory and Culture
John Harvey
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An Exploration of the Notion of Sound (Re)Production Through Media Archaeological Creative Praxis
Calum Scott
eSharp, 2018
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Rheo: Japanese Sound Art Interrogating Digital Mediality
Acta Universitatis Sapientiae, Film and Media Studies Journal
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Audible (Art): The invisible connections
José Gomes
2021
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“Out of Joint. Audiovisual Media as Technologies of the Time”, in Luca Malavasi, Sara Tongiani (eds.), Technophobia and Technophilia in the Media, Art and Visual Culture, Canterano (RM), Aracne, 2020, pp. 15-28, ISBN 9788825539851
Ruggero Eugeni
Luca Malavasi, Sara Tongiani (eds.), Technophobia and Technophilia in the Media, Art and Visual Culture, 2020
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Sonic Modernity: Representing sound in literature, culture and the arts. By Sam Halliday
Christin Hoene
Music & Letters, 2014
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Listening to Listening Machines: On Contemporary Sonic Media Critique
Anette Vandsø
Leonardo Music Journal, 2016
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How computer-based musical creation drawing upon sound pertaining to modern technology reflects an increasingly digitally-influenced consciousness
Mateo P
2018
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'Review: Unruly Media: YouTube, Music Video and the New Digital Cinema (Carol Vernallis) / An Eye for Music: Popular Music and the Audiovisual Surreal (John Richardson)'
Holly Rogers
Twentieth-Century Music, 2014
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Sound as Synthesis: technological listening and intra-faces of sound
Erik Nyström
2022
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Hearing the Contradictions: Aesthetic Experience, Music and Digitization
Nancy Hanrahan
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The Oxford Handbook of Sound and Image in Digital Media
Carol Vernallis
2013
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Isolated Tracks and Media Clouds: Surveying Problems and Positions in Music, Sound, and the Moving Image before and af ter Digital 'Convergence'
James Tobias
Music, Sound, and the Moving Image, 2015
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SOUND STUDIES: LISTENING & CREATING BETWEEN THE MATERIAL, MEDIUM AND METAPHOR
Ian M. Cook
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Postmodern Fiction as a Reflection of Aural Manipulation. UPM Book Series on Music Research, No. 7, 2015 – ISSN 2289-3938.
Dr. RUZBEH BABAEE
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Beyond Representation and Signification: Toward a Sonic Materialism
Christoph Cox
Journal of Visual Culture, 2011
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‘Explode All Our Metaphors’ – On the Potential of Sound in Media and Audience Studies. An Interview with Martin Barker
Rafal Zaborowski
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Situating Cinematic Space within an Acoustemological Framework: Transmissions from the Technological Sublime, An Audio-Visual Exhibition
Michael Trommer
2015
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Situated Soundscapes: Redefining Media Art and the urban experience
Fionnuala Conway
Leonardo Electronic Almanac, Vol. 18, No. 3. , 2013
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Audio-visual poetics in interactive multimedia
Scot Mcphee
… : The International Journal of Research into New …, 1997
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Sounding New Media: Immersion and Embodiment in the Arts and Culture (review)
Frances Dyson
Notes, 2011
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Architectures of Emptiness Musical Sources the Digital Derive and the Senses
Sascia Pellegrini
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