original ) (raw )The Sophies of Hanover and Royal Prussian Music
Ellen Exner
Kulturgeschichte Preußens Colloquien 6 , 2018
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Constructing musical representations of Prussia: The Royal Opera House and Royal National Theatre in Berlin (1740-1797), Sibelius Academy, Helsinki (Mai 2014)
Lena van der Hoven
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Probably the most indefatigable prince that ever existed': a Rational Dissenting perspective on Frederick the Great
Page Anthony
Enlightenment and Dissent, 2007
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Iliana Kandzha
IL CAPITALE CULTURALE: Studies on the Value of Cultural Heritage, 2020
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“‘To My Loyal Saxons!’ King Johann in Exile, 1866.” In: Monarchy and Exile: The Politics of Legitimacy from Marie de Médici to Wilhelm II, ed. Torsten Riotte and Philipp Mansel (London: Palgrave Macmillan, 2011), 279-304.
James Retallack
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Music at German courts, 1715–1760: Changing artistic priorities
Janice Stockigt
The Boydell Press eBooks, 2011
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Awe and disgust at the King's body : What Wilhelm I's sideburns reveal about popular views of royal power
Eva Giloi
2013
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‘BETWEEN THE LANDSCAPE AND THE ELECTOR:The Wire Drawing Bench of August I of Saxony
Clare Bilobrk Brown
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Beyond the Work: the Story of the Opera Production for the Wedding of Frederick Augustus and Maria Josepha (1719)
Szymon Paczkowski
Revue de musicologie , 2023
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In the Name of the Emperor: Representational Theater and the Princes of Thurn und Taxis
Austin Glatthorn
Journal of Musicology, 2018
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The Benevolent Prince in Veit Ludwig von Seckendorff’s Teutscher Fürsten Stat with Special Consideration of the Prince’s Revenues, Regalia and Taxes
Ringa Raudla
European Journal of Law and Economics, 2005
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Review of Tim Blanning's Frederick the Great
Geoffrey Roberts
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The unmanly Emperor. Wilhelm II and the Fragility of the Royal Individual, in: The Body of the Queen, hrsg. von Regina Schulte Oxford/New York 2006, S. 254-278.
Martin Kohlrausch
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Court Culture in Dresden. From Renaissance to Baroque
Joseph Patrouch
German Studies Review, 2003
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Porcelain, Music and Frederick the Great: a Survey of the Klipfel Collection in the Sing-Akademie, Berlin
Nigel Springthorpe
Royal Musical Association Research Chronicle, 2015
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Singing the Self: the Autobiography of the fifteenth-century German singer and composer Johannes von Soest
Steven Rozenski
Early Music History, 2010
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THE NOBLE AS NIETZSCHIAN-INSPIRED ARTIST: THE CONCEPTUAL WORK OF EMANUEL FREIHERR VON BODMAN
John T Has-Ellison
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Frederick’s “Greatness”
Cody Franchetti
International Review of Social Sciences and Humanities, 2013
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"Aesthetics, Education, Liberalism: Eduard Hanslick’s 'Vom Musikalisch-Schönen' (1854) and its Socio-Political Contexts," in Music, Arts, and Politics: Revolutions and Restorations in Europe and Croatia, 1815–1860, ed. Stanislav Tuksar (Zagreb: Croatian Academy of Sciences and Arts, 2021), 565–78.
Alexander Wilfing
2021
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Wenceslas Looks Out: Monarchy, Locality, and the Symbolism of Power in Fourteenth-Century Bavaria
Len Scales
Central European History, 2019
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“‘Venus’s Cupid Commands Me to Sing’: Jacob Praetorius’s Wedding Motets for Hamburg, 1600–1635”
Esther Criscuola de Laix
2010
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Royal Heirs in Imperial Germany: The Future of Monarchy in Nineteenth-Century Bavaria, Saxony and Württemberg, by Frank Lorenz Müller
Gavin Wiens
Histoire sociale/Social history, 2018
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King, Prophet or Priest? The Charisma of a Consecrated Ruler in the Ottonian Miniatures: Ideological Contents and the Functions of Presentations of the Saxon Dynasty Emperors
Dariusz Tabor
Roczniki Humanistyczne
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The Imperial Coronation of Leopold II and Mozart, Frankfurt am Main, 1790
Austin Glatthorn
Eighteenth-Century Music, 2017
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A Newly Rediscovered Portrait of William V of Bavaria by Hans von Aachen
Antonio Ernesto Denunzio
Studia Rudolphina, 15, 2015, pp. 126-131, 2015
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The Prussian Royal Coronation – A Usurpation of Ceremonial?
Susan Richter
in: Axel Michaels et al (Hg.): Ritual Dynamics and the Science of Ritual, Bd. 3: State, Power, and Violence, Sektion 1: Ritual and Violence, Wiesbaden, 2010
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The Royal Chapel in the Time of the Habsburgs: Music and Court Ceremony in Early Modern Europe, Ed. by Juan Jose Carreras, Bernardo Garcia Garcia, and Tess Knighton. Trans. by Yolanda Acker (Book Review), Music & Letters, Vol. 88/4 (2007), 646-650.
Vassilis Vavoulis (Βασίλης Βαβούλης)
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Monarchy, Myth, and Material Culture in Germany 1750-1950
Eva Giloi
2011
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“Seven Years of Musical War” (1757-1763) at the German Court of Anhalt-Zerbst
Barbara Reul
Lumen: Selected Proceedings from the Canadian Society for Eighteenth-Century Studies, 2000
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"The moral background of the work of art": "character" in German musical aesthetics, 1780-1850
Matthew Pritchard
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“Das älteste selbstständige Bildnis der deutschen Kunst”. A Reconsideration of the Portrait of Rudolf IV, in: Hermeneutik des Gesichts: Das Bildnis im Blick aktueller Forschung, hrsg. Uwe Fleckner, Titia Hensel (Schriften des Internationalen Warburg Kollegs, Bd. 4), Berlin 2016, pp. 123-140.
Mateusz Grzęda
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Katarzyna Kuras
2021
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Imperial Entertainment: Music for the Holy Roman Emperors
Erika Supria Honisch
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“Hanswurst redux: Staberl, Titus, and Annina.” Modern Austrian Literature, 35, #3/4, 2002: 1-26 (appeared March, 2004).
Katherine Arens
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The Wittelsbach Court in Munich: history and authority in the visual arts (1460-1508)
Andreas Dahlem
2009
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