Asia Pacific Trienniale Research Papers (original) (raw)
It was the egalitarian potential of sound that initially brought together the collective that is Super Critical Mass in 2007. With the goal of creating acoustic pieces through engaging a diverse range of participants, the performance... more
It was the egalitarian potential of sound that initially brought together the collective that is Super Critical Mass in 2007. With the goal of creating acoustic pieces through engaging a diverse range of participants, the performance driven project has steadily built on its foundations. Occupying the intersection of sound, performance and participatory art, Super Critical Mass is currently preparing for its latest initiative at Queensland Art Gallery’s flagship event, The Asia Pacific Triennial. Extending over the duration of the Triennial in a series of workshops, installations and delegated performances, the project promises to be the most ambitious commission undertaken by the group to date.
... The Artreader is a one-off publication launched to coincide with the opening of GoMA and APT in late 2006. It comprises the work of 8 writers from Australia and New Zealand under the editorship of Singapore-based writer Lee Weng... more
... The Artreader is a one-off publication launched to coincide with the opening of GoMA and APT in late 2006. It comprises the work of 8 writers from Australia and New Zealand under the editorship of Singapore-based writer Lee Weng Choy.. No. Yes. ... Mitarbeiter, Lee Weng Choy. ...
To simply say that the Asia Pacific Triennial of Contemporary Art (APT) is an event that showcases contemporary art from Asia, Australia, and the Pacific islands would fail to convey the sheer vitality of its many iterations since 1993,... more
To simply say that the Asia Pacific Triennial of Contemporary Art (APT) is an event that showcases contemporary art from Asia, Australia, and the Pacific islands would fail to convey the sheer vitality of its many iterations since 1993, which, more than any other recurring exhibition, have shaped Australia’s cultural identity in the digital age. Its ninth installment, led by Queensland Art Gallery | Gallery of Modern Art’s director Chris Saines and Asia-Pacific curatorial manager Zara Stanhope, appears more assured than ever. In this outing, which includes more than eighty artists and collectives from thirty different countries (and, notably, offers nearly equal gender representation), art-historical continuity is favored over disruption, and nuanced engagements with the particularities of artistic practice supplant prior emphases on multiculturalism.
Review focuses on the architecture of the then recently opened Gallery of Modern Art and its significance in terms of the gallery's projected public and curatorial aims. The Artreader is a one-off publication launched to coincide with the... more
Review focuses on the architecture of the then recently opened Gallery of Modern Art and its significance in terms of the gallery's projected public and curatorial aims. The Artreader is a one-off publication launched to coincide with the opening of GoMA and APT in late 2006. It comprises the work of 8 writers from Australia and New Zealand under the editorship of Singapore-based writer Lee Weng Choy.