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Edward Docx is an author and contributing writer to the New Statesman.
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The friendship that made Shostakovich
The Gates of Kyiv explores the friendship between the composer and the pianist Maria Yudina – and the horrors of Stalinism.
By Edward Docx
Beethoven and the Romantic spirit
By Edward Docx
Keir Starmer beyond the wall
By Edward Docx
The drama of Carlo Gesualdo
By Edward Docx
Natalia Ponomarchuk: “War has its sounds. I recognise them wherever they appear”
By Edward Docx
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Boris Johnson: the death of the clown – Audio Long Reads
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Opera singer David Butt Philip on how Brexit is impacting British musicians
Could the world-beating tenor be one of the UK’s last great singers to build a career in Europe?
By Edward Docx
Music in a time of war
The Ukrainian pianist Sasha Grynyuk and the Russian violinist Yuri Zhislin on playing together during the conflict.
By Edward Docx
What Martin Amis taught me
The novelist had no reason to welcome me into his home – but generosity was the thread that connected…
By Edward Docx
Boris Johnson the clown’s first encore
Before the parliamentary Privileges Committee, he hunched his shoulders like an actor playing Churchill. But the music had stopped.…
By Edward Docx
Boris Johnson: the death of the clown – Audio Long Reads
How the Prime Minister’s “buffoon” administration came to a close.
By Edward Docx
The death of “Boris” the clown
All of a sudden nothing worked. The audience began to jeer. Yes, for the first time in his career,…
By Edward Docx
The peak
Inside the mind of Dr Jim Down, a leading intensive care consultant, on the night of the peak number…
By Edward Docx
Nick Clegg: the Facebook fixer
He quit Westminster after failing to realign British politics. Now the former Lib Dem leader has taken on an…
By Edward Docx