Arriflex 435 (original) (raw)
The Arriflex 435 is a movie camera product line created by Arri in 1995 to replace the line. The number reflects its position as a successor camera to the Arri III and the fact that it is designed for 35 mm film. The 435 cameras are specifically designed as MOS cameras, which means that they are conventionally considered to be too loud to record usable location sound. However, this also frees the camera up to be optimized for non-sync sound uses, particularly any filming which either doesn't require sound or shooting at non-sync speed, shooting in reverse, or ramping between different speeds. As such, its potential applications are widespread, and thus it is regularly used on music videos, commercials, second unit work on features, special effects work, and motion control, among other usa
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| dbo:abstract | The Arriflex 435 is a movie camera product line created by Arri in 1995 to replace the line. The number reflects its position as a successor camera to the Arri III and the fact that it is designed for 35 mm film. The 435 cameras are specifically designed as MOS cameras, which means that they are conventionally considered to be too loud to record usable location sound. However, this also frees the camera up to be optimized for non-sync sound uses, particularly any filming which either doesn't require sound or shooting at non-sync speed, shooting in reverse, or ramping between different speeds. As such, its potential applications are widespread, and thus it is regularly used on music videos, commercials, second unit work on features, special effects work, and motion control, among other usage. Rival Panavision even owns more 435s for rental than Arri's own hire houses; Panavisions, however, can be converted to Pan-Arri 435s where they are modified to accept Panavision lenses and accessories. In recognition of the achievements of the 435 system, AMPAS awarded Arri a Scientific and Engineering Academy Award in 1999. (en) L'Arriflex 435 est une caméra 35 mm développée par la firme Arri en 1995, appelée à remplacer la série des . Avec un niveau de bruit relativement élevé par rapport aux standards des caméras de sa génération, l'Arri 435 est relativement peu utilisée lors de prises de vues en son synchrone. En revanche, sa conception est particulièrement adaptée pour des prises de vues muettes, en particulier lors des effets de changements de vitesse, comme l'accéléré, le ralenti ou la variation de vitesse pendant le plan. Si son champ d'application est large, ses particularités techniques la rendent surtout utilisée lors de tournage de clips musicaux ou publicitaires, de plans de « seconde équipe », de prises destinées aux effets spéciaux et de motion control, entre autres. En 2006, l'Arri 435 est considérée comme la caméra 35 mm la plus populaire, par sa polyvalence, son ergonomie, sa compatibilité et sa disponibilité chez les loueurs. Le concurrent Panavision possède plus de 435 à la location que les propres loueurs Arri ; toutefois, les modèles disponibles chez Panavision sont connus sous le nom de Pan-435, à la suite d'une modification de la monture en . L'Academy of Motion Picture Arts and Sciences a récompensé Arri d'un Oscar technique en 1999 pour sa conception de la 435. (fr) |
| dbo:thumbnail | wiki-commons:Special:FilePath/Arriflex_435_ES.jpg?width=300 |
| dbo:wikiPageExternalLink | http://www.davidelkins.com/cam/manuals/manual_files/arri/435_advanced_manual.pdf http://www.panavision.com/product_detail.php%3Fmaincat=1&cat=187&id=64&node=c0,c1,c17,c20 https://web.archive.org/web/20160810225037/http:/www.davidelkins.com/cam/manuals/manual_files/arri/435_advanced_manual.pdf |
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| dbo:wikiPageLength | 8011 (xsd:nonNegativeInteger) |
| dbo:wikiPageRevisionID | 1111121622 (xsd:integer) |
| dbo:wikiPageWikiLink | dbr:Anamorphic dbr:Steadicam dbc:Movie_cameras dbr:Time_code dbr:35mm_movie_film dbr:AMPAS dbr:Academy_Award dbr:Panavision dbr:Follow_focus dbr:Negative_pulldown dbr:Arri dbr:Arriflex_535 dbr:Registration_pin dbr:Camera_magazine dbr:Super_35 dbr:Rotary_disc_shutter dbr:Special_effects dbr:Second_unit dbr:Motion_control dbr:Movie_camera dbr:Arri_PL dbr:Music_videos dbr:MOS_(film) dbr:Commercials dbr:3-perf dbr:Shutter_angle dbr:Arri_II dbr:Arri_III dbr:Arriflex_35III dbr:File:Arriflex_435_ES.jpg |
| dbp:apertureplate | removable (en) |
| dbp:aperturesize | 0.71 |
| dbp:batteries | 24.0 |
| dbp:cameraline | Arriflex 435 (en) |
| dbp:camerasupport | Arrihead, bridge plate, handgrip, shoulder set, shoulder cushion, underslung bracket for Steadicam (en) |
| dbp:caption | Released in 2004, the Arriflex 435 Xtreme is the most recent iteration in the 435 product line. (en) |
| dbp:electronicaccessories | 24 (xsd:integer) |
| dbp:environmentprotection | third party covers and housings, rain deflector (en) |
| dbp:filmcores | standard cores (en) |
| dbp:gauge | 35.0 |
| dbp:groundglass | Interchangeable. Arriglow module available. (en) |
| dbp:indicators | speed, run, counter , shutter angle, time code , voltage, incorrect movement, asynchronous speed, low battery, film end (en) |
| dbp:introduced | 199520012004 (xsd:decimal) |
| dbp:lenscontrol | Arri-style follow focus. Integrated Lens Data System and Lens Control System in Advanced and Xtreme models; may be added as accessory for manual and ES. (en) |
| dbp:lensmount | Arri PL (en) |
| dbp:magazines | top-mounted, available in 400 ft , 1000 ft , and Steadicam sizes. mag has torque motors. Older fixed-loop mags from Arri III and Arri II can be used to 120fps. (en) |
| dbp:magazinetype | fixed-loop displacement mags, takes up emulsion in (en) |
| dbp:manufacturer | dbr:Arri |
| dbp:matteboxes | Arriflex MB or LMB models, 19 mm rods (en) |
| dbp:models | 435435 (xsd:integer) |
| dbp:motor | DC with quartz crystal control (en) |
| dbp:movement | Five link with dual registration pins and pulldown claws, 3 or 4-perf pulldown (en) |
| dbp:operatingnoiselevel | dbr:MOS_(film) |
| dbp:opticalaccessories | shift and tilt lens system, eyepiece leveller, pentafinder, wide angle eyepiece (en) |
| dbp:otheraccessories | lightweight follow focus , lightweight support rods, third party accessories (en) |
| dbp:shutter | reflex mirror; manual model stops at 11.2°, 22.5°, 30°, 45°, 60°, 75°, 90°, 105°, 120°, 135°, 144°, 172.8° and 180°, all other models can be adjusted continuously between 11.2° and 180° while either running or in standby mode (en) |
| dbp:speed | 1 (xsd:integer) |
| dbp:videoassist | Integrated Video System or IVS-2; Standard 0.5 inch CCD camera mountable through C-mount (en) |
| dbp:viewfinder | covers Super 35, rotates 360° and to left or right of camera with manual adjustment to maintain upright image. Can be used with either eye. Anamorphic switch available. Standard 80/20 beamsplitter, but entire viewfinder and beamsplitter can be replaced with 100% video tap for Steadicam or remote rigging. (en) |
| dbp:weight | 6.500000 (xsd:double) |
| dbp:wikiPageUsesTemplate | dbt:Infobox_movie_camera dbt:Cite_web dbt:Convert dbt:Fact dbt:Refbegin dbt:Refend dbt:Short_description dbt:Use_mdy_dates |
| dcterms:subject | dbc:Movie_cameras |
| gold:hypernym | dbr:Line |
| rdf:type | yago:WikicatMovieCameras yago:Artifact100021939 yago:Camera102942699 yago:Equipment103294048 yago:Instrumentality103575240 yago:Motion-pictureCamera103789171 yago:Object100002684 yago:PhotographicEquipment103926148 yago:PhysicalEntity100001930 yago:Whole100003553 |
| rdfs:comment | The Arriflex 435 is a movie camera product line created by Arri in 1995 to replace the line. The number reflects its position as a successor camera to the Arri III and the fact that it is designed for 35 mm film. The 435 cameras are specifically designed as MOS cameras, which means that they are conventionally considered to be too loud to record usable location sound. However, this also frees the camera up to be optimized for non-sync sound uses, particularly any filming which either doesn't require sound or shooting at non-sync speed, shooting in reverse, or ramping between different speeds. As such, its potential applications are widespread, and thus it is regularly used on music videos, commercials, second unit work on features, special effects work, and motion control, among other usa (en) L'Arriflex 435 est une caméra 35 mm développée par la firme Arri en 1995, appelée à remplacer la série des . Avec un niveau de bruit relativement élevé par rapport aux standards des caméras de sa génération, l'Arri 435 est relativement peu utilisée lors de prises de vues en son synchrone. En revanche, sa conception est particulièrement adaptée pour des prises de vues muettes, en particulier lors des effets de changements de vitesse, comme l'accéléré, le ralenti ou la variation de vitesse pendant le plan. (fr) |
| rdfs:label | Arriflex 435 (en) Caméra Arriflex 435 (fr) |
| owl:sameAs | freebase:Arriflex 435 yago-res:Arriflex 435 wikidata:Arriflex 435 dbpedia-fr:Arriflex 435 https://global.dbpedia.org/id/2fRqw |
| prov:wasDerivedFrom | wikipedia-en:Arriflex_435?oldid=1111121622&ns=0 |
| foaf:depiction | wiki-commons:Special:FilePath/Arriflex_435_ES.jpg |
| foaf:homepage | http://davidelkins.com |
| foaf:isPrimaryTopicOf | wikipedia-en:Arriflex_435 |
| is dbo:wikiPageDisambiguates of | dbr:435_(disambiguation) |
| is dbo:wikiPageRedirects of | dbr:Arri_435 dbr:Arriflex_435ES dbr:Arriflex_435_ES dbr:Arriflex_435_Xtreme |
| is dbo:wikiPageWikiLink of | dbr:435_(disambiguation) dbr:Ronin_(film) dbr:Bommarillu dbr:Cotton_Wool dbr:Ek_Tha_Tiger dbr:Enthiran dbr:The_Lone_Ranger_(2013_film) dbr:Andrew_Lesnie dbr:Comparison_of_movie_cameras dbr:We_Are_the_Night_(film) dbr:Guillermo_Navarro dbr:The_Avengers_(2012_film) dbr:Arri dbr:Arriflex_416 dbr:Arriflex_D-20 dbr:I_Will_Possess_Your_Heart dbr:Carousel_(advertisement) dbr:Rotary_disc_shutter dbr:Arri_435 dbr:Arriflex_435ES dbr:Arriflex_435_ES dbr:Arriflex_435_Xtreme |
| is foaf:primaryTopic of | wikipedia-en:Arriflex_435 |
