Beatlemania (original) (raw)
Beatlemánie je pojem, který vznikl v 60. letech 20. století. Popisuje vášnivé šílenství fanoušků The Beatles na počátku jejich úspěchu. Toto slovo je podobné daleko dřívějšímu termínu Lisztomania, které je užíváno pro popis fanouškovských reakcí na koncerty pianisty Franze Liszta.
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| dbo:abstract | Beatlemánie je pojem, který vznikl v 60. letech 20. století. Popisuje vášnivé šílenství fanoušků The Beatles na počátku jejich úspěchu. Toto slovo je podobné daleko dřívějšímu termínu Lisztomania, které je užíváno pro popis fanouškovských reakcí na koncerty pianisty Franze Liszta. (cs) Beatlemania was the fanaticism surrounding the English rock band the Beatles in the 1960s. The group's popularity grew in the United Kingdom throughout 1963, propelled by the singles "Please Please Me", "From Me to You" and "She Loves You". By October, the press adopted the term "Beatlemania" to describe the scenes of adulation that attended the band's concert performances. From the start of 1964, their world tours were characterised by the same levels of hysteria and high-pitched screaming by female fans, both at concerts and during the group's travels. Commentators likened the intensity of this adulation to a religious fervour and to a female masturbation fantasy. Among the displays of deity-like worship, fans would approach the band in the belief that they possessed supernatural healing powers. In February 1964, the Beatles arrived in the United States and their televised performances on The Ed Sullivan Show were viewed by approximately 73 million people. There, the band's instant popularity established their international stature, and their unprecedented domination of the national sales charts was mirrored in numerous other countries. Their August 1965 concert at New York's Shea Stadium marked the first time that a large outdoor stadium was used for such a purpose, and with an audience of 55,000, set records for attendance and revenue generation. To protect them from their fans, the Beatles typically travelled to these concerts by armoured car. From the end of that year, the band embraced promo clips for their singles to avoid the difficulties of making personal appearances on television programmes. Their December 1965 album Rubber Soul marked a profound change in the dynamic between fans and artists, as many Beatles fans sought to appreciate the progressive quality in the band's look, lyrics and sound. In 1966, John Lennon controversially remarked that the group had become "more popular than Jesus". Soon afterwards, when the Beatles toured Japan, the Philippines and the US, they were entangled in mob revolt, violence, political backlash and threats of assassination. Frustrated by the restrictions of Beatlemania and unable to hear themselves play above their fans' screams, the group stopped touring and became a studio-only band. Their popularity and influence expanded in various social and political arenas, while Beatlemania continued on a reduced scale from then and into the members' solo careers. Beatlemania surpassed any previous examples of fan worship in its intensity and scope. Initially, the fans were predominantly young adolescent females, sometimes called "teenyboppers", and their behaviour was scorned by many commentators. By 1965, their fanbase included listeners who traditionally shunned youth-driven pop culture, which helped bridge divisions between folk and rock enthusiasts. During the 1960s, Beatlemania was the subject of analysis by psychologists and sociologists; a 1997 study recognised the phenomenon as an early demonstration of proto-feminist girl power. The receptions of subsequent pop acts – particularly boy bands – have drawn comparisons to Beatlemania, although none have replicated the breadth and depth of the Beatles' fandom nor its cultural impact. (en) Als Beatlemania (englisch; eingedeutscht: „Beatlemanie“) wird die weltweite Euphorie um die britische Band The Beatles bezeichnet. Als Beginn wird allgemein der 13. Oktober 1963 angegeben. An diesem Tag traten die Beatles in der TV-Show Val Parnell's Sunday Night At The London Palladium auf. Während der ersten USA-Tournee der Band im Jahr 1964 erreichte die Beatlemania ihren Höhepunkt. Die Live-Konzerte dieser Jahre wurden von „orkanartigem“ Kreischen und Ohnmachtsanfällen der vor allem weiblichen Fans begleitet. Der Lärmpegel war so hoch, dass die Musiker kaum hören konnten, was sie spielten. Die Beatles beschlossen daher 1966, in Zukunft keine Live-Konzerte mehr zu geben. Am 29. August 1966 spielten sie letztmals vor einem größeren Publikum in San Francisco. Die Beatlemania flachte danach bis zur Auflösung der Band im Jahr 1970 ab. John Lennon sah die Beatlemania mit seiner und Yoko Onos Verhaftung wegen Drogenbesitzes 1968 als beendet an. Als endgültiges Ende der sieben Jahre lang grassierenden Beatlemania wird auch das Jahr 1970 angesehen, nachdem Paul McCartney die Band verlassen hatte. (de) Beatlemanía es un término que se utilizó durante la década de los años 1960, para describir el enorme interés demostrado -especialmente por los jóvenes- al cuarteto británico The Beatles en los primeros años de su éxito. (es) Beatlemania est un terme apparu à la fin de l'année 1963 pour désigner l'extraordinaire engouement des fans à l'égard du groupe de musique britannique The Beatles. Il s'agit d'un mot-valise constitué de « Beatle » et « mania », dans le même esprit que le bien plus ancien « Lisztomania » qui décrivait la réaction des admirateurs du pianiste virtuose Franz Liszt, au XIXe siècle. Un promoteur de musique écossais, Andi Lothian, prétend avoir inventé l'expression Beatlemania lors d'une interview donnée au cours d'une tournée des Beatles en Écosse, le 7 octobre 1963. On retrouve ce mot publié pour la première fois dans le Daily Mail, le 21 octobre, quand le journaliste Vincent Mulchrone a écrit un article avec le titre « This Beatlemania ». Le 2 novembre suivant, le Daily Mirror réutilise ce terme, le faisant rentrer dans l'usage courant. Le phénomène proprement dit débute au Royaume-Uni, pays d'origine des Beatles, lorsque le groupe atteint une grande popularité au début de 1963. Revenant d'une série de séjours très formateurs de 1960 à 1962 à Hambourg, les Beatles effectuent leur première véritable percée commerciale avec leur second single britannique, Please Please Me, qui se hisse au sommet des classements, en première ou deuxième position selon les magazines. S'ensuit un enchaînement presque sans répit de concerts et de tournées dans tout le pays, où les attend un public fervent et enthousiaste. La popularité des Beatles en vient à surpasser celle des artistes américains, comme Tommy Roe, Chris Montez et Roy Orbison ; leurs solides succès dans les charts britanniques ne les empêchent pas de passer dans l'ombre des Beatles, un exploit inédit pour un jeune groupe d'un pays « envahi » par les disques américains. La Beatlemania se développe dans toute son ampleur en septembre-octobre 1963 et prend tout le monde au dépourvu, y compris le manager du groupe Brian Epstein. Après Please Please Me, c'est She Loves You qui devient numéro un ; l'albums Please Please Me est également au sommet. Les scènes d'hystérie collective se multiplient au gré des tournées du groupe, hurlements, évanouissements, mouvements de foule et salles de presse prises d'assaut par le public et les journalistes. Les Beatles font la une de tous les journaux, rallient tout le pays à leur cause. Ils deviennent un argument médiatique et même politique : les dirigeants britanniques, très critiques de prime abord, ne tardent pas à comprendre que persister dans cette voie équivaut à un suicide politique. La Beatlemania se répand comme une traînée de poudre, les produits dérivés se multiplient et le staff de Brian Epstein se retrouve soudain surchargé de travail. Tous ces événements sont retranscrits dans un film réalisé sous forme de faux documentaire où les Beatles jouent leur propre rôle : A Hard Day's Night. Début 1964, la Beatlemania s'exporte hors du continent européen et atteint les États-Unis, dès le premier voyage du groupe en terre américaine, pour les mêmes effets. La percée des Beatles de l'autre côté de l'Atlantique entraîne bientôt un changement significatif dans le paysage de la musique populaire aux États-Unis : d'autres groupes britanniques réussissent à s'y exporter, marquant le début et l'essor du phénomène de la British Invasion. Hunter Davies, biographe autorisé des Beatles, date la fin de la Beatlemania en 1967. S'ils sont toujours aussi populaires auprès des critiques et du public, la folie qui les entoure a nettement baissé d'intensité, le groupe ayant cessé de donner des concerts pour se focaliser sur le travail en studio d'enregistrement. Ce tournant dans leur carrière trouve justement son origine dans la Beatlemania : fatigués, usés, sentant leurs compétences de musiciens se dégrader au fil de ces concerts où leurs chansons sont couvertes par le bruit continu du public, les Beatles aspirent à autre chose. Du côté des fans, on retrouve pourtant des réminiscences du phénomène, comme les (en), ces jeunes filles constamment en poste d'observation devant les studios ou les domiciles des Beatles, dans l'espoir de les entrapercevoir. (fr) Beatlemania adalah istilah yang digunakan sekitar tahun 1960an untuk melukiskan kegilaan penggemar The Beatles, khususnya ditunjukkan remaja perempuan saat awal-awal kesuksesan grup band tersebut. Istilah ini merupakan gabungan dari dua kata "The Beatles" dan "mania". Andi Lothian, mantan promotor musik di Skotlandia, mengklaim bahwa ia menciptakan istilah tersebut saat berbicara dengan seorang wartawan dalam salah satu konser The Beatles di Skotlandia pada tanggal 7 Oktober 1963, meskipun koran Daily Mirror tertanggal 2 November 1963 menyebutkan istilah tersebut saat mewartakan konser The Beatles di Cheltenham sehari sebelumnya. Istilah ini mulai kerap dipakai setelah The Beatles mengadakan pertunjukan di pada tahun 1964. Karakteristik dari Beatlemania adalah adanya tingkat histeria yang intens oleh para penggemar saat pertunjukan, kedatangan di suatu kota atau negara dan perjalanan band dari dan menuju berbagai lokasi. * l * b * s (in) 비틀마니아(Beatlemania)는 1960년대 영국의 록 밴드 비틀즈를 둘러싼 광신주의이다. 1963년간 영국에서 비틀즈의 인기는 상승가도를 달렸으며 이것은 대부분 〈Please Please Me〉, 〈From Me to You〉, 〈She Loves You〉 등 싱글 덕이었다. 그해 10월경 언론에서는 비틀즈의 콘서트에서 있었던 비틀즈 추종자들의 열광을 묘사하고자 '비틀마니아'라는 신조어를 만들어냈다. 1964년부터 비틀즈가 시작한 세계적 투어는 여성 팬들의 먼젓번의 것과 동일한 수준의 히스테리와 시끄러운 고함소리로 특징지어졌으며 이것은 콘서트와 비틀즈의 여행에서도 그대로였다. 논평가들은 이같은 비틀즈에의 열광이 종교에의 그것에 견줄 법하다고 했으며, 여성의 자위 판타지(masturbation fantasy)와도 연관되어 있다고 분석했다. 비틀즈를 신처럼 떠받드는 일부 팬들은 비틀즈가 초자연적인 치유적 힘을 가지고 있다고 믿기도 했다. 1964년 2월 비틀즈는 방미하여 《에드 설리번 쇼》에서 텔레비전 공연을 선보였으며 7,300만 명에 가까운 사람들이 이것을 시청하였다. 이 일을 계기로 비틀즈는 일약 세계적 스타덤을 이룩하게 되었으며, 전미 차트에서는 미증유한 수준의 차트 점령을 달성하기 이르렀다. 이 현상은 세계 각국에서도 동시다발적으로 이루어졌다. 1965년 8월 뉴욕의 셰이 스타디움에서 열린 비틀즈의 콘서트는 대형 야외 스타디움에서 콘서트를 열었다는 점에서 최초였으며, 또한 관중동원수와 수익 면에서도 새로운 기록을 수립했다. 비틀즈를 팬들로부터 보호하기 위하여 이들은 콘서트장으로 향하여 자주 장갑차를 타고 갔다. 그해 말 비틀즈는 텔레비전 프로그램에 개인적 출연을 이루기가 힘들게 되어 이를 회피하고자 자신들의 싱글의 홍보 차원에서 짧은 영화를 제작하기 시작하였다. 1965년 12월 앨범 《Rubber Soul》은 팬들과 비틀즈 사이의 역학에 중대한 변화가 일어났음을 보여주었다. 많은 비틀즈 팬들은 비틀즈의 외모, 가사, 사운드의 진전을 달갑게 받아들이고자 하였다. 1966년 존 레논은 비틀즈가 "예수보다도 유명해졌다"는 발언을 함으로써 논란을 일으킨다. 그 일이 있은 직후 있었던 에서 이들은 폭동, 폭력, 정치적 반발과 암살 위협에 시달리게 된다. 비틀마니아라는 자신들을 둘러싼 포위망과 팬들의 고함소리로 인하여 자신들의 연주소리가 묻히게 됨에 불만을 느낀 비틀즈는 투어를 중단하고 이후로 스튜디오에서만 활동하는 밴드로 전향해버린다. 비틀즈의 유명함과 영향력이 사회적·정치적 무대에도 손을 뻗치게 되면서 또한 비틀즈가 해산하고 멤버들이 각자 솔로 커리어를 시작하게 되면서부터 비틀마니아는 점차 사그라들기 시작했다. 비틀마니아는 팬의 숭배에 있어 그 강도와 범위의 면에서 전에 없는 수준이었다. 애시당초 비틀즈의 팬들은 이른바 ''라고 불리는 젊은 여성청년들이었으며 이들의 행동거지는 많은 논평가들의 비난을 샀다. 1965년경 이들 팬베이스에 평소 젊은이가 리드하는 대중문화를 경멸한 리스너가 편입되었으며, 이로 인하여 포크와 록의 숭배자들의 경계가 무너지기 시작했다. 1960년대 비틀마니아는 심리학과 사회학에서 해석의 대상이었다. 1997년 연구에서는 이 현상을 원시적 페미니스트 걸 파워의 초기 예시로 들기도 하였다. 나중의 대중음악 밴드들-특히나 보이 밴드들-이 비틀마니아 견주어지는 경우가 많이 있었지만 비틀즈 팬덤의 넓이와 깊이의 면에서나 그 문화적 영향력 면에서나 비틀마니아를 뛰어넘는 것은 아직 없다. (ko) La Beatlemania è stato un fenomeno sociologico e di antropologia culturale diffusosi negli anni sessanta. Fenomeno senza precedenti, è consistito nell'adorazione incondizionata per il gruppo musicale dei Beatles al di là di estrazione sociale, cultura, sesso ed età; si manifestava con euforia, crisi isteriche, urla, pianti, svenimenti, assembramenti di folla e consumo frenetico di oggettistica riguardante il gruppo. L'analisi della Beatlemania ha contribuito allo sviluppo di alcuni settori del marketing e della comunicazione di massa come il merchandising, il branding ed il fandom. (it) ビートルマニア（英語:Beatlemania）とは、イギリスの音楽バンド「ビートルズ」の関連用語で、特に1960年代に存在した熱狂的なファンを指した言葉。「ビートルズ・マニア」とも呼ばれる。現代でも一部のファンが自称する事がある。 (ja) Beatlemania is de naam die wordt gegeven aan de massahysterie rondom de Britse rockband The Beatles. (nl) Beatlemania – termin powstały w latach 60. XX wieku do opisania ogromnej popularności zespołu The Beatles, szczególnie charakteryzującej się histerycznymi reakcjami nastolatek. Beatlemania miała swój początek w Europie, do USA dotarła jeszcze przed zespołem, a to za sprawą piosenki „I Want to Hold Your Hand”. Gdy Beatlesi lądowali w Nowym Jorku 7 lutego 1964, czekała już na nich rozentuzjazmowana młodzież. W późniejszym okresie używano terminu również dla określenia licznych zespołów naśladujących styl The Beatles w swojej muzyce. (pl) Beatlemania é um termo criado originalmente para descrever o intenso frenesi dos fãs dos Beatles, demonstrado principalmente por garotas adolescentes, nos locais em que a banda se apresentava durante seus anos iniciais de sucesso. O termo adquiriu um significado mais amplo, referindo-se ao forte interesse mundial pela banda. (pt) Битлома́ния (англ. Beatlemania) — термин, возникший в 1960-е годы, описывающий состояние сильной, граничащей с сумасшествием, любви к группе «Битлз» (англ. The Beatles). (ru) Fenomenet kallat Beatlemania har sitt ursprung i Storbritannien, The Beatles hemland, när bandet först vunnit sin enorma popularitet i slutet av 1962. Efter återkomsten från en tvåårsperiod i Tyskland, fick The Beatles ett kommersiellt genombrott med sitt andra brittiska singelsläpp, "Please Please Me", och plötsligt ökade efterfrågan enormt på deras musik. Sedan följde en nästan nonstop serie av konserter och turnéer, och ett brinnande intresse över hela Storbritannien, hela nästkommande år. The Beatles popularitet i Storbritannien kom att bli större än de otroligt populära amerikanska artisterna Tommy Roe, Chris Montez och Roy Orbison, vars stora framgångar på de brittiska topplistorna vid den tidpunkten kom att överskuggas av The Beatles - en prestation av hittills okänt fenomen för ett relativt nytt engelskt band – en händelse som 1963 resulterade i landsomfattande turnéer i Storbritannien och ett utlandsbesök i Sverige i oktober, november samma år och ett framträdande i svensk television i programmet Drop-In. I och med mediernas intensiva intresse för The Beatles under 1963 började de också uppträda i olika tv-program, tidningsintervjuer, och vara med i ett radioprogram varje vecka. Trots detta intensiva program fortsatte bandet att arbeta i inspelningsstudion och släppa ett antal album och singlar under året. 1963 var också året då Lennons son Julian Lennon föddes. (sv) Бітломанія (англ. Beatlemania) — термін, що виник в 1960-ті, описує стан сильного, що межує з божевіллям, захоплення «The Beatles». (uk) 披头士狂热（Beatlemania）或披头士狂通常指英国乐队披头士的歌迷，与此类词汇近似但更早出现的词有李斯特狂熱。 (zh) |
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| dbp:description | 1963.0 (dbd:second) |
| dbp:filename | She Loves You .ogg (en) |
| dbp:quote | 1966 (xsd:integer) An admirer from their pre-fame days in Liverpool was shocked to witness a Beatles performance in 1963, at which every note of their music was buried beneath the screams of young girls. Why didn't they listen to their idols? she asked. "We came to see the Beatles", a fan replied. "We can hear them on records. Anyway, we might be disappointed if we heard them in real life." (en) I went absolutely mad round about 1964. My head was just so swollen. I thought I was a God, a living God. And the other three looked at me and said, Excuse me, I am the God. We all went through a period of going mad. (en) |
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| dbp:source | – Author Nicholas Schaffner (en) – Author Peter Doggett (en) – Ringo Starr (en) |
| dbp:style | padding:8px; (en) |
| dbp:title | "She Loves You" (en) The British Are Coming! The British Art Coming!: The U.S.A. is invaded by a wave of long-haired English rockers (en) |
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| rdfs:comment | Beatlemánie je pojem, který vznikl v 60. letech 20. století. Popisuje vášnivé šílenství fanoušků The Beatles na počátku jejich úspěchu. Toto slovo je podobné daleko dřívějšímu termínu Lisztomania, které je užíváno pro popis fanouškovských reakcí na koncerty pianisty Franze Liszta. (cs) Beatlemanía es un término que se utilizó durante la década de los años 1960, para describir el enorme interés demostrado -especialmente por los jóvenes- al cuarteto británico The Beatles en los primeros años de su éxito. (es) La Beatlemania è stato un fenomeno sociologico e di antropologia culturale diffusosi negli anni sessanta. Fenomeno senza precedenti, è consistito nell'adorazione incondizionata per il gruppo musicale dei Beatles al di là di estrazione sociale, cultura, sesso ed età; si manifestava con euforia, crisi isteriche, urla, pianti, svenimenti, assembramenti di folla e consumo frenetico di oggettistica riguardante il gruppo. L'analisi della Beatlemania ha contribuito allo sviluppo di alcuni settori del marketing e della comunicazione di massa come il merchandising, il branding ed il fandom. (it) ビートルマニア（英語:Beatlemania）とは、イギリスの音楽バンド「ビートルズ」の関連用語で、特に1960年代に存在した熱狂的なファンを指した言葉。「ビートルズ・マニア」とも呼ばれる。現代でも一部のファンが自称する事がある。 (ja) Beatlemania is de naam die wordt gegeven aan de massahysterie rondom de Britse rockband The Beatles. (nl) Beatlemania – termin powstały w latach 60. XX wieku do opisania ogromnej popularności zespołu The Beatles, szczególnie charakteryzującej się histerycznymi reakcjami nastolatek. Beatlemania miała swój początek w Europie, do USA dotarła jeszcze przed zespołem, a to za sprawą piosenki „I Want to Hold Your Hand”. Gdy Beatlesi lądowali w Nowym Jorku 7 lutego 1964, czekała już na nich rozentuzjazmowana młodzież. W późniejszym okresie używano terminu również dla określenia licznych zespołów naśladujących styl The Beatles w swojej muzyce. (pl) Beatlemania é um termo criado originalmente para descrever o intenso frenesi dos fãs dos Beatles, demonstrado principalmente por garotas adolescentes, nos locais em que a banda se apresentava durante seus anos iniciais de sucesso. O termo adquiriu um significado mais amplo, referindo-se ao forte interesse mundial pela banda. (pt) Битлома́ния (англ. Beatlemania) — термин, возникший в 1960-е годы, описывающий состояние сильной, граничащей с сумасшествием, любви к группе «Битлз» (англ. The Beatles). (ru) Бітломанія (англ. Beatlemania) — термін, що виник в 1960-ті, описує стан сильного, що межує з божевіллям, захоплення «The Beatles». (uk) 披头士狂热（Beatlemania）或披头士狂通常指英国乐队披头士的歌迷，与此类词汇近似但更早出现的词有李斯特狂熱。 (zh) Beatlemania was the fanaticism surrounding the English rock band the Beatles in the 1960s. The group's popularity grew in the United Kingdom throughout 1963, propelled by the singles "Please Please Me", "From Me to You" and "She Loves You". By October, the press adopted the term "Beatlemania" to describe the scenes of adulation that attended the band's concert performances. From the start of 1964, their world tours were characterised by the same levels of hysteria and high-pitched screaming by female fans, both at concerts and during the group's travels. Commentators likened the intensity of this adulation to a religious fervour and to a female masturbation fantasy. Among the displays of deity-like worship, fans would approach the band in the belief that they possessed supernatural healing (en) Als Beatlemania (englisch; eingedeutscht: „Beatlemanie“) wird die weltweite Euphorie um die britische Band The Beatles bezeichnet. Als Beginn wird allgemein der 13. Oktober 1963 angegeben. An diesem Tag traten die Beatles in der TV-Show Val Parnell's Sunday Night At The London Palladium auf. Während der ersten USA-Tournee der Band im Jahr 1964 erreichte die Beatlemania ihren Höhepunkt. Die Live-Konzerte dieser Jahre wurden von „orkanartigem“ Kreischen und Ohnmachtsanfällen der vor allem weiblichen Fans begleitet. Der Lärmpegel war so hoch, dass die Musiker kaum hören konnten, was sie spielten. Die Beatles beschlossen daher 1966, in Zukunft keine Live-Konzerte mehr zu geben. Am 29. August 1966 spielten sie letztmals vor einem größeren Publikum in San Francisco. (de) Beatlemania adalah istilah yang digunakan sekitar tahun 1960an untuk melukiskan kegilaan penggemar The Beatles, khususnya ditunjukkan remaja perempuan saat awal-awal kesuksesan grup band tersebut. Istilah ini merupakan gabungan dari dua kata "The Beatles" dan "mania". Andi Lothian, mantan promotor musik di Skotlandia, mengklaim bahwa ia menciptakan istilah tersebut saat berbicara dengan seorang wartawan dalam salah satu konser The Beatles di Skotlandia pada tanggal 7 Oktober 1963, meskipun koran Daily Mirror tertanggal 2 November 1963 menyebutkan istilah tersebut saat mewartakan konser The Beatles di Cheltenham sehari sebelumnya. Istilah ini mulai kerap dipakai setelah The Beatles mengadakan pertunjukan di pada tahun 1964. Karakteristik dari Beatlemania adalah adanya tingkat histeria yang (in) Beatlemania est un terme apparu à la fin de l'année 1963 pour désigner l'extraordinaire engouement des fans à l'égard du groupe de musique britannique The Beatles. Il s'agit d'un mot-valise constitué de « Beatle » et « mania », dans le même esprit que le bien plus ancien « Lisztomania » qui décrivait la réaction des admirateurs du pianiste virtuose Franz Liszt, au XIXe siècle. Un promoteur de musique écossais, Andi Lothian, prétend avoir inventé l'expression Beatlemania lors d'une interview donnée au cours d'une tournée des Beatles en Écosse, le 7 octobre 1963. On retrouve ce mot publié pour la première fois dans le Daily Mail, le 21 octobre, quand le journaliste Vincent Mulchrone a écrit un article avec le titre « This Beatlemania ». Le 2 novembre suivant, le Daily Mirror réutilise ce ter (fr) 비틀마니아(Beatlemania)는 1960년대 영국의 록 밴드 비틀즈를 둘러싼 광신주의이다. 1963년간 영국에서 비틀즈의 인기는 상승가도를 달렸으며 이것은 대부분 〈Please Please Me〉, 〈From Me to You〉, 〈She Loves You〉 등 싱글 덕이었다. 그해 10월경 언론에서는 비틀즈의 콘서트에서 있었던 비틀즈 추종자들의 열광을 묘사하고자 '비틀마니아'라는 신조어를 만들어냈다. 1964년부터 비틀즈가 시작한 세계적 투어는 여성 팬들의 먼젓번의 것과 동일한 수준의 히스테리와 시끄러운 고함소리로 특징지어졌으며 이것은 콘서트와 비틀즈의 여행에서도 그대로였다. 논평가들은 이같은 비틀즈에의 열광이 종교에의 그것에 견줄 법하다고 했으며, 여성의 자위 판타지(masturbation fantasy)와도 연관되어 있다고 분석했다. 비틀즈를 신처럼 떠받드는 일부 팬들은 비틀즈가 초자연적인 치유적 힘을 가지고 있다고 믿기도 했다. (ko) Fenomenet kallat Beatlemania har sitt ursprung i Storbritannien, The Beatles hemland, när bandet först vunnit sin enorma popularitet i slutet av 1962. Efter återkomsten från en tvåårsperiod i Tyskland, fick The Beatles ett kommersiellt genombrott med sitt andra brittiska singelsläpp, "Please Please Me", och plötsligt ökade efterfrågan enormt på deras musik. Sedan följde en nästan nonstop serie av konserter och turnéer, och ett brinnande intresse över hela Storbritannien, hela nästkommande år. The Beatles popularitet i Storbritannien kom att bli större än de otroligt populära amerikanska artisterna Tommy Roe, Chris Montez och Roy Orbison, vars stora framgångar på de brittiska topplistorna vid den tidpunkten kom att överskuggas av The Beatles - en prestation av hittills okänt fenomen för ett (sv) |
| rdfs:label | Beatlemania (en) Beatlemánie (cs) Beatlemania (de) Beatlemanía (es) Beatlemania (in) Beatlemania (fr) Beatlemania (it) ビートルマニア (ja) 비틀마니아 (ko) Beatlemania (nl) Beatlemania (pl) Beatlemania (pt) Битломания (ru) Beatlemania (sv) 披头士狂热 (zh) Бітломанія (uk) |
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