Giovanni Battista Palumba (original) (raw)
Giovanni Battista Palumba, conosciuto anche come Maestro I. B. con uccello (o l’Uccello) (... – XVI secolo), è stato un incisore italiano.
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| dbo:abstract | Giovanni Battista Palumba, also known as the Master I.B. with a Bird (or the Bird etc.), was an Italian printmaker active in the early 16th century, making both engravings and woodcuts; he is generally attributed with respectively 14 and 11 of these. He appears to have come from northern Italy, but later worked in Rome. He specialized in subjects from classical mythology, as well as the inevitable religious subjects. Despite his relatively small output, he was a sophisticated artist, whose style shows a number of influences and changes, reflecting awareness of the currents in artistic style at the start of the High Renaissance. The signed prints are usually dated to around 1500–1511. His earlier name comes from the monogram with which most of his prints are signed, the initials IB followed by a small image of a pigeon-like bird. The Italian word palumbo means 'pigeon' (the Latin name of the common wood pigeon is Columba palumbus), and in Latin the initial for Giovanni ('John' in English) is I, for Iohannes. He is not to be confused with the Master I.B., a German printmaker active in Nuremberg c. 1523–1530. He is also attributed with various woodcuts for book illustrations from both before and after the 1500s, though all of these are rejected by some, and he is generally accepted as the author of a drawing in the British Museum related to his print of Leda and the Swan, with their Children. (en) Giovanni Battista Palumba Signature Giovanni Battista Palumba, également connu sous le nom de Maître IB avec un oiseau (ou l'oiseau, etc.), est un graveur italien actif au début du XVIe siècle, réalisant à la fois des gravures et des xylographies ; on lui en attribue généralement respectivement 14 et 11 (des divergences mineures existent, Konrad Oberhuber et Mark J. Zucker rejettent une gravure de Vénus et Cupidon). Il semble être venu de l'Italie du Nord, mais a ensuite travaillé à Rome. Il s'est spécialisé dans les sujets de la mythologie gréco-romaine, ainsi que dans les inévitables sujets religieux. Malgré sa production relativement faible, il est considéré comme un artiste sophistiqué, dont le style montre un certain nombre d'influences et de changements qui reflètent la prise de conscience des courants de style artistique au début de la Haute Renaissance. Les estampes signées sont généralement datées d'environ 1500-1511. On lui attribue également diverses gravures sur bois pour des illustrations de livres avant et après les années 1500, bien que toutes soient rejetées par certains ; il est généralement accepté comme l'auteur d'un dessin conservé au British Museum lié à son impression de Leda et le cygne, avec leurs enfants. (fr) Giovanni Battista Palumba, conosciuto anche come Maestro I. B. con uccello (o l’Uccello) (... – XVI secolo), è stato un incisore italiano. (it) |
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| rdfs:comment | Giovanni Battista Palumba, conosciuto anche come Maestro I. B. con uccello (o l’Uccello) (... – XVI secolo), è stato un incisore italiano. (it) Giovanni Battista Palumba, also known as the Master I.B. with a Bird (or the Bird etc.), was an Italian printmaker active in the early 16th century, making both engravings and woodcuts; he is generally attributed with respectively 14 and 11 of these. He appears to have come from northern Italy, but later worked in Rome. He specialized in subjects from classical mythology, as well as the inevitable religious subjects. Despite his relatively small output, he was a sophisticated artist, whose style shows a number of influences and changes, reflecting awareness of the currents in artistic style at the start of the High Renaissance. The signed prints are usually dated to around 1500–1511. (en) Giovanni Battista Palumba Signature Giovanni Battista Palumba, également connu sous le nom de Maître IB avec un oiseau (ou l'oiseau, etc.), est un graveur italien actif au début du XVIe siècle, réalisant à la fois des gravures et des xylographies ; on lui en attribue généralement respectivement 14 et 11 (des divergences mineures existent, Konrad Oberhuber et Mark J. Zucker rejettent une gravure de Vénus et Cupidon). Il semble être venu de l'Italie du Nord, mais a ensuite travaillé à Rome. Il s'est spécialisé dans les sujets de la mythologie gréco-romaine, ainsi que dans les inévitables sujets religieux. (fr) |
| rdfs:label | Giovanni Battista Palumba (en) Giovanni Battista Palumba (fr) Giovanni Battista Palumba (it) |
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