Henry Bredemers (original) (raw)

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Henry Bredemers (* um 1472 in Namur; † 20. Mai 1522 in Lierre) war ein flämischer Organist, Orgelspezialist und Musikpädagoge. Er hinterließ keine Kompositionen, gilt aber als bedeutender Musiklehrer der Renaissance.

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dbo:abstract Henry Bredemers (dècada del 1470 - 20 de maig de 1522) va ser un organista holandès sud i professor de música. No hi ha composicions per ell que sobreviuen, i la seva importància històrica radica principalment en les seves activitats com a professora. La primera referència enregistrada a Bredemers es troba en un document de 1488 que l'enumera com un dels cantants de "Cathedral of Our Lady" (Onze-Lieve-Vrouwekathedraal), Anvers. En 1491-1492 va ser organista de l'església de Sant Jaume (Sint-Jacobskerk) de la mateixa ciutat, i el 1493 va ocupar una posició similar a la Confraria de la Mare de Déu a l'església de la Mare de Déu. Els creadors havien d'haver aconseguit una gran reputació en els anys següents: el 1501 es distingia prou per entrar a la capella de Felip I "el Bell", com a organista. La capella, coneguda llavors com a Gran capella, era l'establiment musical principal de la cort borgonyona-hamburguesa, i una de les capelles més importants del Renaixement: tenia una història llarga i il·lustrada associada amb compositors de l'escola borgonyona, particularment Guillaume Dufay. I en el moment en què es va unir a Bredemers, els membres de la capella incloïen importants compositors com Pierre de La Rue i Alexander Agricola. Va ser encarregat de funcions de rendiment i organització de la capella. Bredemers i altres músics de la capella van viatjar amb la cort en múltiples ocasions: hi va haver dos viatges a Espanya (en 1501-1503 i 1505-1506) i un altra per Heidelberg (en 1503). En aquesta última ocasió, Bredemers hauria d'haver conegut a Arnolt Schlick, organista oficial al Palatinado Electoral. Quan Felip va morir el 1506 a Burgos, Espanya, va ser Bredemers qui va organitzar el transport de llibres litúrgics i de música de la capella a Anvers. El fill major de Felip, Carles, era massa jove per succeir al seu pare, per la qual cosa Margarida d'Àustria va ser nomenada regent. A la seva cort de Malines, Bredemers va ser escollit el 1507 com a professor de música dels fills de Felip (Carles i les seves germanes Elionor, Maria i Isabel) i organista de la capella domèstica de Carlos. També havia d'instruir als animadors i infants de cor de la cort, així com comprar i mantenir instruments. Els professors van ensenyar diàriament a Carles i les seves germanes clavicordi, així com a altres instruments. La influència de Bredemers va ser difosa pels fills de Felip. Les lliçons d'Isabel es van acabar el 1514 quan es va casar amb Cristià II de Dinamarca i Elionor va deixar el 1518, després de casar-se amb Manuel I de Portugal (i després de morir Manuel, es va casar amb Francesc I). Abans d'anar-se'n, ambdues germanes van demanar a Bredemers que els comprès uns clavicords per emportar-los; Elionor era coneguda com una artista especialment bona. Bredemers es va retirar a Lier en 1518, però va continuar assistint a la capella privada de Margarida, i va acompanyar a Carles durant la seva visita a Anglaterra en 1520-21. És probable que va assistir a la coronació de Carles en 1520. Al maig de 1521 Bredemers fou nomenat prebost en la "Catedral de St Aubin", Namur. No obstant això, va renunciar a aquest càrrec després d'un any, l'abril de 1522. Va morir el mes següent. No es coneix cap composició de Bredemers, encara que dos van ser esmentats per Fétis en la seva "Biographie universelle" en la segona meitat del segle xix. La importància de Bredemers rau en la influència que hauria d'haver exercit sobre la música teclista europea durant els seus viatges a Espanya, Anglaterra i Alemanya, així com a través dels seus alumnes. (ca) Henry Bredemers (* um 1472 in Namur; † 20. Mai 1522 in Lierre) war ein flämischer Organist, Orgelspezialist und Musikpädagoge. Er hinterließ keine Kompositionen, gilt aber als bedeutender Musiklehrer der Renaissance. (de) Henry (Henri, Hendrik) Bredemers (Bredeniers) (c. 1472 – May 20, 1522) was a South Netherlandish organist and music teacher. No compositions by him survive, and his historical importance lies chiefly in his activities as a teacher. The first recorded reference to Bredemers is in a 1488 document which lists him as one of the singers of Cathedral of Our Lady (Onze-Lieve-Vrouwekathedraal), Antwerp. In 1491–1492 he served as organist of Saint James' Church (Sint-Jacobskerk) of the same city, and in 1493 he occupied a similar position at the Confraternity of Our Lady at Our Lady's church. Bredemers must have attained a considerable reputation in the following years: by 1501 he was distinguished enough to enter the chapel of Philip the Handsome as organist. The chapel, known then as Grande chapelle, was the main musical establishment of the Burgundian-Habsburg court, and one of the most important court chapels of the Renaissance: it had a long and illustrious history associated with composers of the Burgundian School, particularly Guillaume Dufay. And at the time Bredemers joined it, members of the chapel included important composers such as Pierre de la Rue and Alexander Agricola. He was charged with performance duties as well as organisation of the chapel. Bredemers and other musicians of the chapel travelled with the court on multiple occasions: there were two voyages to Spain (in 1501–1503 and 1505–1506) and one to Heidelberg (in 1503). On the latter occasion Bredemers must have met Arnolt Schlick, court organist to the Electoral Palatinate. When Philip died in 1506 at Burgos, Spain, it was Bredemers who arranged for the transport of the chapel's liturgical and music books to Antwerp. Philip's eldest son, Charles, was too young to succeed his father, and so Margaret of Austria was appointed regent. At her court in Mechelen, Bredemers was chosen in 1507 as music teacher of Philip's children (Charles and his sisters Eleanor, Mary and Isabella) and organist of Charles' domestic chapel. He was also to instruct court entertainers and choirboys, as well as purchase and maintain instruments. Bredemers taught Charles and his sisters clavichord daily, as well as other instruments. Bredemers' influence was spread far by Philip's children. Isabella's lessons came to an end in 1514 when she married Christian II of Denmark, and Eleanor left in 1518, after marrying Manuel I of Portugal (and after Manuel died, she married Francis I). Before leaving, both sisters asked Bredemers to buy them clavichords to take with them; Eleanor was known as a particularly fine performer. Bredemers retired to Lier in 1518, but continued assisting at Margaret's private chapel, and accompanied Charles during his visit to England in 1520–1521. He probably attended Charles' coronation in 1520. In May 1521 Bredemers was made provost at St Aubin's Cathedral, Namur. However, he resigned this position after only a year, in April 1522. He died the following month. No compositions by Bredemers are known, although two were mentioned by Fétis in his Biographie universelle in the second half of the 19th century. Bredemers' importance lies in the influence he must have exerted over European keyboard music during his voyages to Spain, England and Germany, as well as through his pupils. (en)
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rdfs:comment Henry Bredemers (* um 1472 in Namur; † 20. Mai 1522 in Lierre) war ein flämischer Organist, Orgelspezialist und Musikpädagoge. Er hinterließ keine Kompositionen, gilt aber als bedeutender Musiklehrer der Renaissance. (de) Henry Bredemers (dècada del 1470 - 20 de maig de 1522) va ser un organista holandès sud i professor de música. No hi ha composicions per ell que sobreviuen, i la seva importància històrica radica principalment en les seves activitats com a professora. (ca) Henry (Henri, Hendrik) Bredemers (Bredeniers) (c. 1472 – May 20, 1522) was a South Netherlandish organist and music teacher. No compositions by him survive, and his historical importance lies chiefly in his activities as a teacher. No compositions by Bredemers are known, although two were mentioned by Fétis in his Biographie universelle in the second half of the 19th century. Bredemers' importance lies in the influence he must have exerted over European keyboard music during his voyages to Spain, England and Germany, as well as through his pupils. (en)
rdfs:label Henry Bredemers (ca) Henry Bredemers (de) Henry Bredemers (en)
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