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Liberty i floreale són els noms que va rebre l'adaptació italiana del moviment artístic internacional de finals del segle xix conegut com a art nouveau. A Itàlia la influència d'aquest moviment va tenir una entrada més tardana i el seu desenvolupament es pot situar entre 1895 i el 1910, amb algunes obres de 1920 encara considerades liberty però que estan plenament integrades en el període déco. El nom de liberty deriva de la firma londinenca d', que tenia una botiga important a a Londres a finals del segle xix. Aquesta botiga especialitzada en roba, teles i paper pintat, era un centre important per a la difusió del nou estil. Precisament els temes naturalistes, especialment florals, d'aquests nous elements decoratius varen ser els primers a ser introduïts a Itàlia, i d'aquí la denominació de floreale amb què també es coneixia l'estil. (ca) Liberty style (Italian: Stile Liberty) was the Italian variant of Art Nouveau, which flourished between about 1890 and 1914. It was also sometimes known as stile floreale, arte nuova, or stile moderno. It took its name from Arthur Lasenby Liberty and the store he founded in 1874 in London, Liberty Department Store, which specialized in importing ornaments, textiles and art objects from Japan and the Far East. Major Italian designers using the style included Carlo Bugatti, Raimondo D'Aronco, Eugenio Quarti, and Galileo Chini. The major event of the style was the 1902 Turin International Exposition, which featured by works of both Italian designers and other Art Nouveau designers from around Europe. Liberty style was especially popular in large cities outside of Rome which were eager to establish a distinct cultural identity, particularly Milan, Palermo and Turin, the city where the first major exposition of the style in Italy was held. Liberty style, like other versions of Art Nouveau, had the ambition of turning ordinary objects, such as chairs and windows, into works of art. Unlike the French and Belgian Art Nouveau, based primarily on nature, Liberty style was more strongly influenced by the Baroque style, with very lavish ornament and color, both on the interior and exterior. The Italian poet and critic Gabriele d'Annunzio wrote in 1889, as the style was just beginning, "the genial sensual debauche of the Baroque sensibility is one of the determining variants of the Italian Art Nouveau." Liberty style is considered to be a western offshoot of the 19th-century British Arts and Craft movement, which was a response against the mechanization and dehumanizing of the artistic process. (en) |
| rdfs:comment |
Liberty i floreale són els noms que va rebre l'adaptació italiana del moviment artístic internacional de finals del segle xix conegut com a art nouveau. A Itàlia la influència d'aquest moviment va tenir una entrada més tardana i el seu desenvolupament es pot situar entre 1895 i el 1910, amb algunes obres de 1920 encara considerades liberty però que estan plenament integrades en el període déco. (ca) Liberty style (Italian: Stile Liberty) was the Italian variant of Art Nouveau, which flourished between about 1890 and 1914. It was also sometimes known as stile floreale, arte nuova, or stile moderno. It took its name from Arthur Lasenby Liberty and the store he founded in 1874 in London, Liberty Department Store, which specialized in importing ornaments, textiles and art objects from Japan and the Far East. Major Italian designers using the style included Carlo Bugatti, Raimondo D'Aronco, Eugenio Quarti, and Galileo Chini. The major event of the style was the 1902 Turin International Exposition, which featured by works of both Italian designers and other Art Nouveau designers from around Europe. (en) |
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