Man Equals Man (original) (raw)
Homme pour homme (Mann ist Mann) est une pièce de théâtre de Bertolt Brecht écrite et publiée en 1925, dont la première au théâtre a eu lieu en 1926 à Darmstadt. Elle a été modifiée et republiée en 1938, après l'avènement du nazisme en Allemagne.
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| dbo:abstract | Mann ist Mann ist ein Lustspiel von Bertolt Brecht, das mit dem Untertitel „Die Verwandlung des Packers Galy Gay in den Militärbaracken von Kilkoa im Jahre neunzehnhundertfünfundzwanzig“ 1926 parallel in Darmstadt und Düsseldorf uraufgeführt wurde. Es existieren verschiedene Fassungen und Vertonungen. Das Parabelstück schildert die Verwandlung der Hauptfigur des Stückes, des Packers Galy Gay, in einen Soldaten. Thema ist die Austauschbarkeit menschlicher Identitäten. In einer langen Kette von Verwicklungen wird deutlich, dass menschliche Identität erst durch den sozialen Kontext, in Bezug auf andere Menschen definierbar wird. Auch Sergeant Charles Fairchild, genannt Blutiger Fünfer, lässt sich aus erotischen Gründen auf einen Identitätswechsel ein, ist darüber aber so entsetzt, dass er sich heimlich kastriert, um nicht noch einmal seine Identität als knallharter Sergeant aufs Spiel zu setzen. Bis auf die Witwe Begbick durchlaufen alle Personen des Stücks Identitätswechsel. Das Stück zeigt die Verluste der Individualität ironisch gebrochen. Erste Elemente des später von Brecht entwickelten Theaterkonzepts werden sichtbar, wenn sich die Darsteller ans Publikum wenden, Songs die Handlung unterbrechen oder der halbhohe Vorhang die Umbauten nur unvollständig verbirgt. (de) Homme pour homme (Mann ist Mann) est une pièce de théâtre de Bertolt Brecht écrite et publiée en 1925, dont la première au théâtre a eu lieu en 1926 à Darmstadt. Elle a été modifiée et republiée en 1938, après l'avènement du nazisme en Allemagne. (fr) Man Equals Man (German: Mann ist Mann), or A Man's a Man, is a play by the German modernist playwright Bertolt Brecht. One of Brecht's earlier works, it explores themes of war, human fungibility, and identity. One of the agitprop works inspired by the developments in USSR praising the bolshevik collectivism and replaceability of each member of the collective (along with The Decision and "Verwisch die Spuren"). Not only was the play the first to emerge after Brecht's move from Munich to Berlin, but it was also the first to be produced by what came to be known as 'the Brecht collective', "that shifting group of friends and collaborators on whom he henceforth depended. As such it mirrored the artistic climate of the middle 1920s, with their attitude of 'Neue Sachlichkeit' (or New Matter-of-Factness), their stressing of the collectivity and downplaying of the individual, and their new cult of Anglo-Saxon imagery and sport. Together the 'collective' would go to fights, not only absorbing their terminology and ethos (which permeates Man Equals Man) but also drawing those conclusions for the theatre as a whole which Brecht set down in his theoretical essay 'Emphasis on Sport' and tried to realise by means of the harsh lighting, the boxing-ring stage and other anti-illusionistic devices that henceforward appeared in his own productions." As with his earlier In the Jungle (1923), which was set in Chicago, Brecht locates the drama in what was for his German audience an exotic setting, British colonial India. Man Equals Man presents the forcible transformation of a civilian, Galy Gay, into the perfect soldier. Using Kiplingesque imagery (as with In the Jungle, though, thanks to Elisabeth Hauptmann's command of English, in a more authentic tone now), Brecht explores personality as something that can be dismantled and reassembled like a machine, in a parable that critic Walter Kerr credited with a "curious foreshadowing of the art of brainwashing." The same characters exist in the short interlude The Elephant Calf. The play was first staged by two provincial theatres in Düsseldorf and Darmstadt, opening first in the latter on 25 September 1926. This production was directed by Jacob Geis, with set-design by Caspar Neher. Ernst Legal (who was the director of the Landestheater where the play was produced) played Galy Gay. The play offers an "intermission piece" called "The Elephant Calf". It is a one-act surrealistic farce that has Galy Gay making his return as a baby elephant accused of murdering its mother. In March 1927 an adaptation of the play was broadcast by Radio Berlin's new drama department, with an introductory note in Der deutsche Rundfunk describing it as "the most powerful and original stage play of our time." Charles Marowitz listed it among Brecht's major plays in 1972. (en) Un uomo è un uomo (Mann ist Mann) è un'opera teatrale del drammaturgo tedesco Bertolt Brecht, portata al debutto nel 1926 a Darmstadt. Nel 1931 lo stesso Brecht diresse la prima berlinese del dramma. L'opera fu il primo lavoro significativo prodotto da Brecht dopo essersi trasferito da Monaco a Berlino. Un uomo è un uomo è ambientato nell'India sotto il dominio britannico e racconta della trasformazione di un civile, Galy Gay, nel soldato perfetto. (it) «Человек есть человек» (нем. Mann ist Mann; на русский язык переводилась как «Что тот солдат, что этот») — пьеса-притча немецкого поэта и драматурга Бертольта Брехта. (ru) |
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| rdfs:comment | Homme pour homme (Mann ist Mann) est une pièce de théâtre de Bertolt Brecht écrite et publiée en 1925, dont la première au théâtre a eu lieu en 1926 à Darmstadt. Elle a été modifiée et republiée en 1938, après l'avènement du nazisme en Allemagne. (fr) Un uomo è un uomo (Mann ist Mann) è un'opera teatrale del drammaturgo tedesco Bertolt Brecht, portata al debutto nel 1926 a Darmstadt. Nel 1931 lo stesso Brecht diresse la prima berlinese del dramma. L'opera fu il primo lavoro significativo prodotto da Brecht dopo essersi trasferito da Monaco a Berlino. Un uomo è un uomo è ambientato nell'India sotto il dominio britannico e racconta della trasformazione di un civile, Galy Gay, nel soldato perfetto. (it) «Человек есть человек» (нем. Mann ist Mann; на русский язык переводилась как «Что тот солдат, что этот») — пьеса-притча немецкого поэта и драматурга Бертольта Брехта. (ru) Mann ist Mann ist ein Lustspiel von Bertolt Brecht, das mit dem Untertitel „Die Verwandlung des Packers Galy Gay in den Militärbaracken von Kilkoa im Jahre neunzehnhundertfünfundzwanzig“ 1926 parallel in Darmstadt und Düsseldorf uraufgeführt wurde. Es existieren verschiedene Fassungen und Vertonungen. (de) Man Equals Man (German: Mann ist Mann), or A Man's a Man, is a play by the German modernist playwright Bertolt Brecht. One of Brecht's earlier works, it explores themes of war, human fungibility, and identity. One of the agitprop works inspired by the developments in USSR praising the bolshevik collectivism and replaceability of each member of the collective (along with The Decision and "Verwisch die Spuren"). Not only was the play the first to emerge after Brecht's move from Munich to Berlin, but it was also the first to be produced by what came to be known as 'the Brecht collective', (en) |
| rdfs:label | Mann ist Mann (de) Homme pour homme (fr) Un uomo è un uomo (it) Man Equals Man (en) Человек есть человек (ru) |
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