Natya Shastra (original) (raw)
El Natia-shastra és un antic tractat d'arts dramàtiques, teatre, dansa i música hinduistaVa ser escrit en una data incerta (entre el 400 i el 200 a. C.) i s'atribueix tradicionalment a un sol autor: el musicòleg .
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| dbo:abstract | El Natia-shastra és un antic tractat d'arts dramàtiques, teatre, dansa i música hinduistaVa ser escrit en una data incerta (entre el 400 i el 200 a. C.) i s'atribueix tradicionalment a un sol autor: el musicòleg . (ca) El Natia-shastra es un antiguo tratado de artes dramáticas, teatro, danza y música hinduista. Fue escrito en una fecha incierta (entre el 400 y el 200 a. C.) y se atribuye tradicionalmente a un solo autor: el musicólogo Bharata Muni. (es) The Nāṭya Śāstra (Sanskrit: नाट्य शास्त्र, Nāṭyaśāstra) is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. The text consists of 36 chapters with a cumulative total of 6000 poetic verses describing performance arts. The subjects covered by the treatise include dramatic composition, structure of a play and the construction of a stage to host it, genres of acting, body movements, make up and costumes, role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance. The Nāṭya Śāstra is notable as an ancient encyclopedic treatise on the arts, one which has influenced dance, music and literary traditions in India. It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is a desired effect of performance arts but not the primary goal, and that the primary goal is to transport the individual in the audience into another parallel reality, full of wonder, where they experience the essence of their own consciousness, and reflect on spiritual and moral questions. The text further inspired secondary literature such as the Abhinavabharati – an example of a classic Sanskrit bhasya ("reviews and commentaries") – written by the 10th century Abhinavagupta. (en) Le Nâtya-shâstra (du sanskrit : nâtya, « drame », et, shâstra, « traité ») est une œuvre encyclopédique de l'hindouisme, antique, donnant les bases du théâtre indien. Il se considère comme le cinquième Veda. Ce texte composé par Bharata Muni entre 200 av. è. c. et 200 è. c., expose les codifications pour le théâtre, le jeu dramatique, la poésie, la danse, le chant et la musique. Le Nâtya-shâstra, divisé en trente-huit adhyâya, ou chapitres, donne toutes les données de la représentation. Il décrit l'édifice idéal, les règles de prosodie et de diction, les types de personnages, la représentation des sentiments et les mouvements de chaque membre. Soixante-sept mudrās (positionnement des mains), et trente-six mouvements d'yeux y sont décrits précisément. Il formule la théorie esthétique du Rasa et des bhavas et reste toujours aujourd'hui l'ouvrage de base de toute création scénique en Inde. Abhinavagupta en a fait un célèbre commentaire au Xe siècle sous le titre (en). (fr) Il Nātyaśāstra (sanscrito: नाट्य शास्त्र, "Trattato sulle arti drammatiche") di Bharata è il più importante testo teorico sul , comprendente anche la danza e la musica. È attribuito al muni ("saggio") Bharata e la sua composizione è datata fra il 200 a.C. e il 200 d.C. Il Natya Shastra è il più antico testo di teoria teatrale giunto fino ai giorni nostri, anche se gli studiosi ritengono oggi che sia stato scritto da vari autori in epoche differenti. La fonte del Nāṭya Śāstra sarebbe da rintracciare nei più antichi Nāṭa Sūtra, di cui, sfortunatamente, non è sopravvissuto alcun frammento. Il Natya Sastra copre una grande varietà di argomenti, dalla scenografia alla musica, dalla mimica al trucco, praticamente ogni aspetto della messa in scena. Il testo, ricco di dettagli sulla musica e sugli strumenti dell'epoca è di grande interesse anche per i musicologi. (it) Natjaśastra, pełna nazwa Bharata Natjaśastra – traktat dotyczący teatru, tańca i muzyki, spisany przez mędrca , jak wierzą hinduiści, natchnionego przez Brahmę, przechowywany w bibliotekach w Tandżore i Malabar (Indie). Został spisany między II w. p.n.e. a II w. n.e. Klasyczny taniec hinduski w swej najczystszej formie bazuje na naukach pochodzących z tego traktatu. Jedynym zachowanym do dziś klasycznym teatrem indyjskim odwołującym się do traktatu jest pochodzące z Kerali . (pl) O Nātya Shastra (Nātyaśāstra नाट्य शास्त्र) de Bharata é um dos mais antigos textos sobre o teatro, o trabalho do ator, a produção de espetáculo e a dramaturgia clássica da Índia. Abrange a dança e a música clássica da Índia, que são partes fundantes do teatro nesta cultura. Foi escrito provavelmente entre os anos 200 antes de Cristo e 200 da era cristã. Bharata, significa 'ator', Bharatamuni, o autor do tratado, seria o sábio Bharata. (pt) «Натья-шастра» (санскр. नाट्य शास्त्र, Nātyaśāstra IAST, «Читання про драму») — староіндійський текст, написаний на санскриті, один із найбільших і найдавніших трактатів із театрального мистецтва і теорії драми поряд із «Поетикою» Арістотеля. До наших днів дійшла редакція «Натья-шастри», яка датується більшістю учених III—IV століттями, проте складання тексту зайняло кілька століть і, можливо, почалося вже в IV столітті до н. е. Індуїстська традиція приписує авторство тексту ведичному мудрецю . «Натья-шастра» — об'ємний твір із 36 розділів, який дає вичерпні відомості про найменші деталі вистав, описує всі сторони театрального мистецтва. (uk) «Натьяша́стра» (санскр. नाट्य शास्त्र, IAST: Nātyaśāstra «Трактат о натье») — древнеиндийский текст на санскрите, один из крупнейших и древнейших трактатов по театральному искусству и теории драмы и музыки. Датируется учёными от V века до н. э. до VII—VIII века н. э. По-видимому, между II веком до н. э. и II веком н. э. он приобрёл известную в настоящее время форму. Дошедший до нас текст «Натьяшастра» состоит из 36-37 глав, насчитывающих 6000 стихов, однако в устной традиции сохранилось знание о 12 000 стихов. Структура «Натьяшастры» содержит классификацию всех аспектов театрального действия и описание порядка и характеристик всех элементов. Наиболее известным комментарием к «Натьяшастре» является «» авторства Абхинавагупты. (ru) |
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| dbp:align | left (en) right (en) |
| dbp:alt | Bharatanatyam (en) Cymbals (en) Kathak (en) Kuchipudi (en) Sattriya (en) Janus (en) Flute (en) Veena (en) Mahamaya (en) Pushkala Nagara drums (en) |
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| dbp:footer | Musical instrument types mentioned in the Natyashastra . (en) Various classical dance forms (en) |
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| dbp:quote | Training actors For an actor who is not yet perfect, the techniques described in the Natyashastra, are a means to achieve perfection, enlightenment, moksha, and run parallel to reaching this state through yoga or meditation practices. (en) Dramatic arts Natyashastra praises dramatic arts as a comprehensive aid to the learning of virtue, proper behavior, ethical and moral fortitude, courage, love and adoration of the divine. (en) When is a play successful? Drishtaphala [visible fruits] like banners or material rewards do not indicate success of a play production. Real success is achieved when the play is performed with skilled precision, devoted faith and pure concentration. To succeed, the artist must immerse the spectator with pure joy of rasa experience. The spectator's concentrated absorption and appreciation is success. (en) Performance arts and culture Let Nāṭya be the fifth vedic scripture. Combined with an epic story, tending to virtue, wealth, joy and spiritual freedom, it must contain the significance of every scripture, and forward every art. (en) |
| dbp:religion | dbr:Hinduism |
| dbp:source | Trans: Tarla Mehta (en) — Abhinavagupta on Natyashastra (en) — Daniel Meyer-Dinkgräfe (en) — Nāṭyaśāstra 1.14–15 (en) — Susan L. Schwartz (en) |
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| rdfs:comment | El Natia-shastra és un antic tractat d'arts dramàtiques, teatre, dansa i música hinduistaVa ser escrit en una data incerta (entre el 400 i el 200 a. C.) i s'atribueix tradicionalment a un sol autor: el musicòleg . (ca) El Natia-shastra es un antiguo tratado de artes dramáticas, teatro, danza y música hinduista. Fue escrito en una fecha incierta (entre el 400 y el 200 a. C.) y se atribuye tradicionalmente a un solo autor: el musicólogo Bharata Muni. (es) Natjaśastra, pełna nazwa Bharata Natjaśastra – traktat dotyczący teatru, tańca i muzyki, spisany przez mędrca , jak wierzą hinduiści, natchnionego przez Brahmę, przechowywany w bibliotekach w Tandżore i Malabar (Indie). Został spisany między II w. p.n.e. a II w. n.e. Klasyczny taniec hinduski w swej najczystszej formie bazuje na naukach pochodzących z tego traktatu. Jedynym zachowanym do dziś klasycznym teatrem indyjskim odwołującym się do traktatu jest pochodzące z Kerali . (pl) O Nātya Shastra (Nātyaśāstra नाट्य शास्त्र) de Bharata é um dos mais antigos textos sobre o teatro, o trabalho do ator, a produção de espetáculo e a dramaturgia clássica da Índia. Abrange a dança e a música clássica da Índia, que são partes fundantes do teatro nesta cultura. Foi escrito provavelmente entre os anos 200 antes de Cristo e 200 da era cristã. Bharata, significa 'ator', Bharatamuni, o autor do tratado, seria o sábio Bharata. (pt) «Натья-шастра» (санскр. नाट्य शास्त्र, Nātyaśāstra IAST, «Читання про драму») — староіндійський текст, написаний на санскриті, один із найбільших і найдавніших трактатів із театрального мистецтва і теорії драми поряд із «Поетикою» Арістотеля. До наших днів дійшла редакція «Натья-шастри», яка датується більшістю учених III—IV століттями, проте складання тексту зайняло кілька століть і, можливо, почалося вже в IV столітті до н. е. Індуїстська традиція приписує авторство тексту ведичному мудрецю . «Натья-шастра» — об'ємний твір із 36 розділів, який дає вичерпні відомості про найменші деталі вистав, описує всі сторони театрального мистецтва. (uk) The Nāṭya Śāstra (Sanskrit: नाट्य शास्त्र, Nāṭyaśāstra) is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata Muni, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE. (en) Le Nâtya-shâstra (du sanskrit : nâtya, « drame », et, shâstra, « traité ») est une œuvre encyclopédique de l'hindouisme, antique, donnant les bases du théâtre indien. Il se considère comme le cinquième Veda. Abhinavagupta en a fait un célèbre commentaire au Xe siècle sous le titre (en). (fr) Il Nātyaśāstra (sanscrito: नाट्य शास्त्र, "Trattato sulle arti drammatiche") di Bharata è il più importante testo teorico sul , comprendente anche la danza e la musica. È attribuito al muni ("saggio") Bharata e la sua composizione è datata fra il 200 a.C. e il 200 d.C. Il Natya Shastra è il più antico testo di teoria teatrale giunto fino ai giorni nostri, anche se gli studiosi ritengono oggi che sia stato scritto da vari autori in epoche differenti. La fonte del Nāṭya Śāstra sarebbe da rintracciare nei più antichi Nāṭa Sūtra, di cui, sfortunatamente, non è sopravvissuto alcun frammento. (it) «Натьяша́стра» (санскр. नाट्य शास्त्र, IAST: Nātyaśāstra «Трактат о натье») — древнеиндийский текст на санскрите, один из крупнейших и древнейших трактатов по театральному искусству и теории драмы и музыки. Датируется учёными от V века до н. э. до VII—VIII века н. э. По-видимому, между II веком до н. э. и II веком н. э. он приобрёл известную в настоящее время форму. (ru) |
| rdfs:label | Natya Shastra (ca) Natia-shastra (es) Nātyaśāstra (it) Nâtya-shâstra (fr) Natya Shastra (en) Natjaśastra (pl) Natya Shastra (pt) Натьяшастра (ru) Натья-шастра (uk) |
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