Overglaze decoration (original) (raw)

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釉上彩是瓷器施彩工藝的一種，盛行於清朝的中國。釉上彩是在高燒製過的瓷器釉面上彩繪紋飾，再經過第二次的低溫燒製而成。相對於被稱為「裡繪」的釉下彩，釉上彩在景德鎮被稱為「表繪」。其種類包括釉上五彩、鬥彩、琺瑯彩與粉彩多種。瓷器除了提供給宮廷作為玩賞之用，在外銷方面的角色也不可忽略，當時的官窯、民窯莫不多少受到西方風格與主題的影響，為清代彩瓷中不可或缺的元素。

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dbo:abstract Overglaze decoration, overglaze enamelling or on-glaze decoration is a method of decorating pottery, most often porcelain, where the coloured decoration is applied on top of the already fired and glazed surface, and then fixed in a second firing at a relatively low temperature, often in a muffle kiln. It is often described as producing "enamelled" decoration. The colours fuse on to the glaze, so the decoration becomes durable. This decorative firing is usually done at a lower temperature which allows for a more varied and vivid palette of colours, using pigments which will not colour correctly at the high temperature necessary to fire the porcelain body. Historically, a relatively narrow range of colours could be achieved with underglaze decoration, where the coloured pattern is applied before glazing, notably the cobalt blue of blue and white porcelain. Many historical styles, for example mina'i ware, Imari ware, Chinese doucai and wucai, combine the two types of decoration. In such cases the first firing for the body, underglaze decoration and glaze is followed by the second firing after the overglaze enamels have been applied. The technique essentially uses powdered glass mixed with coloured pigments, and is the application of vitreous enamel to pottery; enamelled glass is very similar but on glass. Both these latter two are essentially painting techniques, and have been since they began. In contrast, on metal painting in enamel arrived very late, long after techniques such as cloisonné, where thin wires are applied to form raised barriers, which contain areas of (subsequently applied) enamel, and champlevé, where the metal surface is sunk to form areas where the enamel is poured. In Chinese porcelain, enamels were and are sometimes applied to unglazed pieces; this is called "enamel on the biscuit" and similar terms. (en) 釉上彩是瓷器施彩工藝的一種，盛行於清朝的中國。釉上彩是在高燒製過的瓷器釉面上彩繪紋飾，再經過第二次的低溫燒製而成。相對於被稱為「裡繪」的釉下彩，釉上彩在景德鎮被稱為「表繪」。其種類包括釉上五彩、鬥彩、琺瑯彩與粉彩多種。瓷器除了提供給宮廷作為玩賞之用，在外銷方面的角色也不可忽略，當時的官窯、民窯莫不多少受到西方風格與主題的影響，為清代彩瓷中不可或缺的元素。 (zh)
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rdfs:comment 釉上彩是瓷器施彩工藝的一種，盛行於清朝的中國。釉上彩是在高燒製過的瓷器釉面上彩繪紋飾，再經過第二次的低溫燒製而成。相對於被稱為「裡繪」的釉下彩，釉上彩在景德鎮被稱為「表繪」。其種類包括釉上五彩、鬥彩、琺瑯彩與粉彩多種。瓷器除了提供給宮廷作為玩賞之用，在外銷方面的角色也不可忽略，當時的官窯、民窯莫不多少受到西方風格與主題的影響，為清代彩瓷中不可或缺的元素。 (zh) Overglaze decoration, overglaze enamelling or on-glaze decoration is a method of decorating pottery, most often porcelain, where the coloured decoration is applied on top of the already fired and glazed surface, and then fixed in a second firing at a relatively low temperature, often in a muffle kiln. It is often described as producing "enamelled" decoration. The colours fuse on to the glaze, so the decoration becomes durable. This decorative firing is usually done at a lower temperature which allows for a more varied and vivid palette of colours, using pigments which will not colour correctly at the high temperature necessary to fire the porcelain body. Historically, a relatively narrow range of colours could be achieved with underglaze decoration, where the coloured pattern is applied be (en)
rdfs:label Overglaze decoration (en) 釉上彩 (zh)
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