Post-rock (original) (raw)
Post-rock és un terme que va ser utilitzat per primera vegada per en una edició de la revista (el maig del 1994) per descriure el so d'algunes bandes de rock, que utilitzen instruments propis del rock, però incorporant ritmes, harmonies, melodies, timbres i progressions harmòniques que no es troben dins de la tradició del gènere. La majoria de les seves bandes produeixen música purament instrumental. Tot i així, molts sostenen que l'ús del terme no és adequat: per exemple, es fa servir per parlar de la música de Tortoise igual que la de Mogwai, dues bandes que tenen poc en comú (tret que la seva música és principalment instrumental).
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| dbo:abstract | Post-rock és un terme que va ser utilitzat per primera vegada per en una edició de la revista (el maig del 1994) per descriure el so d'algunes bandes de rock, que utilitzen instruments propis del rock, però incorporant ritmes, harmonies, melodies, timbres i progressions harmòniques que no es troben dins de la tradició del gènere. La majoria de les seves bandes produeixen música purament instrumental. Tot i així, molts sostenen que l'ús del terme no és adequat: per exemple, es fa servir per parlar de la música de Tortoise igual que la de Mogwai, dues bandes que tenen poc en comú (tret que la seva música és principalment instrumental). (ca) Post-rock je hudební žánr, druh alternativního rocku. Vyznačuje se použitím hudebních nástrojů běžně používaných v rockové hudbě, avšak s rytmem, melodií, tóny a hudebními postupy, které se v rockové hudbě nevyskytují. Post-rock bývá v drtivé většině případů instrumentální. Výraz, jako v mnoha jiných žánrech, nedokáže přesně definovat charakter hudby. Například skupiny a byly významnými představiteli žánru v 90. letech, ale kromě toho, že jejich hudba byla instrumentální a vycházela z bicích a kytar, spolu neměly prakticky nic společného. I když post-rock vznikl na indie a underground scéně v 80. a 90. letech, jen zřídka se indie rocku podobá. (cs) To post-rock είναι μουσικό είδος το οποίο, όπως δηλώνει και το όνομά του, αποτελεί μια εξέλιξη της παραδοσιακής ροκ μουσικής. Είναι ένας ευρύς όρος που περιλαμβάνει συγκροτήματα με πολύ διαφορετικό μεταξύ τους ήχο. Κύριο χαρακτηριστικό των περισσότερων συγκροτημάτων που θεωρούνται post-rock είναι ότι στην πλειοψηφία τους είναι ορχηστρικά αν και τον τελευταίο καιρό αρκετά συγκροτήματα έχουν αρχίσει να χρησιμοποιούν και φωνητικά. Ο όρος post-rock χρησιμοποιήθηκε για πρώτη φορά από τον τον Μάρτιο του 1994 στο περιοδικό , στην παρουσίαση του δίσκου Hex των και χρησιμοποίησε τον όρο για να περιγράψει μια μουσική που χρησιμοποιούσε την συνηθισμένη ενορχήστρωση του ροκ με ένα αποτέλεσμα το οποίο δεν ήταν παραδοσιακό ροκ. Αρχικά χρησιμοποιόταν για να περιγράψει τον ήχο συγκροτημάτων όπως οι , , και αλλά με τον καιρό εξελίχθηκε και έχει καταλήξει να περιγράφει κάθε με έντονες επιρροές από το Krautrock, την τζαζ και την , που έχει γραφτεί περίπου από τα μέσα της και αργότερα. (el) Post-Rock [pʰəʊstɹɒk] ist ein Sammelbegriff für unterschiedliche Spielarten des Rock, die einerseits sehr stark mit Alternative- oder Indie-Rock verwandt sind, andererseits Anklänge an den Progressive Rock und Space Rock der 70er Jahre bieten und sich auf den Krautrock beziehen. Vergleichbar mit anderen Bildungen mit dem Präfix post- soll die Zwitterstellung angedeutet werden, in der sich der Post-Rock befindet: Einerseits gehört diese Musik in den Bereich der Rockmusik, andererseits versucht sie, diesen zumindest in seiner herkömmlichen Form zu überwinden. Bekannte Vertreter sind Tortoise, Stereolab, Mogwai und Godspeed You! Black Emperor. Die Musikrichtung kam Anfang der 1980er auf und dauert bis heute an. (de) El anglicismo post-rock es un término que fue usado por primera vez por Simon Reynolds en una edición de la revista The Wire (en mayo de 1994) para describir el sonido de algunas bandas de rock que utilizan instrumentos propios del rock, pero incorporando ritmos, armonías, melodías, timbres y progresiones armónicas que no se encuentran dentro de la tradición del género. La mayoría de sus bandas producen música puramente instrumental. Sin embargo, muchos sostienen que el uso del término no es adecuado: por ejemplo, se usa para hablar de la música de Tortoise al igual que la de Mogwai, dos bandas que tienen poco en común (salvo que su música es principalmente instrumental). (es) Post-rock terminoa Simon Reynoldsek erabili zuen lehen aldiz The Wire aldizkariaren ale batean (1994ko maiatzean) rockaren berezko instrumentuak erabiltzen dituzten rock talde batzuen soinua deskribatzeko, baina generoaren tradizioan aurkitzen ez diren erritmo, harmonia, doinu, tinbre eta progresio harmonikoak gehituz. Talde gehienek musika instrumental hutsa egiten dute. Bestela, ambient, jazz, krautrock, dub eta klasiko minimalistatik ere eraginak jasotzen dituzte. 1990eko hamarkadan garatu zen batik bat, bereziki AEBetan (Chicago), Kanadan (Montreal) eta Erresuma Batuan. (eu) Le post-rock est un sous-genre musical du rock à tendance expérimentale et qui intègre des caractéristiques inspirées du rock alternatif, de l'art rock et de la musique électronique. Le terme « post-rock » est expliqué pour la première fois par Simon Reynolds dans l'édition de mai 1994 du magazine The Wire pour décrire le son de certains groupes de rock qui utilisent l'instrumentation typique du rock, mais qui incorporent des rythmes, des harmonies, des mélodies, et des progressions harmoniques qui ne se trouvent pas dans la tradition du rock. La majorité de ces groupes créent de la musique purement instrumentale. Malgré cela, beaucoup insistent sur le fait que le terme n'est pas adapté. Par exemple, le terme est utilisé pour décrire la musique de Tortoise et celle de Mogwai, deux groupes qui ont peu en commun (mis à part le fait qu'ils sont des groupes instrumentaux). (fr) Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre over traditional rock song structures, chords, or riffs. Post-rock artists are often instrumental, typically combining rock instrumentation with electronics. The genre emerged within the indie and underground music scene of the 1980s and early 1990s. However, due to its abandonment of rock conventions, it often bears little resemblance musically to contemporary indie rock, borrowing instead from diverse sources including ambient, electronica, jazz, krautrock, dub, and minimalist classical. Artists such as Talk Talk and Slint have been credited with producing foundational works in the style in the early 1990s. The term post-rock itself was notably employed by journalist Simon Reynolds in a review of the 1994 Bark Psychosis album Hex. It later solidified into a recognizable trend with the release of Tortoise's 1996 album Millions Now Living Will Never Die. The term has since been used to describe bands which differ widely in style, making the term controversial among listeners and artists alike. (en) Post-rock adalah bentuk rok eksperimental yang dicirikan oleh fokus pada eksplorasi dan timbre di atas struktur, akord, atau riff lagu rok tradisional. Seniman post-rock sering berperan, biasanya menggabungkan Instrumental rok dengan . Genre ini muncul dalam kancah musik indie dan underground pada 1980-an dan awal 1990-an. Namun, karena pengabaian konvensi rock, sering memiliki sedikit kemiripan musik dengan indie rock kontemporer, meminjam bukan dari berbagai sumber termasuk , electronica, jazz, krautrock, , dan . Seniman seperti dan telah dikreditkan dengan menghasilkan karya-karya dasar dalam gaya pada awal 1990-an. Istilah post-rock sendiri secara khusus digunakan oleh jurnalis Simon Reynolds dalam ulasan album 1994 . Ini kemudian memantapkan menjadi tren yang dapat dikenali dengan dirilisnya album tahun 1996 milik , . Sejak saat itu istilah ini digunakan untuk menggambarkan band yang sangat berbeda gayanya, membuat istilah tersebut kontroversial di kalangan pendengar dan artis. (in) 포스트 록(post-rock)은 록음악의 세부적인 장르이다. 록을 제외한 다른 장르, 특히 실험적인 장르들에서 음악적 요소를 가져와 섞어 새로운 음악을 만드는 것이 특징이다. 90년대 초에 발흥했으며, 대부분 연주곡이다. 1994년 5월 사이몬 레이널즈가 더 와이어지 123호에서 "락의 어법을 비(非)락적인 용도로 사용하는, 기타를 파워코드나 리프가 아니라 음색과 질감을 만드는 도구로 사용하는"음악을 묘사하기 위해 처음 사용한 표현이다. (ko) ポストロック (post-rock) は、ロックの一種。リズム・和音・音色・コード進行などの点で従来のロックには見られない特徴がある。 (ja) L'espressione post-rock indica, in senso ampio, un genere musicale che utilizza una strumentazione rock (chitarra elettrica, basso, batteria) in modo non conforme alla tradizione del rock stesso, attingendo più da altre tradizioni della musica d'avanguardia quali soprattutto jazz, musica elettronica, krautrock o simili. I principali musicisti del genere suonano generalmente musica strumentale, che viene catalogata anche sotto il nome di instrumental rock. Insieme a molti altri generi musicali, il termine non è esattamente adeguato alla descrizione formale: per esempio, i Don Caballero e i Tortoise furono alcune delle band più prominenti della scena descritte come post rock, ma la loro musica è assai differente se messa a confronto, nonostante entrambi si concentrino su un lavoro chitarristico e ritmico creativo. Come risulta il termine è stato spesso rifiutato da buona parte degli ascoltatori. Anche se radicalmente legato alla scena della musica indie o underground degli anni 80 e 90, lo stile del post-rock spesso mostra delle caratteristiche simili a quelle dell'indie rock. (it) Postrock is een vorm van experimentele rock, die zich typeert door het vermijden van traditionele songstructuren, en het gebruik van minder populaire instrumenten (vaak cello, trompet of viool), of door een onconventioneel gebruik van instrumenten. Postrock-werken zijn vaak instrumentaal, en creëren regelmatig lange nummers. (nl) Post rock – gatunek rocka alternatywnego, w którym charakterystyczne jest użycie instrumentów typowych dla muzyki rockowej, lecz rytm, progresja, harmonika i barwa dźwięku przy ich pomocy tworzone, są różne od rockowej. Typowa w gatunku jest też redukcja roli wokalu. Estetyka postrockowa jest pod silnym wpływem utworów Velvet Underground, Public Image Ltd, rytmu krautrocka i improwizacyjności jazzowej. (pl) Post-rock ou pós-rock é uma forma de rock experimental caracterizada pela influência e uso de instrumentos comumente associados ao rock, mas utilizando ritmos e guitarras como "facilitadores de timbre e texturas" que não se encontram tradicionalmente no rock. As bandas de post-rock são em maioria instrumentais. Acredita-se que rótulo foi criado em 1994, pelo jornalista inglês Simon Reynolds, para definir o estilo do álbum Hex, da banda Bark Psychosis, em resenha na revista Mojo. Depois disso, Reynolds desenvolveu a ideia na Wire Magazine, e o termo passou a ser utilizado para agrupar os referidos artistas. Apesar da origem com os Bark Psychosis, Slint, Tears for Fears e Talk Talk em seus últimos discos costumam ser consideradas as bandas precursoras do estilo. Sigur Rós, Godspeed You! Black Emperor, Mogwai, God Is An Astronaut, Explosions in the Sky e Tortoise estão entre as bandas mais proeminentes na cena atual do post-rock. (pt) Postrock, sammansatt av latin post - efter; och rock, som i rockmusik, är en subgenre inom alternativ rock som växte fram under 1900-talet. Termen postrock myntades av musikjournalisten i nummer 123 av tidningen The Wire (maj 1994) för att beskriva en typ av musik som "använder rockinstrumentation för icke-rock-ändamål, som använder gitarrer för nyanser och texturer istället för riff, powerackord och melodier." Den kan även kännetecknas av sin inertia och en inneboende tyngd och svärta som av vissa uppfattas som deprimerande, vissa glädjande. Ursprungligen användes termen för band som Stereolab, , , och , men den utvidgades för att beskriva all sorts jazz- och krautrock-influerad instrumental musik gjord efter 1994. Band från det tidiga 1990-talet såsom Slint (med albumet ) och Talk Talk hade stort inflytande. Som med många andra musikgenrer kan man hävda att själva termen är bristfällig; den används för att beskriva både Tortoise och Mogwai, två band som har väldigt lite gemensamt förutom det faktum att deras musik till stor del är instrumental. Nämnda Tortoise var bland postrockens grundare. De blev ikoner efter sin andra LP , vars sound beskrevs som just "postrock" och inspirerade många band. Under det sena 1990-talet blev Chicago hemvist för många olika grupper. (från Tortoise) blev en viktig producent för många av dem, likaså Jim O'Rourke (med i , och Sonic Youth med flera). Postrock började täcka allt från :s långsamma, gitarrbaserade ambience till Stereolabs up-tempo-electronica. Godspeed You! Black Emperor, från Montréal i Québec, tillförde ett politiskt inslag med sina antiglobaliseringsböjelser. I början av 2000-talet hade termen börjat falla ur favör; bredden på musikstilar som täcktes tog död på dess användbarhet nästan omedelbart då den myntades. (sv) 後搖滾（Post-rock）在分类上尚有争议，有些人将其看作摇滚乐的一种。后摇的一个特点是，所用乐器一般与摇滚乐相同，但节奏、和声、旋律、音色及和弦進行都有别于传统摇滚。 後搖滾於1980年中期，在歐美音樂界開始被提出。在後搖滾音樂裡，許多常見的音樂產業傳統現象都被顛覆改寫，例如吉他不再是主要角色；沒有歌詞或主唱；打破傳統歌曲長度，有些樂曲甚至長達二、三十分鐘，後搖滾甚至想打破唱片工業創造一首膾炙人口單曲的願望。 后摇滚体现了很多流派的特点，比如氛围音乐、爵士乐、电子音乐和实验音乐。 后摇中人声很少见，且当有人声的时候，它也不是像传统的那样作为主旋律并且有清晰的歌词，而更像一种乐器。在后摇中，人声多为很轻柔的哼唱，不规律地分布在整首歌中。 (zh) Постро́к или пост-рок (англ. post-rock) — жанр экспериментальной музыки, для которого характерно использование инструментов, связанных с рок-музыкой, а также ритма, мелодий, тембра и последовательности аккордов, которые не характерны для традиционного рока. Представители жанра в основном играют инструментальную музыку. Музыка построка объединяет в себе элементы разнообразных музыкальных жанров, таких как эмбиент, джаз, электронная музыка, рок. Как и многие другие музыкальные термины, «построк» описывает самые разнообразные варианты звучания. Например, группы Don Caballero, Tortoise и Toe классифицируются как построк, хотя между ними мало общего помимо того, что основную роль в их музыке играют ударные и гитары. (ru) Пост-рок (англ. post-rock) — музичний напрямок, що характеризується використанням музичних інструментів, типових для рок-музики, однак, разом з тим, відрізняється ритмом, гармонією, мелодикою та іншими складовими, що властиві іншим музичним напрямкам. Термін був введений британським критиком в огляді альбому Hex гурту Bark Psychosis, що був опублікований у журналі The Wire у травні 1994. Сам критик так охарактеризував цей напрямок: «використання рок-інструментів для неро́кових цілей, використання гітар, для тембру і фактури більше ніж для рифів і поверкордів». Як і більшість подібних термінів, пост-рок описує творчість надзвичайно різних за характером звучанняколективів, як наприклад та Mogwai, що мають дуже мало спільного окрім того, що обидві є інструментальними. У висліді цей термін викликав чимало критики. (uk) |
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| rdfs:comment | Post-rock és un terme que va ser utilitzat per primera vegada per en una edició de la revista (el maig del 1994) per descriure el so d'algunes bandes de rock, que utilitzen instruments propis del rock, però incorporant ritmes, harmonies, melodies, timbres i progressions harmòniques que no es troben dins de la tradició del gènere. La majoria de les seves bandes produeixen música purament instrumental. Tot i així, molts sostenen que l'ús del terme no és adequat: per exemple, es fa servir per parlar de la música de Tortoise igual que la de Mogwai, dues bandes que tenen poc en comú (tret que la seva música és principalment instrumental). (ca) Post-Rock [pʰəʊstɹɒk] ist ein Sammelbegriff für unterschiedliche Spielarten des Rock, die einerseits sehr stark mit Alternative- oder Indie-Rock verwandt sind, andererseits Anklänge an den Progressive Rock und Space Rock der 70er Jahre bieten und sich auf den Krautrock beziehen. Vergleichbar mit anderen Bildungen mit dem Präfix post- soll die Zwitterstellung angedeutet werden, in der sich der Post-Rock befindet: Einerseits gehört diese Musik in den Bereich der Rockmusik, andererseits versucht sie, diesen zumindest in seiner herkömmlichen Form zu überwinden. Bekannte Vertreter sind Tortoise, Stereolab, Mogwai und Godspeed You! Black Emperor. Die Musikrichtung kam Anfang der 1980er auf und dauert bis heute an. (de) El anglicismo post-rock es un término que fue usado por primera vez por Simon Reynolds en una edición de la revista The Wire (en mayo de 1994) para describir el sonido de algunas bandas de rock que utilizan instrumentos propios del rock, pero incorporando ritmos, armonías, melodías, timbres y progresiones armónicas que no se encuentran dentro de la tradición del género. La mayoría de sus bandas producen música puramente instrumental. Sin embargo, muchos sostienen que el uso del término no es adecuado: por ejemplo, se usa para hablar de la música de Tortoise al igual que la de Mogwai, dos bandas que tienen poco en común (salvo que su música es principalmente instrumental). (es) Post-rock terminoa Simon Reynoldsek erabili zuen lehen aldiz The Wire aldizkariaren ale batean (1994ko maiatzean) rockaren berezko instrumentuak erabiltzen dituzten rock talde batzuen soinua deskribatzeko, baina generoaren tradizioan aurkitzen ez diren erritmo, harmonia, doinu, tinbre eta progresio harmonikoak gehituz. Talde gehienek musika instrumental hutsa egiten dute. Bestela, ambient, jazz, krautrock, dub eta klasiko minimalistatik ere eraginak jasotzen dituzte. 1990eko hamarkadan garatu zen batik bat, bereziki AEBetan (Chicago), Kanadan (Montreal) eta Erresuma Batuan. (eu) 포스트 록(post-rock)은 록음악의 세부적인 장르이다. 록을 제외한 다른 장르, 특히 실험적인 장르들에서 음악적 요소를 가져와 섞어 새로운 음악을 만드는 것이 특징이다. 90년대 초에 발흥했으며, 대부분 연주곡이다. 1994년 5월 사이몬 레이널즈가 더 와이어지 123호에서 "락의 어법을 비(非)락적인 용도로 사용하는, 기타를 파워코드나 리프가 아니라 음색과 질감을 만드는 도구로 사용하는"음악을 묘사하기 위해 처음 사용한 표현이다. (ko) ポストロック (post-rock) は、ロックの一種。リズム・和音・音色・コード進行などの点で従来のロックには見られない特徴がある。 (ja) Postrock is een vorm van experimentele rock, die zich typeert door het vermijden van traditionele songstructuren, en het gebruik van minder populaire instrumenten (vaak cello, trompet of viool), of door een onconventioneel gebruik van instrumenten. Postrock-werken zijn vaak instrumentaal, en creëren regelmatig lange nummers. (nl) Post rock – gatunek rocka alternatywnego, w którym charakterystyczne jest użycie instrumentów typowych dla muzyki rockowej, lecz rytm, progresja, harmonika i barwa dźwięku przy ich pomocy tworzone, są różne od rockowej. Typowa w gatunku jest też redukcja roli wokalu. Estetyka postrockowa jest pod silnym wpływem utworów Velvet Underground, Public Image Ltd, rytmu krautrocka i improwizacyjności jazzowej. (pl) 後搖滾（Post-rock）在分类上尚有争议，有些人将其看作摇滚乐的一种。后摇的一个特点是，所用乐器一般与摇滚乐相同，但节奏、和声、旋律、音色及和弦進行都有别于传统摇滚。 後搖滾於1980年中期，在歐美音樂界開始被提出。在後搖滾音樂裡，許多常見的音樂產業傳統現象都被顛覆改寫，例如吉他不再是主要角色；沒有歌詞或主唱；打破傳統歌曲長度，有些樂曲甚至長達二、三十分鐘，後搖滾甚至想打破唱片工業創造一首膾炙人口單曲的願望。 后摇滚体现了很多流派的特点，比如氛围音乐、爵士乐、电子音乐和实验音乐。 后摇中人声很少见，且当有人声的时候，它也不是像传统的那样作为主旋律并且有清晰的歌词，而更像一种乐器。在后摇中，人声多为很轻柔的哼唱，不规律地分布在整首歌中。 (zh) Post-rock je hudební žánr, druh alternativního rocku. Vyznačuje se použitím hudebních nástrojů běžně používaných v rockové hudbě, avšak s rytmem, melodií, tóny a hudebními postupy, které se v rockové hudbě nevyskytují. Post-rock bývá v drtivé většině případů instrumentální. Výraz, jako v mnoha jiných žánrech, nedokáže přesně definovat charakter hudby. Například skupiny a byly významnými představiteli žánru v 90. letech, ale kromě toho, že jejich hudba byla instrumentální a vycházela z bicích a kytar, spolu neměly prakticky nic společného. (cs) To post-rock είναι μουσικό είδος το οποίο, όπως δηλώνει και το όνομά του, αποτελεί μια εξέλιξη της παραδοσιακής ροκ μουσικής. Είναι ένας ευρύς όρος που περιλαμβάνει συγκροτήματα με πολύ διαφορετικό μεταξύ τους ήχο. Κύριο χαρακτηριστικό των περισσότερων συγκροτημάτων που θεωρούνται post-rock είναι ότι στην πλειοψηφία τους είναι ορχηστρικά αν και τον τελευταίο καιρό αρκετά συγκροτήματα έχουν αρχίσει να χρησιμοποιούν και φωνητικά. (el) Post-rock is a form of experimental rock characterized by a focus on exploring textures and timbre over traditional rock song structures, chords, or riffs. Post-rock artists are often instrumental, typically combining rock instrumentation with electronics. The genre emerged within the indie and underground music scene of the 1980s and early 1990s. However, due to its abandonment of rock conventions, it often bears little resemblance musically to contemporary indie rock, borrowing instead from diverse sources including ambient, electronica, jazz, krautrock, dub, and minimalist classical. (en) Post-rock adalah bentuk rok eksperimental yang dicirikan oleh fokus pada eksplorasi dan timbre di atas struktur, akord, atau riff lagu rok tradisional. Seniman post-rock sering berperan, biasanya menggabungkan Instrumental rok dengan . Genre ini muncul dalam kancah musik indie dan underground pada 1980-an dan awal 1990-an. Namun, karena pengabaian konvensi rock, sering memiliki sedikit kemiripan musik dengan indie rock kontemporer, meminjam bukan dari berbagai sumber termasuk , electronica, jazz, krautrock, , dan . (in) Le post-rock est un sous-genre musical du rock à tendance expérimentale et qui intègre des caractéristiques inspirées du rock alternatif, de l'art rock et de la musique électronique. Le terme « post-rock » est expliqué pour la première fois par Simon Reynolds dans l'édition de mai 1994 du magazine The Wire pour décrire le son de certains groupes de rock qui utilisent l'instrumentation typique du rock, mais qui incorporent des rythmes, des harmonies, des mélodies, et des progressions harmoniques qui ne se trouvent pas dans la tradition du rock. La majorité de ces groupes créent de la musique purement instrumentale. Malgré cela, beaucoup insistent sur le fait que le terme n'est pas adapté. Par exemple, le terme est utilisé pour décrire la musique de Tortoise et celle de Mogwai, deux groupes (fr) L'espressione post-rock indica, in senso ampio, un genere musicale che utilizza una strumentazione rock (chitarra elettrica, basso, batteria) in modo non conforme alla tradizione del rock stesso, attingendo più da altre tradizioni della musica d'avanguardia quali soprattutto jazz, musica elettronica, krautrock o simili. I principali musicisti del genere suonano generalmente musica strumentale, che viene catalogata anche sotto il nome di instrumental rock. (it) Post-rock ou pós-rock é uma forma de rock experimental caracterizada pela influência e uso de instrumentos comumente associados ao rock, mas utilizando ritmos e guitarras como "facilitadores de timbre e texturas" que não se encontram tradicionalmente no rock. As bandas de post-rock são em maioria instrumentais. Sigur Rós, Godspeed You! Black Emperor, Mogwai, God Is An Astronaut, Explosions in the Sky e Tortoise estão entre as bandas mais proeminentes na cena atual do post-rock. (pt) Postrock, sammansatt av latin post - efter; och rock, som i rockmusik, är en subgenre inom alternativ rock som växte fram under 1900-talet. Termen postrock myntades av musikjournalisten i nummer 123 av tidningen The Wire (maj 1994) för att beskriva en typ av musik som "använder rockinstrumentation för icke-rock-ändamål, som använder gitarrer för nyanser och texturer istället för riff, powerackord och melodier." Den kan även kännetecknas av sin inertia och en inneboende tyngd och svärta som av vissa uppfattas som deprimerande, vissa glädjande. (sv) Постро́к или пост-рок (англ. post-rock) — жанр экспериментальной музыки, для которого характерно использование инструментов, связанных с рок-музыкой, а также ритма, мелодий, тембра и последовательности аккордов, которые не характерны для традиционного рока. Представители жанра в основном играют инструментальную музыку. Музыка построка объединяет в себе элементы разнообразных музыкальных жанров, таких как эмбиент, джаз, электронная музыка, рок. (ru) Пост-рок (англ. post-rock) — музичний напрямок, що характеризується використанням музичних інструментів, типових для рок-музики, однак, разом з тим, відрізняється ритмом, гармонією, мелодикою та іншими складовими, що властиві іншим музичним напрямкам. Термін був введений британським критиком в огляді альбому Hex гурту Bark Psychosis, що був опублікований у журналі The Wire у травні 1994. Сам критик так охарактеризував цей напрямок: «використання рок-інструментів для неро́кових цілей, використання гітар, для тембру і фактури більше ніж для рифів і поверкордів». (uk) |
| rdfs:label | Post-rock (en) Post-rock (ca) Post-rock (cs) Post-Rock (de) Post-rock (el) Post-rock (eu) Post-rock (es) Post-rock (in) Post-rock (fr) Post-rock (it) 포스트 록 (ko) ポストロック (ja) Post-rock (pl) Postrock (nl) Post-rock (pt) Построк (ru) Postrock (sv) Пост-рок (uk) 後搖滾 (zh) |
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| is dbp:otherTopics of | dbr:Indie_rock dbr:Midwest_emo dbr:Emo_revival dbr:Slowcore |
| is dbp:stylisticOrigins of | dbr:Blackgaze dbr:Post-metal |
| is gold:hypernym of | dbr:Cyann_&_Ben |
| is foaf:primaryTopic of | wikipedia-en:Post-rock |
