Pygmalion and the Image series (original) (raw)
Pygmalion and the Image is the second series of four oil paintings in the Pygmalion and Galatea series by the Pre-Raphaelite artist Edward Burne-Jones which was completed between 1875 and 1878. The two collections may be seen below, in the , the first being now owned by Lord Lloyd Webber, and the second housed at the Birmingham Museum & Art Gallery. This article deals with an appraisal of the second series.
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| dbo:abstract | Pygmalion and the Image is the second series of four oil paintings in the Pygmalion and Galatea series by the Pre-Raphaelite artist Edward Burne-Jones which was completed between 1875 and 1878. The two collections may be seen below, in the , the first being now owned by Lord Lloyd Webber, and the second housed at the Birmingham Museum & Art Gallery. This article deals with an appraisal of the second series. (en) Pygmalion et l'image est la seconde série de peintures à l'huile de la série Pygmalion et Galatée de l'artiste Pre-Raphaelite Edward Burne-Jones qui l'a réalisé entre 1875 et 1878, D'après le mythe de Pygmalion, qui, ayant réalisé une sculpture si belle qu'il en était tombé amoureux, pria Vénus de lui donner vie, ce qu'elle fit. (fr) Pigmaleão e a Imagem (em inglês: Pygmalion and the Image) é o segundo conjunto de quatro pinturas a óleo sobre tela do pintor inglês pré-rafaelita Edward Burne-Jones, pintadas entre 1875 e 1878, relativas à história de Pigmaleão e Galateia, pinturas que se encontram no Museu e Galeria de Arte de Birmingham. O conjunto de pinturas conta a história de Pigmaleão, um escultor de Chipre que recorreu ao apoio de Afrodite para alcançar a esposa ideal, história que consta de Metamorfoses de Ovídio, e que William Morris incluira no seu poema épico O Paraíso Terrestre (The Earthly Paradise) publicado entre 1868 e 1870 antes portanto de Burne-Jones ter criado a série. Neste conjunto sobre Pigmaleão (1875-1878), Edward Burne-Jones corporiza a história clássica do amor e das aspirações humanas numa sequência narrativa de quatro imagens. Na história antiga, Pigmaleão, que não encontra nenhuma mulher suficientemente bela para amar, esculpe uma estátua de uma mulher ideal e acaba apaixonado por ela, pedindo a Afrodite que lhe dê uma mulher tal qual a estátua. A Deusa responde ao pedido dele dando vida à estátua a que dá o nome de Galateia e com quem ele se casa. Pintado em tons delicados e suaves que contrastam com a rica paleta de trabalhos anteriores, como A Canção do Amor (Le Chant d´Amour, em Galeria) e Laus Veneris (1869), Burne-Jones trata esta alegoria grega com elementos do amor cortesão medieval. Pode-se considerar a série como um clara homenagem à escultura grega no tratamento pelo artista das figuras nuas e da roupagem. O pintor também expressa a busca romântica do amor puro e ideal com tons melancólicos de desejo ardente e não satisfeito, evidente na expressão do escultor, bem como nos títulos das obras. Edward Burne-Jones havia pintado anteriormente entre 1868 e 1870 um idêntico conjunto de quatro pinturas a óleo sobre o mesmo tema que é propriedade de Andrew Lloyd Webber, podendo os dois conjuntos ser vistos e comparados em . Nesta segunda série, Burne-Jones usa tons mais suaves, cores mais claras e linhas mais fluidas do que na primeira e apesar de ter sido pintada a óleo tem o brilho e os tons suaves do giz. (pt) |
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| dbp:medium | oil on canvas (en) |
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| dbp:title | Pygmalion and the Image: The Heart Desires (en) |
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| dbp:year | –78 (en) |
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| rdfs:comment | Pygmalion and the Image is the second series of four oil paintings in the Pygmalion and Galatea series by the Pre-Raphaelite artist Edward Burne-Jones which was completed between 1875 and 1878. The two collections may be seen below, in the , the first being now owned by Lord Lloyd Webber, and the second housed at the Birmingham Museum & Art Gallery. This article deals with an appraisal of the second series. (en) Pygmalion et l'image est la seconde série de peintures à l'huile de la série Pygmalion et Galatée de l'artiste Pre-Raphaelite Edward Burne-Jones qui l'a réalisé entre 1875 et 1878, D'après le mythe de Pygmalion, qui, ayant réalisé une sculpture si belle qu'il en était tombé amoureux, pria Vénus de lui donner vie, ce qu'elle fit. (fr) Pigmaleão e a Imagem (em inglês: Pygmalion and the Image) é o segundo conjunto de quatro pinturas a óleo sobre tela do pintor inglês pré-rafaelita Edward Burne-Jones, pintadas entre 1875 e 1878, relativas à história de Pigmaleão e Galateia, pinturas que se encontram no Museu e Galeria de Arte de Birmingham. Edward Burne-Jones havia pintado anteriormente entre 1868 e 1870 um idêntico conjunto de quatro pinturas a óleo sobre o mesmo tema que é propriedade de Andrew Lloyd Webber, podendo os dois conjuntos ser vistos e comparados em . (pt) |
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