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روجر إدوارد كونتز (بالإنجليزية: Roger Edward Kuntz) هو رسام أمريكي، ولد في 4 يناير 1926 في سان أنطونيو في الولايات المتحدة، وتوفي في 22 أغسطس 1975 في لاغونا بيتش في الولايات المتحدة. (ar) Roger Edward Kuntz (January 4, 1926 – August 22, 1975) was a highly accomplished Southern California landscape painter and a member of the Claremont Group of painters - professors and graduates of Pomona College, Scripps College, and the Claremont Graduate School. A figurative artist with an eye for abstract form, he won critical acclaim for striking compositions that transform an unusual array of subjects, including tennis players, domestic interiors, freeways, road signs, bathtubs and the Goodyear Blimp. A retrospective exhibition of his work, at the Laguna Art Museum in Laguna Beach, CA in 2009, was aptly titled "Roger Kuntz: The Shadow Between Representation and Abstraction". In the exhibition catalogue, curator Susan M. Anderson wrote: "Kuntz's work of the late 1950s and early 1960s quintessentially embodied the experimentation, fragmentation, and paradox in American culture of the time." (en) |
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روجر إدوارد كونتز (بالإنجليزية: Roger Edward Kuntz) هو رسام أمريكي، ولد في 4 يناير 1926 في سان أنطونيو في الولايات المتحدة، وتوفي في 22 أغسطس 1975 في لاغونا بيتش في الولايات المتحدة. (ar) Roger Edward Kuntz (January 4, 1926 – August 22, 1975) was a highly accomplished Southern California landscape painter and a member of the Claremont Group of painters - professors and graduates of Pomona College, Scripps College, and the Claremont Graduate School. A figurative artist with an eye for abstract form, he won critical acclaim for striking compositions that transform an unusual array of subjects, including tennis players, domestic interiors, freeways, road signs, bathtubs and the Goodyear Blimp. A retrospective exhibition of his work, at the Laguna Art Museum in Laguna Beach, CA in 2009, was aptly titled "Roger Kuntz: The Shadow Between Representation and Abstraction". In the exhibition catalogue, curator Susan M. Anderson wrote: "Kuntz's work of the late 1950s and early 1960s q (en) |
