Samadhiraja Sutra (original) (raw)

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Samadhiraja Sutra (pełna nazwa: skt. Sarvadharmasvabhava Samatavipancita Samadhiraja Sutra, pol. Sutra Królewskiego Samadhi) – sutra buddyzmu mahayany, znana także jako Chandrapradeepa Samadhi Sutra. Została przetłumaczona na język chiński w roku 450. W sutrze tej głównymi rozmówcami są Budda i przebywający na wzgórzu Gridhkuta. Zasadniczym tematem sutry są różne rodzaje samadhi (medytacyjnego wchłonięcia) wyłaniającego się z doświadczenia równości, pustki i oświeconej postawy.

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dbo:abstract The Samādhirāja Sūtra (King of Samādhis Sūtra) or Candrapradīpa Sūtra (Moonlamp Sūtra) is a Buddhist Mahayana sutra. Some scholars have dated its redaction from the 2nd or 3rd century CE to the 6th century (the date of the earliest manuscript found), but others argue that its date just cannot be determined. The Samādhirāja is a very important source for the Madhyamaka school and it is cited by numerous Indian authors like Chandrakirti, Shantideva and later Buddhist authors. According to Alex Wayman, the Samādhirāja is "perhaps the most important scriptural source for the Madhyamika." The Samādhirāja is also widely cited in Tantric Buddhist sources, which promote its recitation for ritual purposes. A commentary to the sutra, the Kīrtimala (Tibetan: grags pa'i phreng ba), was composed by the Indian Manjushrikirti and this survives in Tibetan. (en) Samadhiraja Sutra (pełna nazwa: skt. Sarvadharmasvabhava Samatavipancita Samadhiraja Sutra, pol. Sutra Królewskiego Samadhi) – sutra buddyzmu mahayany, znana także jako Chandrapradeepa Samadhi Sutra. Została przetłumaczona na język chiński w roku 450. W sutrze tej głównymi rozmówcami są Budda i przebywający na wzgórzu Gridhkuta. Zasadniczym tematem sutry są różne rodzaje samadhi (medytacyjnego wchłonięcia) wyłaniającego się z doświadczenia równości, pustki i oświeconej postawy. (pl) 《月燈三昧經》(梵語:Candrapradīpasamādhi sūtra;藏文:འཕགས་པ་ཆོས་ཐམས་ཅད་ཀྱི་རང་བཞིན་མཉམ་པ་ཉིད་རྣམ་པར་སྤྲོས་པ་ཏིང་ངེ་འཛིན་གྱི་རྒྱལ་པོ་ཞེས་བྱ་བ་ཐེག་པ་ཆེན་པོའི་མདོ།,THL:phak pa chö tham-ché kyi rang-zhin nyam-pa nyi nam par trö pa ting ngé dzin gyi gyäl-po zhé ja-wa thek pa chhen-pö do),或稱《三摩地王經》,收於大正藏經集部。本經稱佛陀為月光童子宣說「一切諸法體性平等無戲論三昧」,謂得此三昧能速得一切法及無上正等正覺。此三昧因月光童子所問而得,故又稱月燈三昧。 本經在中國及日本,沒有很流行,然於尼泊爾,列為「九法」之一。中觀學派之大成者月稱《入中論》、《中論釋》,及其後繼者寂天《大乘集菩薩學論》等書,皆常引用本經,為中觀學派之重要經典。噶舉派以本經為「顯教大手印」的根本心要,在西藏亦有極大的影響力。 (zh)
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rdfs:comment Samadhiraja Sutra (pełna nazwa: skt. Sarvadharmasvabhava Samatavipancita Samadhiraja Sutra, pol. Sutra Królewskiego Samadhi) – sutra buddyzmu mahayany, znana także jako Chandrapradeepa Samadhi Sutra. Została przetłumaczona na język chiński w roku 450. W sutrze tej głównymi rozmówcami są Budda i przebywający na wzgórzu Gridhkuta. Zasadniczym tematem sutry są różne rodzaje samadhi (medytacyjnego wchłonięcia) wyłaniającego się z doświadczenia równości, pustki i oświeconej postawy. (pl) 《月燈三昧經》(梵語:Candrapradīpasamādhi sūtra;藏文:འཕགས་པ་ཆོས་ཐམས་ཅད་ཀྱི་རང་བཞིན་མཉམ་པ་ཉིད་རྣམ་པར་སྤྲོས་པ་ཏིང་ངེ་འཛིན་གྱི་རྒྱལ་པོ་ཞེས་བྱ་བ་ཐེག་པ་ཆེན་པོའི་མདོ།,THL:phak pa chö tham-ché kyi rang-zhin nyam-pa nyi nam par trö pa ting ngé dzin gyi gyäl-po zhé ja-wa thek pa chhen-pö do),或稱《三摩地王經》,收於大正藏經集部。本經稱佛陀為月光童子宣說「一切諸法體性平等無戲論三昧」,謂得此三昧能速得一切法及無上正等正覺。此三昧因月光童子所問而得,故又稱月燈三昧。 本經在中國及日本,沒有很流行,然於尼泊爾,列為「九法」之一。中觀學派之大成者月稱《入中論》、《中論釋》,及其後繼者寂天《大乘集菩薩學論》等書,皆常引用本經,為中觀學派之重要經典。噶舉派以本經為「顯教大手印」的根本心要,在西藏亦有極大的影響力。 (zh) The Samādhirāja Sūtra (King of Samādhis Sūtra) or Candrapradīpa Sūtra (Moonlamp Sūtra) is a Buddhist Mahayana sutra. Some scholars have dated its redaction from the 2nd or 3rd century CE to the 6th century (the date of the earliest manuscript found), but others argue that its date just cannot be determined. The Samādhirāja is a very important source for the Madhyamaka school and it is cited by numerous Indian authors like Chandrakirti, Shantideva and later Buddhist authors. According to Alex Wayman, the Samādhirāja is "perhaps the most important scriptural source for the Madhyamika." The Samādhirāja is also widely cited in Tantric Buddhist sources, which promote its recitation for ritual purposes. A commentary to the sutra, the Kīrtimala (Tibetan: grags pa'i phreng ba), was composed by the (en)
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