Taylor Swift masters controversy (original) (raw)
自2019年6月起，美国音樂经纪人斯库特·布劳恩与美国创作歌手泰勒·斯威夫特陷入作品母带争议。事情源于布劳恩以3亿美元的高价收购独立唱片公司大机器唱片，间接持有泰勒前六张录音室专辑的（斯威夫特于2018年与大机器解约）。斯威夫特在社群媒体表示自己多年来一直想将母带买回来，但大机器唱片提出了不利条件。她谴责布劳恩的收购行为，指责对方是“贪婪无度、控制欲强的恶霸”。大机器前总裁斯科特·波切塔则表示斯威夫特拒绝了购买母带的机会，质疑她的说辞。 斯威夫特与大机器唱片一直陷入连串争议，其中斯威夫特指控大机器唱片不让她在2019年全美音乐奖及纪录片《美国小姐》上使用旧素材，以及擅自发行《》。斯威夫特宣布前六张录音室专辑，以打造全新母带，从而全面掌控旧作品的所有权。2021年4月9日，斯威夫特发行《放手去爱 (重制版)》，为2008年专辑《放手去爱》的重录版。后续专辑《红 (重制版)》于2021年11月12日发行，重录了2012年专辑《红》。双方的争议及随后的风波受到外界高度关注，吸引媒体大量报道，引发关于歌手权益、知识产权及音乐产业道德规范的讨论，鼓励新人在与唱片公司谈判合约时争取更大的版权及收益。
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| dbo:abstract | En junio de 2019, los másteres de los primeros seis álbumes de estudio de la cantautora estadounidense Taylor Swift fueron adquiridos por el gerente de talentos Scooter Braun como parte de su adquisición de Big Machine Records, la compañía discográfica de Swift hasta 2018. Swift dijo que había estado tratando de comprar los másteres durante años, pero Big Machine había ofrecido condiciones desfavorables. Condenó la compra de Braun; aunque intentó hacer las paces, lo denunció como un «matón incesante y manipulador». El expresidente de Big Machine, Scott Borchetta, dijo que Swift había declinado la oportunidad de comprar los másteres y desafió las afirmaciones de Swift. Swift y Big Machine han tenido una serie de disputas, incluidas las acusaciones de Swift de que Big Machine le impidió usar su material anterior para los Premios American Music de 2019 y el documental Miss Americana, así como un lanzamiento no autorizado de Live from Clear. Channel Stripped 2008 en 2020. Swift anunció que volvería a grabar sus primeros seis álbumes de estudio como un medio para obtener la propiedad de su catálogo anterior. En abril de 2021, lanzó Fearless (Taylor's Version), una regrabación de su álbum de 2008 Fearless y en noviembre de 2021 lanzó Red (Taylor's Version), regrabación de su álbum de 2012 Red. (es) The Taylor Swift masters controversy refers to the dispute of American singer-songwriter Taylor Swift with her former record label, Big Machine Records, its founder Scott Borchetta, and new owner Scooter Braun, over the ownership of the master recordings of her first six studio albums. It was a highly publicized conflict, drawing widespread attention and media coverage. Swift signed a record deal with Republic Records in November 2018 after her Big Machine contract expired. Mainstream media reported in June 2019 that Braun has purchased Big Machine from Borchetta for US$330 million, funded by various private equity firms. Braun became the owner of all of the masters, videos and artworks copyrighted by Big Machine, including those of Swift's first six studio albums. In response, Swift stated she tried to buy the masters but Big Machine had offered unfavorable conditions, and that she knew the label would sell them to someone else but did not expect Braun as the buyer, recalling him being an "incessant, manipulative bully". Borchetta claimed that Swift declined an opportunity to buy the masters. Consequently, Big Machine and Swift were embroiled in a series of disagreements leading to further friction; Swift alleged that the label blocked her from using her music for the 2019 American Music Awards and documentary Miss Americana (2020), while Big Machine released Live from Clear Channel Stripped 2008 (2020), an unreleased work by Swift, without her approval. Swift announced she would re-record the six albums to gain complete ownership over them. In October 2020, Braun sold the masters to the Disney family's investment firm, Shamrock Holdings, for $405 million on the condition that he keeps earning from the masters. Swift expressed her disapproval again, rejecting Shamrock's offer for an equity partnership, and began releasing the re-recorded music via Republic. She released Fearless (Taylor's Version) and Red (Taylor's Version), the re-recordings of her albums Fearless (2008) and Red (2012), in 2021 to critical and commercial success, breaking multiple sales, streaming and chart records. One of the tracks—"All Too Well (10 Minute Version)"—became the longest song ever to top the Billboard Hot 100, giving Swift her eighth number-one song. "Wildest Dreams (Taylor's Version)" and "This Love (Taylor's Version)" have also been released. Rolling Stone reported Swift as the highest-paid female artist of 2021. The International Federation of the Phonographic Industry ranked her as the global best selling soloist of 2021. Various musicians, journalists, politicians and scholars supported Swift's stance, prompting a discourse on artists' rights, intellectual property, private equity, and ethics in the music industry. Publications described her response and move to re-record as influential measures, encouraging new artists to negotiate for greater ownership of their music. iHeartRadio, the largest radio network in the US, proclaimed it will replace the older versions in its airplay with Swift's re-recorded tracks. Billboard named Swift the Greatest Pop Star of 2021 for the successful and unprecedented outcomes of her re-recording venture. Braun has stated he regrets buying Swift's masters and Big Machine at-large, and subsequently sold his entire holding company, Ithaca, to Hybe Corporation. (en) 미국의 싱어송라이터인 테일러 스위프트가 발매한 첫 여성 장의 정규 음반에 대한 마스터의 소유권을 둘러싼 논란이 언론에서 보도되고 있다. 2019년 6월 30일, 스위프트의 정규 음반 6장의 마스터 권한을 미국의 탤런트 매니저인 스쿠터 브론이 얻었다. 이는 2019년 리퍼블릭 레코드와 계약하기 전까지 스위프트의 전 음반사였던 빅 머신 레코드의 인수로 일부 권리가 가게 된 것이다. 스위프트는 이에 관해 계속하여 자신이 수년간 마스터 권한을 갖기 위해 노력했지만 빅 머신이 불리한 조건을 제시했기 때문에 얻을 수 없었다고 주장하였다. 스위프트는 평화적으로 사건을 해결하려 하였지만, 브론을 "교묘한 불량배"라고 비난하였다. 이에 대해 빅 머신의 전 사장이었던 스콧 보체타는 스위프트가 자신의 마스터 권한을 살 기회가 있었지만, "떠나기로 결정했다"고 말하면서 스위프트의 사실적 주장에 이의를 제기하였다. 스위프트와 빅 머신과의 관계는 빅 머신이 2019년 아메리칸 뮤직 어워드와 2020년 공개된 다큐멘터리 “미스 아메리카나”에서 스위프트가 소속 당시 발매한 노래를 사용하지 못하도록 하였다는 의혹과 2020년 라이브 음반인 “Live from Clear Channel Stripped 2008”을 무단으로 공개했다는 등 논란이 잇따르고 있다. 스위프트는 자신이 부른 노래 전곡에 대한 소유건을 얻기 위해 첫 여섯 장의 정규 음반을 모두 재녹음 및 재발매하기로 이야기하였다. 2021년 2월, 스위프트는 2008년에 발매한 두 번째 정규 음반 “Fearless”가 첫 재녹음 음반으로, “Fearless (Taylor's Version)”이란 이름으로 발매되었다. (ko) A controvérsia em curso a respeito dos direitos dos masters (gravações matrizes) dos primeiros seis álbuns de estúdio da cantora e compositora norte-americana Taylor Swift recebeu cobertura extensiva da imprensa. Em 30 de junho de 2019, os masters dos seis álbuns de estúdio de Swift foram adquiridos pelo empresário Scooter Braun durante a aquisição da Big Machine Records. Swift assinou um contrato com a Big Machine antes de assinar com a Republic Records em 2019. Ela denunciou a transação repetidamente, alegando que vinha tentado comprar seus masters há anos, mas não conseguia pois a Big Machine oferecia condições desfavoráveis. Apesar de tentativas de fazer as pazes, ela denunciou Braun como um "bully incessante e manipulador". Em resposta, Scott Borchetta, ex-presidente da Big Machine, afirmou que Swift teve a oportunidade de comprar seus masters, mas "optou por deixar", e contestou a factualidade das alegações de Swift. Swift e Big Machine tiveram uma série de confrontos, incluindo alegações feitas por Swift de impedimento de uso de suas músicas antigas durante o American Music Awards de 2019 e no documentário Miss Americana (2020), assim como o lançamento não-autorizado de Live from Clear Channel Stripped 2008 em 2020. Swift anunciou a intenção de regravar seus primeiros seis álbuns a fim de readquirir os direitos sobre seu catálogo. Em fevereiro de 2021, Swift anunciou o lançamento de Fearless (Taylor's Version), a regravação de Fearless (2008), para 9 de abril de 2021, como a primeira das regravações dos seus álbuns antigos. "Love Story (Taylor's Version)" foi lançado como single principal em 12 de fevereiro. Em 18 de junho, Swift anunciou o lançamento de Red (Taylor's Version) para 19 de novembro de 2021, posteriormente adiantando para o dia 12 do mesmo mês. (pt) 自2019年6月起，美国音樂经纪人斯库特·布劳恩与美国创作歌手泰勒·斯威夫特陷入作品母带争议。事情源于布劳恩以3亿美元的高价收购独立唱片公司大机器唱片，间接持有泰勒前六张录音室专辑的（斯威夫特于2018年与大机器解约）。斯威夫特在社群媒体表示自己多年来一直想将母带买回来，但大机器唱片提出了不利条件。她谴责布劳恩的收购行为，指责对方是“贪婪无度、控制欲强的恶霸”。大机器前总裁斯科特·波切塔则表示斯威夫特拒绝了购买母带的机会，质疑她的说辞。 斯威夫特与大机器唱片一直陷入连串争议，其中斯威夫特指控大机器唱片不让她在2019年全美音乐奖及纪录片《美国小姐》上使用旧素材，以及擅自发行《》。斯威夫特宣布前六张录音室专辑，以打造全新母带，从而全面掌控旧作品的所有权。2021年4月9日，斯威夫特发行《放手去爱 (重制版)》，为2008年专辑《放手去爱》的重录版。后续专辑《红 (重制版)》于2021年11月12日发行，重录了2012年专辑《红》。双方的争议及随后的风波受到外界高度关注，吸引媒体大量报道，引发关于歌手权益、知识产权及音乐产业道德规范的讨论，鼓励新人在与唱片公司谈判合约时争取更大的版权及收益。 (zh) |
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| dbp:alt | Woman in a blue coat and spectacles (en) Woman in a pink outfit (en) Man in a denim jacket and white shirt playing a guitar (en) Woman in a red lipstick standing in front the US flag (en) |
| dbp:author | Katie Rosseinsky, How Taylor Swift is changing the music industry one re-record at a time (en) Eilish Gilligan (en) James Sammataro, music attorney (en) Swift to Billboard in 2019 (en) – Scott Borchetta on selling Big Machine to Scooter Braun (en) – Taylor Swift (en) |
| dbp:footer | US Democrat politicians Elizabeth Warren and Alexandria Ocasio-Cortez criticized the "predatory" purchases of creative businesses by private equity groups for harming the US economy. (en) Musicians ranging from senior artists like Bryan Adams to 2021 debutantes like Olivia Rodrigo were influenced by the controversy. (en) |
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| dbp:quote | Every week, we get a dozen synch requests to use "Shake It Off" in some advertisement or "Blank Space" in some movie trailer, and we say no to every single one of them. And the reason I'm rerecording my music next year is because I do want my music to live on. I do want it to be in movies, I do want it to be in commercials. But I only want that if I own it. (en) "Scooter and I have been aligned with 'big vision brings big results' from the very first time we met in 2010. Since then I have watched him build an incredible and diverse company that is a perfect complement to the Big Machine Label Group. Our artist-first spirit and combined roster of talent, executives, and assets is now a global force to be reckoned with. This is a very special day and the beginning of what is sure to be a fantastic partnership and historic run." (en) "For years I asked, pleaded for a chance to own my work. Instead I was given an opportunity to sign back up to Big Machine Records and 'earn' one album back at a time, one for every new one I turned in. [...] I learned about Scooter Braun's purchase of my masters as it was announced to the world. All I could think about was the incessant, manipulative bullying I've received at his hands for years." (en) |
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| dbp:source | 0001-06-30 (xsd:gMonthDay) dbr:Refinery29 Evening Standard (en) Forbes (en) The Hollywood Reporter (en) |
| dbp:text | Swift is one of few artists with the power and profile to create change in the music world—when she acts, the industry listens. In reclaiming her masters, and drawing attention to the saga surrounding it, she has made a dramatic statement about the importance of artists owning their work and refusing to let others capitalise on their creativity. Sure, she's a multi-millionaire but in using her platform in this way, she's galvanising other, less established artists to fight for a better deal. (en) Unlike most artists when faced with this kind of injustice, Swift actually had the ability to stand up for herself, and in doing so, invoke meaningful dialogue and inspire change within the notoriously slow-moving music industry [...] Re-recording a back catalogue of six full albums and respective secret bonus tracks, then developing a hugely successful campaign to drive loyal fans towards the new versions of their beloved albums—and away from the original master recordings, prompting a dip in streams that will be mimicked in the rights holders' income statement—is something only very, very few artists can do. Taylor Swift is, indeed, amongst that handful. (en) Any time Taylor brings attention to an issue, it gets magnified [...] She has a very loud megaphone and she's not afraid to use it. She's had great success in effectuating change. (en) |
| dbp:title | Taylor Swift's Re-Recordings Expose The Music Industry's Chokehold On Intellectual Property (en) |
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| rdfs:comment | 自2019年6月起，美国音樂经纪人斯库特·布劳恩与美国创作歌手泰勒·斯威夫特陷入作品母带争议。事情源于布劳恩以3亿美元的高价收购独立唱片公司大机器唱片，间接持有泰勒前六张录音室专辑的（斯威夫特于2018年与大机器解约）。斯威夫特在社群媒体表示自己多年来一直想将母带买回来，但大机器唱片提出了不利条件。她谴责布劳恩的收购行为，指责对方是“贪婪无度、控制欲强的恶霸”。大机器前总裁斯科特·波切塔则表示斯威夫特拒绝了购买母带的机会，质疑她的说辞。 斯威夫特与大机器唱片一直陷入连串争议，其中斯威夫特指控大机器唱片不让她在2019年全美音乐奖及纪录片《美国小姐》上使用旧素材，以及擅自发行《》。斯威夫特宣布前六张录音室专辑，以打造全新母带，从而全面掌控旧作品的所有权。2021年4月9日，斯威夫特发行《放手去爱 (重制版)》，为2008年专辑《放手去爱》的重录版。后续专辑《红 (重制版)》于2021年11月12日发行，重录了2012年专辑《红》。双方的争议及随后的风波受到外界高度关注，吸引媒体大量报道，引发关于歌手权益、知识产权及音乐产业道德规范的讨论，鼓励新人在与唱片公司谈判合约时争取更大的版权及收益。 (zh) En junio de 2019, los másteres de los primeros seis álbumes de estudio de la cantautora estadounidense Taylor Swift fueron adquiridos por el gerente de talentos Scooter Braun como parte de su adquisición de Big Machine Records, la compañía discográfica de Swift hasta 2018. Swift dijo que había estado tratando de comprar los másteres durante años, pero Big Machine había ofrecido condiciones desfavorables. Condenó la compra de Braun; aunque intentó hacer las paces, lo denunció como un «matón incesante y manipulador». El expresidente de Big Machine, Scott Borchetta, dijo que Swift había declinado la oportunidad de comprar los másteres y desafió las afirmaciones de Swift. (es) The Taylor Swift masters controversy refers to the dispute of American singer-songwriter Taylor Swift with her former record label, Big Machine Records, its founder Scott Borchetta, and new owner Scooter Braun, over the ownership of the master recordings of her first six studio albums. It was a highly publicized conflict, drawing widespread attention and media coverage. (en) 미국의 싱어송라이터인 테일러 스위프트가 발매한 첫 여성 장의 정규 음반에 대한 마스터의 소유권을 둘러싼 논란이 언론에서 보도되고 있다. 2019년 6월 30일, 스위프트의 정규 음반 6장의 마스터 권한을 미국의 탤런트 매니저인 스쿠터 브론이 얻었다. 이는 2019년 리퍼블릭 레코드와 계약하기 전까지 스위프트의 전 음반사였던 빅 머신 레코드의 인수로 일부 권리가 가게 된 것이다. 스위프트는 이에 관해 계속하여 자신이 수년간 마스터 권한을 갖기 위해 노력했지만 빅 머신이 불리한 조건을 제시했기 때문에 얻을 수 없었다고 주장하였다. 스위프트는 평화적으로 사건을 해결하려 하였지만, 브론을 "교묘한 불량배"라고 비난하였다. 이에 대해 빅 머신의 전 사장이었던 스콧 보체타는 스위프트가 자신의 마스터 권한을 살 기회가 있었지만, "떠나기로 결정했다"고 말하면서 스위프트의 사실적 주장에 이의를 제기하였다. (ko) A controvérsia em curso a respeito dos direitos dos masters (gravações matrizes) dos primeiros seis álbuns de estúdio da cantora e compositora norte-americana Taylor Swift recebeu cobertura extensiva da imprensa. (pt) |
| rdfs:label | Controversia sobre los másteres de Taylor Swift (es) 테일러 스위프트 마스터링 논란 (ko) Taylor Swift masters controversy (en) Controvérsia sobre os masters de Taylor Swift (pt) 泰勒·斯威夫特作品母带争议 (zh) |
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