libzayin (original) (raw)

****FLORIN WEBSITE � JULIA BOLTON HOLLOWAY, AUREO ANELLO ASSOCIAZIONE, 1997-2022: MEDIEVAL: BRUNETTO LATINO, DANTE ALIGHIERI, SWEET NEW STYLE: BRUNETTO LATINO, DANTE ALIGHIERI, & GEOFFREY CHAUCER || VICTORIAN : WHITE SILENCE: FLORENCE'S 'ENGLISH' CEMETERY || ELIZABETH BARRETT BROWNING || WALTER SAVAGE LANDOR || FRANCES TROLLOPE || || HIRAM POWERS || ABOLITION OF SLAVERY || FLORENCE IN SEPIA || CITY AND BOOK CONFERENCE PROCEEDINGS I, II, III,IV, V,VI,VII || MEDIATHECA 'FIORETTA MAZZEI' || EDITRICEAUREO ANELLO CATALOGUE || FLORIN WEBSITE || UMILTA WEBSITE ||LINGUE/LANGUAGES: ITALIANO, ENGLISH || VITA New: Dantevivo || White Silence

Library Catalogue: ZAYIN, ז Mediatheca 'Fioretta Mazzei', 'English' Cemetery, Florence, Italy
libzayin=Travel, Art History, Codicology and Paleography, Arts and Crafts (excluding Italian)

ז Zayin=Weapon=7

**ALEPH**=Bible Commentaries/ Hebraism, Islam/ Alphabet, Babylonian/Egyptian, Hebrew Bible, Greek Testament, Bible, Early Christianity, Desert Fathers, Greek/Russian Orthodoxy, Latin Christianity, Celtic Christianity, Anglo-Saxon Christianity, Hagiography, Medieval, Renaissance Bible, Women in Christianity, Liturgy/Cathechism/Magisterium, Church Today, Modern Hagiography/Biography || Children
**BETH**=Modern Contemplative Theology, Newer Orders, Modern Communities, Anglican || Monastic Orders: Benedictine, Brigittine, Carmelite, Carthusian, Dominican, Franciscan/ Clarissan, Servites || Medieval Studies, Women in Middle Ages, Beguine, Anchoress, Hermit, Julian of Norwich, Oblates of Santa Francesca Romana, Pilgrimage, Lollard, Quaker, etc. || Comparative Religions
**GIMEL**=Modern Languages: French, Spanish, || Russian, Portuguese, German || Dictionaries, Hebrew, Greek, etc., Grammars, Style Handbooks, Encyclopaedias || Florence's Political Theologians: Don Giulio Facibeni, Giorgio La Pira, Fioretta Mazzei, Pietro Parigi, Don Lorenzo Milani, Giannozzo Pucci, Amicizia Ebraico-Cristiana|
**PE**=Classics, Greek, Latin, Medieval Latin, Proven�al: Italian Literature: Brunetto Latino, Dante Alighieri; Italian History; Italian Travel; Italian Art, in Sala Bessarion above the arch.
**DALETH**=Icelandic and British Isles' Literature: Icelandic, Irish, Welsh, Arthurian, Old English, Anglo-Norman, Middle English, Drama, Chaucer, Langland, Pearl/Sir Gawin/St Erkenwald, Renaissance, Seventeenth Century, Eighteenth Century, Williaam Blake, Nineteenth Century, Walter Savage Landor, Robert Browning, Elizabeth Barrett Browning, Frances, Thomas Adolphus, Anthony Trollope, Arthur Hugh Clough, Nathaniel and Sophia Peabody Hawthorne, George Eliot, Henry James || Twentieth-Century, Samuel Beckett, James Joyce, Poetry (Twentieth-Century shelved above Nineteenth Century)
**HE**=Trauma, Women, Australian, African-American, Native American, Jew, Roma || Anglo-Florentines, English, American German, Polish || Criticism
**VAU**=Music, Theatre, Dance || Glorney Bolton, Eileen Bolton, Julia Bolton Holloway publications
ZAYIN=Travel || Art History || Codicology/ Paleography || Handcrafts
**KHETH**=Electronic and Microform Library, e-books on-line, CDs in library, microfilms of medieval and nineteenth-century manuscripts, slides, etc.
**LAMED**= Education, in Office
**TET**=Offprints, Journals, etc.
**SHIN**=Swiss Archives of the 'English' Cemetery, upstairs in Swiss archive room
**TAU**='English' Cemetery, Cemeteries, Books by Persons Buried Here, City and Book Conferences on the English Cemetery || Gardens, in Office

ZAYIN= Italy,Travel, Art History, Codicology/ Paleography,Photography, Handcrafts

*=books on larger shelves

Global Travel (excluding Italy which is shelved in PE), here shelved by country:

Amsterdam. Ed. Henrik Stoorvogel. Amsterdam, 1985. Michael Caelingert, Siena, 2011.

Florin Andreescu. Bucarești. Bucarești: Ad Libri, 2009.

Wendy Arnold. The Historic Country Houses of England. London: Thames and Hudson, 1985. Michael Caelingert, Siena, 2011. Shelved in HE (EBB's Hope End)

Austria: L'Europa e i paesi del Mediterraneo. Roma: Touring Club Italiano, 2005. 2009.

Avignone. Ed. Giovanna Magi. Firenze: Bonecchi, 1980.

Baddeley, M.J.B. Black's Shilling Guide to the English Lakes. London: Adam and Charles Black, 1900. Lisa Morelli Adimari, Firenze, 2010. Baddeley co-authored books with Augustus Hare.

Les Baux de Provence. Texte: Andr� Chagny, Illustration: J. Arlaud. Annemasse: Editions Arlaud, n.d. Elisa Dapples, Firenze, 2009.

Louis Bertrand. Philippe II � l'Escorial. Paris: L'artisan du livre, 1929. Lisa Morelli Adimari, Firenze, 2010.

Blue Guide. Museums and Galleries of London. London: Ernest Benn, 1983. Michael Caelingert, Siena, 2011.

Braunfels. Dorette Ciccarelli, Firenze, 2006.

Bruges. Find your way in Brugge. Ed. Robert Van Loo. Michael Caelingert, Siena, 2011.

Promenands gourmandes � Bruxelles. Ed. Maggy & Pierre Thonon. Alain Rivi�re. Bruxelles: Casterman, 1992. 2021.

Baedeker's Brussels. 1982. Michael Caelingert, Siena, 2011.

Carcassonne. Ed. Lily Deveze. Firenze: Bonecchi, 1980.

Lluis Casassas, Oriol Verg�s, Xavier Abregas, Francesc Vallverd�, Joaquim Molas, Alexandre Cirici, Maria Gin�s. Que es Catalunya. Barcelona: Caixa de Pensions, 1980. DoretteCiccarelli, Firenze, 2006.

Bruce Chatwin. In Patagonia. Milano: Adelphi Edizioni, 1982.

Jean-Paul Cl�bert. Vivre en Provence: Luberon, Pays d'Apt. Paris: Claude Tchoum 1977. Elisa Dapples, 2009.

Congo Belge. Carte Routi�re du Congo Belge et du Ruanda Urundi.Michael Caelingert, Siena, 2011.

Giornale di bordo di Cristofero Colombo. Ed. Rinaldo Caddeo. Milano: Arnoldo Mondadori, 1973. Libbie Batazzi, Firenze, 2003.

The Journal of Christopher Columbus. London: Orion Press, 1960. Libbie Batazzi, Firenze, 2003.

Danmarkbogen/ Denmark in Pictures. Copenhagen: Gr�nlunds Forlag, 1954. Dorette Ciccarelli, Firenze, 2006.

Dresden. Munich: Bucher. Michael Caelingert, Siena, 2011. +2 packs of postcards of Dresden.

Dana Facaros. Greek Island Hopping. London: MacDonald, 1981. Libbie Batazzi, Firenze, 2003.

Dana Facaros and Michael Pauls. Mediterranean Island Hopping: The Italian Islands, Corsica/ Malta. London: MacDonald, 1981. Libbie Batazzi, Firenze, 2003.

Mervyn Fernando. This Piece of Planet Earth Sri Lanka and the Character of its People. Subodhi: Institute of Integral Education, 1999. Kingsley Munaweera, Sri Lanka, 1999.

Arthur Foss. Majorca. London: Faber and Faber, 1972. Libbie Batazzi, Firenze, 2003.

Nigel Foxell. Amberley: A Critical Appreciation. London: Menard Press, 2005. Nigel Foxell, Amberley. See http://www.umilta.net/amberley.html

Francia. Guida d'Europa. Milano: Touring Club Italiano, 1984. Elisa Dapples, Firenze, 2009.

Maxwell Fraser. Companion into Buckinghamshire. London: Methuen, 1950. Lisa Morelli Adimari, Firenze, 2010.

Freie Hansestadt Bremen. Bremen, 1960. Michael Caelingert, Siena, 2011.

Leslie Gardiner.The Love of Ireland. London: Octopus, 1981. Sinclair, Firenze, 2017.

Grande Atlante, Europa. National Geographic, 2006. 2021.

Pierre Helias. Traditions bretonnes: Logis et menages. Chateaulin: Jos le Doare editions d'art, 1970. Elisa Dapples, Firenze, 2009.

Hamburg. Merian 10/41. Dorette Ciccarelli, Firenze, 2006.

W.H. Hudson. A Shepherd's Life: Impressions of the South Wiltshire Downs. London: Methuen, 1924.Lisa Morelli Adimari, Firenze, 2010.

Tadh Kilgannon. Sligo and its Surroundings. Sligo: Kilgannon, 1826. Lisa Morelli Adimari, Firenze, 2010.

William Knight. The English Lake District: An Interpretation of the Poems of William Wordworth. Edinburgh: David Douglas, 1891. Lisa Morelli Adimari, Firenze, 2010.

Knole, Sevenoaks, Kent. The National Trust, 1980. Michael Caelingert, Siena, 2011. Shelved with Vita Sackville West, HE

Korean Alpinism. Korea, n.d. Dorette Ciccarelli, Firenze, 2006.

Maria Horner Lansdale. The Chateux of Touraine. New York: Century, 1906. Lisa Morelli Adimari, Firenze, 2010.

The London Encyclopaedia. Ed. Ben Weinreb and Christopher Hibbert. London: Book Club Associates, 1984.

W.H. Hudson. Nature in Downland. London: Dent, 1925. Lisa Morelli Adimari, 2010.

Leeds Castle, Maidstone, Kent. Michael Caelingert, Siena,2011.

Richard Le Galienne. Travels in England. London: John Lane, 1900. Lisa Morelli Adimari, Firenze, 2010.

Louvre, Parigi. Rizzoli/ Skira, 2006. Paolo Coccheri, Vincigliata, 2006.

Sir Donald Mackenzie Wallace. Russia. London: Cassell, 1912. Syracuse University, Florence, 2005.

Maravillas del mundo. Navarra: Graficas Estella, 1980. Dorette Ciccarelli, Firenze, 2006.

H.V. Morton. In Search of England. London: Methuen, 1929.

Ian Nairn and Nikolaus Pevsner. Sussex. The Buildings of England. Harmondsworth, Penguin, 1991. JBH, Sussex.

New Zealand: Aotearoa - the land of the long white cloud. New Zealand, 2005. A visitor, 2007.

David L. Nicanderi. River of Promise: Lewis and Clark on the Columbia. Washburn, North Dakota: Dakota Institute Press, 2009. Elon University, North Carolina, 2011.

Odyssey. L'arte della fotografia al National Geographic. Firenze, Alinari, 1989. American League, Firenze, 2002.*

Orhan Pamuk. Istanbul. Torino: Einaudi, 2006. Roberto Fuda, Firenze, 2010.

Paris: Birthplace of the U.S.A.: A Waling Guide for the American Patriot. Paris: Gr�nd, 1993. Michael Caelingert, Siena, 2011.

Walter Copland Perry. Sicily in Fable, History, Art and Song. London: Macmillan, 1908. Syracuse University, Florence, 2005.

Per�: Tremila anni di capolavori. Milano: Electa, 2003. Carmelina Rotundo, Firenze, 2006.

Beverley Pilcher.The River Wear from Source to Sea: An Historical and Spiritual Reflection. With illustrations by E. Maria Makepeace. Durham Diocese, 2011. Maria Makepeace, 2011.

Giuseppe Pisi. Cina per affari. Vicenza: Edizioni Veneta, 2004. Carmelina Rotundo, Firenze, 2006.

Matti Poutvaara.Suomi Finland. Helsinki: Werner Soderstrom Osakeyhtio, 1953. Dorette Ciccarelli, Firenze, 2006.

Praga. Ed. Vladimir Soukup. City Book/ Corriere della Sera, 2005. Paolo Coccheri, Vincigiliata, 2005.

Prince of Wales Island, 2008. Barbara Stanton, Klawock.

Provence: Spirit of Place. London: Pavilion, 1989.

Provence Romane. Vol. II. L'Abbaye Sainte-Marie de la Pierre-qui-Vire (Yonne): Zodiaque, 1977. Elsa Dapples, Firenze, 2009.

Qui Berlino. Grandi citt� del mondo. Milano: Touring Club Italiano, 1975. Libbie Batazzi, Firenze, 2003.*

Qui Londra. Grandi citt� del mondo. Milano: Touring Club Italiano, 1969. Libbie Batazzi, Firenze, 2003.*

Qui Vienna. Grandi citt� del mondo. Milano: Touring Club Italiano, 1972. Libbie Batazzi, Firenze, 2003.*

Alfred Rambaud. Russia. Trans. Leonora B. Lang. New York: Peter Fenelon Collier, 1898. 2 vols. Syracuse University, Florence, 2005.

Salzburg Town Guide. Michael Caelingert, Siena, 2011.

George Sand. Winter in Majorca. Trans. Robert Graves. With Jos� Quadrado's Refutation of George Sand. Mallorca: Valldemosa Edition, 1956. Libbie Batazzi, Firenze, 2003.

Spagna. Ed.Giovanni Arpino.Milano: Touring Club italiano, 1973.

Freya Stark. Letters from Syria. Services Edition, London: John Murray, 1944. Lisa Morelli Adimari, Firenze, 2010.

John Steegman. Cambridge. Rev. Bryan Little. London: B.T. Batsford, 1954. Syracuse University, Florence, 2005.

Sverige/ Sweden/ Schweden. G�teborg: Esselte, 1986. Dorette Ciccarelli, Firenze, 2006.

Tiziano Terzzani.In Asia. Milano: TEA, 1998.

Flora Thompson. Still Glides the Stream. London: Oxford University Press, 1949. Lisa Morelli Adimari, Firenze, 2010.

Tibet. Milano: Monografie, 1998. American League, Florence, 2002.*

Tiwanaku: Citt� eterna delle Ande. Milano: Fondazione Metropolitana di Milano, 2000. 656/2100. Carmelina Rotundo, Firenze, 2006.

Le Vie del Mondo. Milano: Touring Club Italiano, 1967. Marco Panti, Firenze, 2005.

Annie Vivanti. Terra di Cleopatra. Milano: Mondadori, 1925. Marco Panti, Firenze, 2005.

Art History [to be subdivided on shelves: Aesthetics/Theory, General, Architecture, Sculpture, Painting, Drawing, by period]:
*=on larger shelves

Arte e Letteratura. Grande Enciclopedia per Ragazzi. Biblioteca di Repubblica.

Storia Universale dell'Arte. Milano: Frateli Fabbri, 1966. Vols. I-IXX, XXXVIII-XXXIX. 2016.

La Storia dell'Arte: Le prime civilt�. Roma: Electa: La Biblioteca delka Repubblica. Milano: Mondadori, 2006.

Mycenae-Epidauros, Argos-Tiryns-Nauplion. Athens: Ekdotike Athenon, 1984.

Photios Petsas. Delphi: Monuments and Museum. Athens: Krene, 1981.
______

The 1565 Siege of the Knights of Malta at Fort St. Elmo. Firenze: Edifir, 2008. Mary Beckinsale, SACI, Firenze, 2009.

Juan Ainaud. "Catalan Polychrome Sculpture". Pp. 83-89. Alluvione 4 Novembre 1966, Chiesa S.M. Maddalena de' Pazzi in Borgo Pinti, Firenze.

Ars Hungarica. Budapest: Corvina, 1983.

Amlash Art. Ed. Jean Gabus. Roger-Louis Junod. Berne: Hallweg, 1967. Michael Calingaert, Siena, 2011.

Glenn M. Andres, John M. Hunisak, A. Richard Turner. The Art of Florence. New York: Abbeville Press, 1988. 2 vols. Lawrence Souder and Family, Philadelphia, 2002.*

Keith Andrews. I Nazareni. Mensili d'Arte. Milano: Fabbri, 1967. 2018.

Manolis Andronicos. The Acropolis. Athens: Ekdotice Athenon, 1995. Paul Tanner, San Rafael, 2001.

L'Arcadia di Arnold B�cklin: Omaggio fiorentino. Livorno: Sillabe, 2001. Shelved in TAU

Giuseppe Argentieri. Pittori Francesi. Milano: Mondadori, 1965. 2018.

Giuseppe Argentieri. Pittori Inglesi. Milano: Mondadori, 1964. 2018.

Arte precolombiana. Firenze: Giunti, 1988. 2012.

Jean-Pierre Babelon. Musei de Francia. Novara: Istituto Geografico de Agostini, 1965. Silvia Huober, Firenze, 2021.

Martin Bailey. D�rer. London: Phaidon, 2003. Nic Peeters, Brussels, Judy Oberhausen, San Mateo, 2005.

Umberto Baldini. Ermitage Leningrad.

Novara: Istituto Geografico de Agostini, 1966. Silvia Huober, Firenze, 2021. Herman Bauer. Alte Pinokothek di Monaco. Novara: Istituto Geografico de Agostini, 1966. Silvia Huober, Firenze, 2021.

Max Bechmann. 1948.

City Art Museum of St Louis, Los Angeles County Museum, Detroit Institute of Arts, Baltimore Museum of Art, Minneapolis Institute of Arts. Retrospective Exhibition Organized by City Art Museum of St. Louis, 1948.Ignacio Bernal. The Mexican National Museum of Anthropology. Mexico: Panorama, 1983. Elisa Dapples, Firenze, 2010.

Marianne Bernhard. Monasteries: A hundred jewels of European Architecture. Munich: IP Verlagsgesellschaft, 1998. Paul Kelley, 2009.

Biblioth�que Nationale. Saint-Simon ou 'L'Observateur v�ridique'. Paris: Biblioth�que Nationale, 1976. 'From the Library of Grace Giffen Medlicott, 1987'. Syracuse University, Florence, 2005.

Richard Biedrzynski. Stunden der Bewunderung: Jan Van Eyck, Hans Memling, Hieronymus Bosch, Pieter Breughel, Peter Pau lRubens, Rembrandt van Rijn. Braunschweig: Geoprg Westermann, 1948. Gerardo Kraft, 2012.

Le Chanoine L. Birot. Une visite � la Cath�drale d'Albi. Albi: Editions du Languedoc, 1936. Maria Interlandi, Firenze, 2006.

Milko Bitchev. L'Architecture en Bulgarie depuis la plus haute antiquite jusq'a la fin du XIX-e siecle. Sofia: Editions en langues etrangeres, 1961. Dorette Cicarelli, Firenze, 2008.

Album of National Gallery Paintings, Sophia, Bulgaria. Sophia, 1960. Dorette Cicarelli, Firenze, 2008.

*Didier Bodart. Rubens. Firenze: Giunti, 1990. Art Dossier. Sara Piccolo Paci, Scarperia, 2004.

Boldini, Helley, Sem: Protagonisti e miti della Belle Epoque. Ed. Francesca Dini. Milano: Skira, 2006. Carmelina Rotundo, Firenze, 2006.

Bonnard. Posters. Lithographs. Ed. Antoine Teresse. New York: Tudor Publishing, 1970. American League, Florence, 2002.

L'Opera completa di Bosch. Milano: Rizzoli, 1966. Francesca Maria Boni, Firenze, 2020.

Bosch. A cura di Mario Bussagli. Firenze: Giunti, 1997. 2012.

Anthony du Boulay. Chinese Porcelain. London: Octopus Books, 1973. Michale Calingaert, Siena, 2011.

Wolfgang Braunfels. Monasteries of Western Europe: The Architecture of the Orders. Princeton: University Press, 1972.*

British Museum Guide and Map. London, British Museum, n.d.

British Paintings 1900-1975, including Recent Work by Bernard Dunstan, R.A., October 21st-December 5th, 1975. London: Thomas Agnew and Sons, 1975.

L'Opera completa di Bruegel. Milano: Rizzoli, 1967. Francesca Maria Boni, Firenze, 2020.

Brueghel. Paris Hachette, 2012.

Byzantium: Trasures of Byzantine Art and Culture from British Collections. Ed. David Buckton. London: British Museum Press, 1994.

Henry Newell Cady, Warren, Rhode Island, 1849-1935. From the Collection of Robert and Marjorie Catanzaro. Nuova Strozzina-Palazzo Strozzi-Firenze, 18 maggio-16 giugno 1985. American League, Florence, 2002.

Michael Camille. The Gothic Idol: Ideology and Image-Making in Medieval Art. Cambridge: University Press, 1991.

Vincenzo Caprara. La dignit� dell'uomo dall'arte alla fede. Firenze: Le Lettere, 2011. 2017.

Annemarie Weyl Carr, Laurence J. Morrocco. A Byzantine Masterpiece Recovered, The Thirteenth-Century Murals of Lysi, Cyprus. Austin: University of Texas Press, 1991.*

Howard Carter. The Tomb of Tutankhamen. New York: Dutton, 1954. Florence, 2011.

Mary Cassatt, Peintre et graveur. Paris: Centre Culturel Am�ricain, 1959. Syracuse University, Florence, 2005

Jan Garden Castro. The Art and Life of Georgia O'Keefe. New York: Crown Publishers, 1985. Charles Sommers.

The Cathedral of St Michael and St Gudule, Brussels. Tielt: Lanoo Pulbishers, 2002. Nic Peeters, Brussels, 2005.

Patrick De Rynck.The Cathedral of Our Lady of Antwerp. Amsterdam: Ludion, 2005. Nic Peeters, Antwerp, 2010.

CERN. I colori del bosone di Higgs: Percorsi tra Arte e Scienza. 2018.

Ceylon: Paintings from Temple, Shrine and Rock. New York: New York Graphic Society/ UNESCO, 1957. Michael Calingaert, Siena, 2011.

Amos Ih Tiao Chang. Il Tao dell'Architectura. Milano: Postmedia, 2016. 2018.

Raymond Charmet. Musei di Parigi.

Novara: Istituto Geografico de Agostini, 1965. Siliva Huober, Firenze, 2021.

Civa Seen Journal XIX.2 (2019). Lawan Glasscock, 202- Kenneth Clark. Civilization: A Personal View. New York: Harper and Row, 1969.

Kenneth Clark. Rembrandt and the Italian Renaissance. London: Murray, 1996.

The Cloisters: The Building and the Collection of Mediaeval Art in Fort Tyron Park. Ed. James Rorimer. New York: The Medtropolitan Museum of Art, 1938.

Juan de Contreran Marques de Lozoya. Escorial e San Ildefonso. Novara: Istituto Geografico de Agostini, 1963. Silvia Huober, Firenze, 2021.

Cooke Memorial. St Paul's Church, Ogontz, Penn, 1906. [St Paul Preaching on the Areopagus, stained-glass by Tiffany]. Limited edition, 229/600.

Hereward Lester Cooke. The National Gallery of Art in Washington. Hannover, Knorr and Hirth Verlag, 1973.

Courtauld Institute Illustration Archives, Archive 3, Medieval Architecture & Sculpture in Europe, Part 2. Prague. London: Harvey Miller Publishers, 1977.

Painton Cowan. Rose Windows. London: Thames and Hudson, 1992.*

Agnes Czobar. Dutch Landscapes. Budapest: Kossuth Printing House, 1967. Sinclair, Firenze, 2017.

Anna Maria Damigella. L'Impressionismo fuori di Francia. Mensili d'Arte. Milano: Fabbri, 1967.

Celestine Dars. Images of Deception: the Art of Trompe l'oeil. Oxford: Phaidon, 1979.

L'Opera completa di Degas. A c. Franco Russoli. Milano: Rizzoli, 1976. Isabella Reale, Firenze, 2018.

Della Robbia. Portfolio.

Paul De Ridder, Andr�e Alexander. The Cathedral of St Michael and St Gudule, Brussels. Brussels: Lannoo, 2001. Brussels: Nic Peeters, 2005. A Documentary History of Art. Ed. Elizabeth G. Holt. Vol. I. Garden City, New York: Doubleday, 1957. Vol. I. Contains Theophilus, Leo of Ostia, Raul Glaber, St Bernard of Clairvaux, Abbot Suger, Letters on Building Chartres, Gervase of Canterbury, Marvels of Rome, Theoderich, Robert of Clari, Villard de Honnecourt, Matthew Paris, Mathias Roriczer, Edward III, Milan Cathedral, William duran, Jean Pucelle, Duccio's Majesty, Cennino Cennini, Lorenzo Ghiberti, Antonio Manetti, Vespasiano da Bisticci, Bartolomeo Fazio, Leon Battista Alberti, Antonio Averlini, Il Filarete, Piero della Francesca, Pietro Perugino, Leonardo da Vinci, Leo X, Albrecht Durer, etc. Anthony Gully, Tempe, 2008.Georges Duby. Foundations of a New Humanism 1280-1440. Geneva: Skira, 1966.*

L'Opera completa di D�rer. Milano: Rizzoli, 1968.

Francesca Maria Boni, Firenze, 2020.

Dario Durb� e Anna maria Damigella. La Scuola di Barbizon. Mensili d'Arte. Milano: Fabbri, 1969. 2018.

Elizabeth Eames.English Medieval Tiles. London: British Museum, 1985.

Umberto Eco. Storia della Bellezza. Milano: Bompiani, 2004. 2017.

Umberto Eco.Storia della Bellezza. Storia della Brutezza. 2 vols. Milano: Bompiani, 2006. 2019.

Robert M. Edsel.The Monuments Men: Allied Heroes, Nazi Thieves and teh Greatest Treasure Hunt in History. New York: Hachette, 2009. Elon University, North Carolina, 2011.

Joseph von Eichendorff. Konversatorium. 40 (September 2002).

English Romanesque Art 1066-1200. Exhibition Guide. Hayward Gallery, London 5 April-8 July 1984. Arts Council of Great Britain, 1984.

English Romanesque Art 1066-1200. Exhibition Catalogue. Hayward Gallery, London 5 April-8 July 1984. Arts Council of Great Britain, 1984. London: Weidenfeld and Nicolson, 1984.

Europ�isches Rokoko: Kunst und Kultur des 18. Jahrhunderts. Vierte Ausstellung ter den auspizien des Europates, 15 Juni-15 September 1958, M�nchen-Residenz. M�nchen: Verlag Hermann Rinn, 1958. American League, Florence, 2002. Elie Faure. Histoire de l'Art: L'Art moderne 2. Paris: Livre de Poche, 1965. Anthony Gully, Tempe, 2008.
Andreas Felger. Fragmente der Hoffnung. Gnadenthal: Pr�senz-Verlag, 1993. Bruder Elia, H�nfelden, 2001.*

Andreas Felger, Abba Kovner, Nelly Sachs, Arnold Sch�nberg. Fremdling du Stranger Mine: A Survivor from Warsaw. Gnadenthal: Pr�senz-Verlag, n.d. Bruder Elia, H�nfelden, 2001.* CD shelved with Music.

W. and B. Forman.Art of Far Lands. Luristan, Islam, India, Khmer, Siam, Tibet, China, Japan, Eskimo. Ed. Lubor H�jek, Trans. W. Cungh and H. Watney. London: Spring Books, n.d. *

Richard Foster. Patterns of Thought: The Hidden Meaning of the Great Pavement of Westminster Abbey. London: Jonathan Cape, 1991.

Angela Franco Mata. Escultura g�tica espa�ola el el siglo xiv y sus relaciones con la Italia trecentista. 1984. Autograph.

Angela Franco Mata. El retablo Gotico de Cartagena y los alabastros ingleses en Espa�a. Cajamurcia, 1999. Angela Franco Mata. Autograph.*

Angela Franco Mata. 'Secundum legem debet mori: Los profetas y el proceso a Jesus en la literatura e el arte. Boletin del Museo Arqueologico Nacional 20 (2002). Angela Franco Mata, 2006.

Margaret English Frazer. Medieval Church Treasures. The Metropolitan Museum of Art Bulletin (1985-86). New York: The Metropolitan Museum of Art, 1985.*

Nancy Frazier. Georgia O'Keeffe. New York: Crown Publishing, 1990.*

Anne Fremantle. Age of Faith. Alexandria, VA: Time-Life, 1979. Great Ages of Man: A History of the World's Cultures.

John B. Friedman and Jessica M. Wegman. Medieval Iconography: A Research Guide. New York: Garland Publishing, 1998. New York: MLA International Bibliography, 1999.

Roger Fry. Vision and Design. London: Chatto and Windus, 1923. Syracuse University, Florence, 2005.

Antonella Fuga. Tecniche e materiali delle arti. Milano: Mondadori, 2004. 2019.

Suzi Gablik. Magritte. London: Thames and Hudson, 1970.

Gauguin:

Gauguin. A cura di Raymond Cogniat. Milano: Fratelli Fabbri, 1972. 2012.

Gauguin. A cura di Anna Maria Damigella. Firenze: Giunti, 1989. 2012.

Gauguin. A cura di Giuseppe Marchiori. Firenze: Sansoni Editori, 1967. 2012.

Paul Gauguin. Ed. John Rewald. New York: Harry Abrams, 1954. 2012.

Gauguin: Il quadro � una superficie coperta di colore. Milano: Leonardo Arte, 1998. 2012.

Paul Gauguin. Tahiti. Stuttgart, Verlag Carol Hatje, 1998. 2012.

Gauguin. Paris: Hachette. 2012.

Gauguin. Peruzzo Editore, 1986. 2012.

Gauguin. Firenze: Edizioni Scala, n.d. 2012.

Maximilian Gauthier. Louvre Parigi. 2 vols. Novara: Istituto Geografico de Agostini, 1961. Silvia Huober, Firenze, 2021.

Stefano Gasparri.Il Mondo dei barbari. Firenze: Giunti, 1982. Sara Piccolo Paci, Scarperia, 2004.

*William H. Gerdis. American Impressionism. New York: Artabras, 1984.

Gesta. International Center of Medieval Art 11:1-2 (1973); 12 (1973). The Cloister Symposium 1972; 13:1-2 (1974); 14 (1975).*Ernest Gilliat-Smith. The Story of Bruges. Illustrated by Edith Calvert and Herbert Railton. London: Dent, 1905. Richard Mac Cracken, Acton, MA, 2008.

Aton Gill. Peggy Guggenheim: The Life of an Art Addict. London: Harper Collins, 20091. Sinclair, Firenze, 2017.

Giotto to D�rer: Early Renaissance Painting in The National Gallery. Ed. Jill Dunkerton, Susan Foister, Dillian Gordon, Nicholas Penny. London: National Gallery Publications, 1991. Pearl and Keth Spedding, England, 2006.

Golden Apples. Erich Auerbach, Henri Peyre, Thomas Bergin, Leo Spitzer, E.R. Curtius, Etienne Gilson. Portfolio of Autograph Essays.

Golden Apples. William S. Hecksher. Portfolio of Autograph Essays. Now includes E.K.J. Reznicek. Khi Addio: Utrechtse kunstgeschiedenis, heriinneringen aan haar prominenten. Utrecht: Stichung Vrienden van der Kuntshistoricish Institutut, 1986. Edward Grasman, Holland, 2012.

E.H. Gombrich. The Story of Art. London: Phaedon, n.d. Isabel Rudolph, Australia, 2010.

Hilliard T. Goldfarb. The Isabella Stewart Gardner Museum. Boston: Yale University Press, 1995. Alexandra Johnson, Boston, 2007.

Dillian Gordon. The National Gallery, London. 100 Great Paintings, Duccio to Picasso. London: National Gallery, 1981.

L'Opera completa del Greco. Milano: Rizzoli, 1969. Francesca Maria Boni, Firenze, 2020.

L'Opera completa di Gr�newald. A c. Giovanni Testori. Milano: Rizzoli, 1972. Isabella Reali, Firenze, 2018.

John Hale. The Civilization of Europe in the Renaissance. London: Harper Collins, 1984.

L.A. Hamand. The Ancient Windows of Great Malvern Priory Church. St Albans: The Campfield Press, 1947.

Gustav von Haughk 1804-1861. Zagreb: Goethe-Institut, 1996.

Kitty Hauser. Stanley Spencer. London: Tate Publishing, 2005. British Artists. JBH, Cookham-on-Thames, 2006.

M.F. Hearn. Romanesque Sculpture: The Revival of Monumental Stone Sculpture in the Eleventh and Twelfth Centuries. Ithaca: Cornell University Press, 1981. Autograph.*

William S. Hecksher. Art and Literature: Studies in Relationship. Ed. Egon Verheyen. Durham: Duke University Press, 1985. Saecvla Spiritualia 17.

Gunther Heine. Kunsthistorisches Museum Vienna. Novara: Istituto Geografico de Agostini, 1966. Siliva Huober, Firenze, 2021.

Kristina Herrmann Fiore. Guide to the Borghese Gallery. Roma: Edizioni de Luca, 1997. Syracuse University, Florence, 2005.

Luke Herrmann. Il Paesaggio nella Pittura Inglese dell'Ottocento. Milano: Fabbri, 1967. 2018.

Hieroglyphics of Space: Reading and Experiencing the Modern Metropolis. Ed. Neil Leach. London: Routledge, 2002. MLA, New York, 2003.

Hieronymus Bosch. Portfolio.

L'Opera completa di Hogarth. Milano: Rizzoli, 1967. Francesca Maria Boni, Firenze, 2020.

William Hogarth.Engravings. Ed. Sean Shesgreen. New York: Dover, 1973.*

Hans Holbein the Younger. His Years in Basel 15154-1532. Kunstmuseum Basel, 2006.

Walter Horn and Ernest Born. The Plan of St Gall in Brief. Ed. Lorna Price. Berkeley: University of California Press, 1982.*

Roger-A d'Hulst.Musei Reali di Bruxelles. Novara: Istituto Geografico de Agostini, 1964. Silvia Huober, Firenze, 2021.

Silvia Huober, Adolfo Pazzagli. Dalle opere di Albrecht Durer: L'immagine della melanconia fra psicopatologia e arte. From the Works of Albrecht Durer: The Image of Melancholy between Psychopathology and Art. Silvia Huober, Firenze, 2007.

Igrejas de Lisboa. Carmo Silva, Lisbon, 2000.

The Image of Heritage: Changing Perceptions, Permanent Responsibilities. Proceedings of the International Conference of the ICOMOS International Scientific Commission for the Theory and the Philosophy of Conservation and Restoration, 6-8 March 2009 Florence Italy. Fondazione Romualdo del Bianco, Firenze, 2012.

Impressionism:

Art Museums of San Francisco and National Gallery, Washington. The New Painting, Impressionism, 1874-1889. Geneva: Burton, 1986.

World I mpressionism : The New International Movement, 1860-1920. Ed. Norma Broude. New York: Harry N. Abrams, 1990.

Incisioni di Grandi Maestri dal XV al XX Secolo: I Capolavori di Hokusai. XXIV Biennale Mostra Mercato Internazionale dell' Antiquariato, Firenze, Palazzo Corsini, Lungarno Corsini, 2005. Carmelina Rotundo, Firenze, 2006.

L'Opera di Ingres. Milano: Rizzoli, 1968. Francesca Maria Boni, Firenze, 2020.

An Introduction to the Study of Gothic Architecture. Oxford: John Henry Parker, 1849. Engraving of St Julian's Church and Tower, Norwich.

Islamic Art from Princeton Collections, May 20-June 30, 1974. The Art Museum, Princeton University.

Istituto Universitario Olandese di Storia dell'Arte: Trent'anni di mostre, 1966-1996. Firenze: Centro Di, 1996. Federigo Conti, Firenze, 2003.

Richard Jenkyns.Westminster Abbey. London: Profile, 2004. Julie Dresvina, Cambridge, 2008.

M.R. James. Abbeys. Initial chapter by A. Hamilton Thomas, "Monastic Life and Buildings". London: The Great Western Railway, 1926. [See also Paul Meyvaert, Gesta, on cloisters in monasteries.]

Wassily Kandinsky. Point-Ligne-Plan: contribution � l'analyse des �l�ments picturaux. Ed. Philippe Sers. Paris: Editions Deno�l, 1970.

Temma Kaplan. Red City, Blue Period: Social Movements in Picass's Barcelona. Berkeley: University of California Press, 1993.

Adolf Katzenellenbogen. The Sculptural Programs of Chartres Cathedral: Christ, Mary, Ecclesia. New York: W.W. Norton, 1959.

Ernst Kitzinger. Early Medieval Art with Illustrations from the British Museum Collection. Bloomington, Indiana University Press, 1964.

Un peintre russe � Paris, Constantin Kousnetzoff, 1863-1936. Mus�e Carnavaet, 9 mai-29 juillet 1984. Michael Calingaert, Siena, 2011.

Henry Kraus. The Living Theatre of Medieval Art. Philadelphia: University of Pennsylvania Press, 1967.

Kuntstschatze aus China. Katalog, Helmut Brinker, Roger Goepper. Exhibited Zurich, Berlin, Hildesheim, Cologne, 1981-82. Sinclair, Firenze, 2017.

Le Lamine D'Oro 'Orfiche'. A cura di Giovanni Pugliese Carratelli. Milano: Libi Schweiller, 1993. Limited edition, 995. Fulvia Lo Schiavo, Soprintendenza Archeologica Toscana, Firenze, 2006.

Helen Langdon. Holbein. London: Phaidon, 2003. 2019.

Jean Lassus. The Early Christian and Byzantine World. London: Paul Hamlyn, 1967. Landmarks of the World's Art.* Charles Nicholl. Leonardo da Vinci: The Flights of the Mind. Harmondsworth: Penguin, 2004. Diana Leap, Brentford, 2008.

Michael Levey. Painting at Court. New York: University Press, 1971. The Wrightsman Lectures V, Delivered at The Metropolitan Museum of Art.*

Michael Levey. The Painter Depicted: Painters as a Subject in Painting. Walter Neurath Memorial Lecture 1981. London: Thames and Hudson, 1981.

Manuel Lorente. Prado Madrid. 2 vols. Novara: Istituto Geografico de Agostini, 1962. Silvia Huober, Firenze, 2021.

L'oro di Kiev. Milano: Electa, 1987. Exhibition Catalogue.*

Luce a vetrate delle catedrali. ADA, Firenze, 2010.

Edward Lucie-Smith. The Face of Jesus. New York: Abrams, 2011. Paola e Paola Francini, Firenze, 2011.

Emile M�le. The Gothic Image: Religious Art in France in the Thirteenth Century. New York: Harper and Row, 1958, 1972. 2 copies.

Emile M�le. Religious Art from the Twelfth to the Eighteenth Century. New York: Farrar, Straus and Company, 1949. See especially "Saint Roch".

L'Opera completa di Manet. Milano: Rizzoli, 1967. Francesca Maria Boni, Firenze, 2020.

Rudi Mannaerts. A Key to the Revelation of the Cathedral of Our Lady at Antwerp. Antwerp, 2004. Nic Peeters, Antwerp, 2010.
Masterpieces of Fifty Centuries. The Metropolitan Museum of Art. Introduction, Kenneth Clark. New York: Dutton, 1970.

Alberto Martini. L'Impressionismo. Mensili d'Arte. Milano: Fabbri, 1967. 2018.

Ch. Mauricheauy-Beaupr�. Versailles: l'histoire e l'art. Paris: Mus�es nationaux, 1955. Maria Interlandi, Firenze, 2006.

Maximilian's Triumphal Arch. Woodcuts by Albrecht Durer. New York: Dover, 1972. In music secton, phonograph record of music composed for occasion.*

Medieval Art from Private Collections: A Special Exhibition at The Cloisters, October 30, 1968, through March 30, 1969. Ed. Carmen G�mez-Moreno. New York: The Metropolitan Museum of Art, 1968.

The Medieval Treasury: the Art of the Middle Ages in the Victoria and Albert Museum. Ed. Paul Williamson. London: Victoria and Albert Museum, 1986.

Medieval Art Prints. Boston: University Prints.

E.R. Meijer. Rijkmuseum di Amsterdam. Novara: Istituto Geografico de Agostini, 1964. Silvia Huober, Firenze, 2021.

Gaspare O. Melcher. Ă gyptische Tageb�cher. Egyptian Diaries. Edesche, n.d. 2018.

Icons:

Antiche Icone dai Musei Sovietici. Firenze: Electa, 1984. 2019.

Collezione Belvedere; Croci, icone e polittici russi di bronzo dal XV al XX secolo. Fondazione "Peccioli per l'Arte", 2007. 2017.Collezione Belvedere; Icone datate e firmate dall XVIII al XX secolo. Fondazione "Peccioli per l'Arte", 2007. 2017.

Eva Haustein-Bartsch. Icone. Berlino: Teschen, n.d. 2019.

Elena Men'. Icone. Firenze: Polistampa, 1999.

Icone e Santi d'Oriente. Milano: Mondadori, 2004. 3019.

Eugen Rachteanu. L'Icona: Sentiero tra visibile e invisibile. Firenze: Polistampa, 2005. 2019

Segni della Santa Russia/Symbols of Holy Russia in Tuscany, Icons from the Collection of Francesco Bigazzi. Mostra 15 maggio-20 settembre 2003. 2017.

Tutti i Santi. La Madre di Dio: L'icona delle icone. Fondazione "Peccioli per l'Arte", 2008. 2017.

Tutti i Santi. Icone di Santa Barbara. Fondazione "Peccioli per l'Arte", 2009. 2017.

Tutti i Santi. Icone di San Nicola Taumaturgo. Fondazione "Peccioli per l'Arte", 2010. 2017.

Tutti i Santi

. Icone di San Giorgio il Vittorioso. Fondazione "Peccioli per l'Arte", 2007. 2017.Tutti i Santi. L'Anno liturgical nelle icone russe. Fondazione "Peccioli per l'Arte", 2006. 2017.

The Male Nude. Ed. Fran�ois de Louville, Edward Lucie-Smith. New York: Rizzoli, 1985.

Anna Michailidou.Cnosso: Guida dettagliata del Palazzo di Minosse. Athens: Ekdotike Athenon, 2002. Sonia Veglica, Knossos, 2003.

Michael Middleton.Henry Moore. Pp. 162-168.* Museo Arqueol�gico Nacional. Gu�a General. Madrid, 1996.*

Gerald Mynott, 20 April-20 May 2002. Francis Kyle Gallery.

Adolfo Natalini. Quaderni Olandesi. Firenze: Aion, 2005. Carlo Poli, Borgo San Lorenzo, 2008. Autographed.

The National Gallery, London. 100 Great Paintings, Duccio to Picasso. London: National Gallery, 1981. DJB/JBH

The National Palace Museum and the National Central Museum. Taiwan/San Francisco, 1961.

Molly Nesbit. Il pragmatismo nella Storia dell'Arte. Miulano: Postmedia, 2013. 2018.

New Perspectives on the Man of Sorrows. Ed. Catherine R. Puglisi and William L. Barcham. Kalamazoo: Medieval Institute Publications, 2013. 2017.

Walter Nigg, Karl Grōning. Bleibt, ihr Engel, Bleibt bei mir . . . Berlin: Propylaen Verlag, 1978. Sinclair, Firenze, 2017.

Norwegian Stave Churches: A Guide to the 29 Remaining Stave Churches. Oslo: ARFO, n.d. Gabriella Del Lungo, Firenze, 2017

*Odessa Museum of Western and Oriental Art. In Russian. Odessa, 1998. Dorette Cicarelli, Firenze, 2008.

Marcial Olivar. Museo d'Arte di Catalogna, Barcellona.

Novara: Istituto Geografico de Agostini, 1963. Silvia Huober, Firenze, 2021.

Palacios Reales del Patrimonio Nacional. Barcelona: Luna Wennberg, n.d.

Erwin Panofsky. Abbot Suger on the Abbey Church of St.-Denis and its Art Treasures. Ed. Gerda Panofsky-Soergel. Princeton: University Press, 1979.

Erwin Panofsky. Idea: A Concept in Art Theory. New York: Harper and Row, 1968.

Erwin Panofsky. Early Netherlandish Painting. The Charles Eliot Norton Lectures, 1947-1948. New York: Harper and Row, 1971. 2 vols. I. Text, II. Plates.

Erwin Panofsky. Renaissance and Renascences in Western Art. New York: Harper and Row, 1972.

Erwin Panofsky. Studies in Iconology: Humanistic Themes in the Art of the Renaissance. New York: Harper and Row, 1967.

Nicos Papahatzis.Mycenae-Epidaurus-Tiryns-Nauplion-Heraion of Argos-Argos-Asine-Lerna-Troezen. Athens: Clio Editions, 1978. Paul Tanner, San Rafael, 2001.

Charles du Peloux. R�pertoire biographique et bibliographique des artistes du XVIIIe si�cle fran�ais. Paris: Honor� Champion, 1930. Syracuse University, Florence, 2005

La percezione e comunicazione del patrimonio nel contesto multiculturale. Convegno finale nel progetto di Ateneo "CROSS-cultural Doors. A cura di Francesca Coltrinelli. Macerata: eum, 2016. 2017.

Fray Justo P�rez de Urbel. El Claustro de Silos. Burgos: Ediciones del la Institucion "Fernan Gonzalez", n.d.*

Georges Perrot e Charles Chipiez. History of Art in Sardinia, Judaea, Syria and Asia Minor. London: Chapman and Hall, 1890. 2 vols. Syracuse University, Florence, 2005.

L'Opera completa di Picasso blu e rossa. Milano: Rizzoli, 1968. Francesca Maria Boni, Firenze, 2020.

Colin Platt. Whitby Abbey. English Heritage, 1985.

Georges Poisson. Castelli della Loira.

Novara: Istituto Geografico de Agostini, 1963. Silvia Huober, Firenze, 2021. J.R. Porter. Jesus Christ: The Jesus of History, the Christ of Faith. London: Duncan Baird, Publishers, 1999.*

Portraits. Portfolio.

T.G.E. Powell. Prehistoric Art. New York: Frederick Praeger, 1966. Arizona State University/Mesa Public Library, Tempe, 2004.

Prado. The Key to the Prado. Ed. Consuela Luca de Tena e Manuela Mena. Prado, 1991. 2011.

Prado, Madrid. I grandi musei del mondo 6. Roma: Scala, 2004.

Paul Rand. Pensieri sul Design. Milano: Postmedia, 2016. 2018.

Record of The Art Museum, Princeton University 55 (1990). J. Deneen, Princeton, 2003.*

L'Opera completa di Rembrandt. Milano: Rizzoli, 1969.

Francesca Maria Boni, Firenze, 2020.

Da Rembrandt a Vermeer: Valori civili nella pittura fiamminga e olandese del '600. Milano: Motta, 2008. Arianna Ghilandelli, 2010.

Elisabeth Revel-Neher. The Image of the Jew in Byzantine Art. Oxford: Pergamon Press, 1992. Vidal �Sasson International Center for the Study of Anti-Semitism. Alifa Saadya, Jerusalem, 2001.

*Jane Roberts. Holbein. London: Bloomsbury Books, 1988.

James J. Rorimer. Rev., Katherine Serrell Rorimer. Medieval Monuments at the Cloisters as they were and as they are. New York: The Metropolitan Museum of Art, 1972.*

The Roman Baths. A Guide to the Baths and Roman Museum. Bath Archeological Trust, 1978. 2011.

James Rotherham. Paintings by Commission. Yorkshire, 2004. James Rotherham, 2004.

L'Opera completa di Rousseau il Doganiere. Milano: Rizzoli, 1969. Francesca Maria Boni, Firenze, 2020.

Rubens. Ed. Didier Bodart. Art Dossier (1996). Sara Piccolo Paci, Scarperia, 2004.

Gertrud Rudloff-Hille. Gemaldegallerie Dresda. Novara: Istituto Geografico de Agostini, 1960. Silvia Huober, Firenze, 2021.

E. Ruhmer. Cranach. London: Phaidon Press, 1963.*

The Russian State Museum. 20 Reproductions. Moscow-Leningrad: State Art Publishers, 1939. Sadie and Harold Walton, Boulder, CO.*

The Ruthwell Cross. Ed. Brendan Cassidy. Princeton: University Press, 1992.

Saint-Benoit-sur-Loire. 1970. Guidebook to Benedictine Monastery.

Saint-Victor di Marseille: Le Guide. Ed. Michel Fixor, Regis Bertrand, Jean Guyon. Marseille: Editions Memoires Mill�naires, 2014. 2021.

Salamanca. Ministero de Transportes, Turismo y Coimunicaciones, 1985.

I Santi nei Capolavori della Pittura. A c. Jacques Duguesne. Casale Monferrato: Edizioni Piemme, 2005. 2019.

Meyer Schapiro. Late Antique, Early Christian and Medieval Art: Selected Papers. New York: George Braziller, 1979. John Sharkey. Celtic Mysteries: The Ancient Religion. London: Thames and Hudson, 1975.*

Scotland Touring Map. 2011.E.R. Shipman. Saint Nicholas Church, Abbots Bromley, Staffordshire. 1979. R.A. Browning.

J.H. Shawley. The Story of Lincoln Minster. London: Raphael Tuck, 1947. Rev Adrian Wee, Malaysia, 2009.

Otto von Simson.The Gothic Cathedral: Origins of Gothic Architecture and the Medieval Concept of Order. Princeton: University Press, 1974. Bollingen Series XLVIII.

Bradley Smith. Japan: A History in Art. Japan: Toppan, 1964.

The Splendor of Dresden: Five Centuries of Art Collecting. Exhibition Catalogue. New York: George Brazillier, 1978. Syracuse University, Florence, 2005.

Roger Staley. Irish High Crosses. Dublin: Country House, 1996. Maire Herbert, Cork, 2001.

The State Hermitage, Paintings. Leningrad: Sovietsky Khudpzhnin, 1996. JBH, Firenze, 2017.

RAC Maps: East Anglia, Midlands,The Niorth, The South, Soiuth East, South Wales,South West, Yorkshire. 2011.

Seiichiro Takahashi. Traditional Woodblock Prints of Japan. New York: Weatherill Heibonsha, 1973.

Michael Taylor. The Lewis Chessmen. London: British Museum, 1978.

L'Opera completa di Toulouse-Lautrec. Milano: Rizzoli, 1969.

Francesca Maria Boni, Firenze, 2020.

Toulouse-Lautrec, 1864-1901. An exhibition organized by the Association Fran�aise d'Action Artistique with the Arts Council of Great Britain. Arts Council, 1961. American League, Firenze, 2002.Treasures of the Pharaohs. Cairo, Egyptian Museum. Ed. Silvio Curto and Alessandro Roccati. Milano: Mondadori, 1984. Firenze, 2011.

R. St John Tyrwhyitt. The Art Teaching of the Primitive Church with an Index of Subjects, Historical and Emblematic. London: SPCK, n.d. July 1875 Writing and Poetry Prize, Reigate Grammar School. Daphne Stevens, Pisa, 2010.

James Underhill.Angeli. Legnano (MI): Edicart, 1995. 2019.

Marco Valsecchi.National Gallery Londra. Novara: Istituto Geografico de Agostini, 1963. Siliva Huober, Firenze, 2021.

L'Opera completa di Van Eyck. Milano: Rizzoli, 1968. Francesca Maria Boni, Firenze, 2020.

*Van Eyck. A cura di Carlenrica Spantigati. Firenze: Giunti, 1998. Art Dossier. Sara Piccolo Paci, Scarperia, 2004.

"Van Gogh Mania".Epoca 2060 (1990), 109-128.*

Van Gogh. Milano: Fratelli Fabbri, 1979. 2012.

Van Gogh. Milano: Rizzoli, 1977. 2012. 2 vols.

Van Gogh. Milano: Edizioni Scala, 1978. 2012.

L'Opera completa di Velasquez. Milano: Rizzoli, 1969.

Francesca Maria Boni, Firenze, 2020.

The Verbal and the Visual: Essays in Honor of William Sebastian Hecksher. Ed. Karl-Ludwig Selig and Elizabeth Sears. New York: Italica Press, 1990.

L'Opera completa di Vermeer. Milano: Rizzoli, 1967.

Francesca Maria Boni, Firenze, 2020.

Willy Verkauf, ed. Dada: Monograph of a Movement. Teufen, Switzerland: Arthur Niggli, 1957. Syracuse University, Florence, 2005.

Victorian Church Art: Exhibition November 1971-January 1972. London: Victoria and Albert Museum, 1971. Timothy Wilson, Ashmolean Museum, Oxford, 2003.*

Villard de Honnecourt. The Sketchbook. Ed. Theodore Bowie. Bloomington: Indiana Press, 1959.

Eug�ne Emmanuel Viollet-le-Duc. Discourses on Architecture. Trans. Henry Van Brunt. Boston: James R. Osgood, 1875. Syracuse University, Florence, 2005.

I Volti Del Divino. Museo di Storia di Religione, San Pietroburgo. 1993. 2019.

Washington National Cathedral. Washington D.C., 1995. Fr. Adrian Wee, Malaysia, 2008.

L'Opera completa di Watteau. Milano: Rizzoli, 1968.

Francesca Maria Boni, Firenze, 2020.

C.V. Wedgwood. "The Golden Age of the Dutch Republic." Horizon (September 1958), 15-35.

M. Scott Weightman. Holy Island. 1999.

Herbert Whone. Church, Monastery, Cathedral: An Illustrated Guide to Christian Symbolism. Shaftsbury: Element Books, 1990.

Wiligelmo e Lanfranco nell'Europa romanica. Modena: Franco Cosimo Panini, 1985. Martin J. Howley, Canada, 2020.

John Wilmerding. Pittura americana dell'Ottocento. Mensili d'Arte. Milano: Fabbri, 1967. 2018.

Derek Wilson. Hans Holbein: Portrait of an Unknown Man. London: Weidenfeld and Nicolson, 1996.

Franz Winter. Kunstgeschichte in Bildern, Tavole. Trad., Architettura Greca e Romana di Enzo Bentivoglio. Roma: Gangemi Editore, 1999. Syracuse University, Florence, 2005

Leonard Woolley.Il mestiere dell'archeologo. Torino: Einaudi, 1957. On excavations of Ur in Iraq. Marco Panti, Firenze, 2005.

Wilhelm Worringer. Form in Gothic. Introduction Herbert Read. New York: Schocken Books, 1967.

Erich Z�llner, Therese Sch�ssel. Das Werden Osterreichs. Wien: Tosa Verlag, 1990. American League, Firenze, 2002.

Zaira Zuffetti. La Mani di Maria. Milano: Ancora, 2008. 2019.

_______________

Manuscripts, Paleography, Codicology, Printing, Engraving:
*=on larger shelves

See also manuscript facsimiles, Drama, Chaucer, DALETH. Snorre Sturlason. Eddan (Prose Edda or Younger Edda). MS Uppsala University. Touch and Turn CD. Leeds, 2004; Vadstenadiariet: Diarium Vadstenense. MS Uppsala University. Touch and Turn CD. Leeds, 2004; Introduction to Paleography. Centre for English Local History, West Sussex Record Office. CD. Shelved: KHETH

'E le acque si calmarono, Genesi 8.1'. A cura di Amadeo Spagnoletti e Milka Ventura. Mostra, Biblioteca Nazionale Centrale di Firenze, 27 ottobre 2016- 27 gennaio 2017. Firenze; Angelo Pontecorboli, 2016. Ida Zatelli, Firenze, 2017.

J.J.G. Alexander.The Decorated Letter. New York: George Braziller, 1978.*

J.J.G. Alexander.Italian Renaissance Illuminations. New York: George Braziller, 1977.*

Dante Alighieri.La Divina Commedia. Illustrated, Sandro Botticelli. Firenze: Le Lettere, 1996.

Vittorio Alinari.Paesaggi italici nella "Divina Commedia". Firenze: Giorgio e Piero Alinari, 1921. 439/500 numbered copies. Autograph.*

Amerigo Vespucci.Collection of Maps and Documents Shown at the Exhibition Held in the Palazzo Vecchio on the Quincenteneray of the Birth of Amerigo Vespucci. Florence: 1954-55. Syracuse University, Florence, 2005.

Analecta Epternacensia: Beitr�ge zur Biliotheksgeschichte der Abtei Echternach. Luxembourg: Biblioth�que Nationale; Trier: Stadtbibliothek, 2000. Bernard Meehan, Ireland, 2009.

David Anderson. Sixty Bokes Olde and Newe: Manuscripts and Early Printed Books from Libraries in and near Philadelphia illustrating Chaucer's Sources, His Works and Their Influence, Catalogue of the Exhibition held at the Arthur Ross Gallery and the Rosenbach Museum and Library 20 March-20 April, 1986.

Animals and the Symbolic in Mediaeval Art and Literature. Ed. L.A.J.R. Houwen. Groningen: Egbert Forsten, 1997.

Antipodean Early Modern: European Art in Australian Collections, c. 1200-1600. Ed. Anne Dunlap. University of Melbourne: Amsterdam University Press, 2018. 2019.

Antwerpen, Dissident Drukkerscentrum de Rol van de Antwerpse drukkers in de Godsdientrstrijd in Engeland (16DE EEUW). Antwerp: Snoeck-Ducaju & Zoon, 1994. Nic Peeters, Brussels, 2008.

Antwerp, City of. 'About Types, Books, Prints', Didactic Brochure for the Plantin-Moretus Museum and City Prints Gallery. n.d. Nic Peeters, Antwerp, 2009.

Archivi sonori: Atti dei seminari di Vercelli (22 gennaio 1993), Bologna (22-23 settembre 1994), Milano (7 marzo 1995). Roma: Ministero per i Beni e le Attivit� Culturali, 1999. Pubblicazioni degli Archivi di Stato Saggi 53. Includes Giovanni Contini, "Alcune esperienze di conservazioni degli archivi sonori fuori d'Italia", pp. 151-157.novembre 1991.

Ashmole Bestiary, c. 1210, Bodleian Library. Portfolio.

The Auchinleck Manuscript: National Library of Scotland Advocates' MS 19.2.1. Introduction, Derek Pearsall, I.C. cunningha,. London: The Scolar Press, 1977. Facsimile.*

Janet Backhouse.The Illuminated Manuscript. Oxford: Phaidon, 1979.*

Janet Backhouse.The Lindisfarne Gospels: A Masterpiece of Book Painting. London: The British Library, 1995. M�ire Herbert, Cork, 2001.

Janet Backhouse.The Luttrell Psalter. London: The British Library, 1989.

Janet Backhouse and Christopher de Hamel. The Becket Leaves. London: The British Library, 1988.

George Bain. Celtic Art, The Methods of Coinstruction. New York: Dover, 1973.*

Giulio Battelli.Lezioni di Paleografia. Citt� del Vaticano: Libreria Editrice Vaticana, 1936/1991.

Los Beatos. Ed. Luis V�zquez de Parga, Manuel D. Di�z y Di�z, John Williams. Madrid: Biblioteca Nacional, 1986.*

Beato de Li�bana.Codice de Fernando I y do�a Sancha. Barcelona: M. Moleiro. Brochure.*

Beato de Li�bana.Codice del Monasterio Cisterciense de San Andr�s de Arroyo. Barcelona: M. Moleiro. Brochure.*

Beato de Li�bana.Codice del Monasterio de Santo Domingo de Silos. Barcelona: M. Moleiro. Brochure.*

Malachi Beit-Ari�. Hebrew Manuscripts of East and West: Toward a Comparative Codicology. London: The British Library, 1992. The Panizzi Lectures, 1992.

Valeria Bella. Stampe. Milano: Grafica Antica e Moderna, Autunno 2004. Carmelina Rotundo, Firenze, 2006.

Adelaide Bennett, Jean F. Preston, William P. Stoneman. A Summary Guide to Western Medieval and Renaissance Manuscripts at Princeton University. Princeton: University Library, 1991.

*Il Bestiario di Don Juan. Collectio Hispanica. Sample of Facsimile. ArtCodex, Modena, n.d. Art Codex, Modena, 2008.

La Bibbia a stampa da Gutenberg a Bodoni. Firenze: Biblioteca Medicea Laurenziana, Biblioteca Nazionale C entrale, 8 ottobre-23 novembre 1991. Ed. Ida Zatelli. Firenze: Centro Di, 1991.

Le Bibbie Atlantide: Il libro della Scritture tra monumentalit� e rappresentazione. Abbazia di Montecassino, 11 luglio-11 ottobre 2000, Firenze, Biblioteca Laurenziana, settembre 2000-gennaio 2001. Ed. Marilena Maniaci e Giulia Orofino. Abbazia di Montecassino, Biblioteca Medicea Laurenziana, Universit� degli Studi di Cassino, 2000. JBH, 2000*

Bibliografia degli scritti di Mirella Levi D'Ancona in occasione dell'Ottantesimo compleanno. Firenze: Biblioteca Medicea Laurenziana, 1999.

Bibliografia della Bibbia Amiatina (1990-1999). Ed. Valentina Longo, Sabina Magrini, Marco Palma. Roma: Viella, 2000.*

A Bibliography of Books on Judaism in the Benson Collection at St Deniol's Library. Compiled, Pamela Morris. Hawarden, Wales: St Deiniol's Library, n.d.

Biblioteca Medicea Laurenziana. Animali fantastici: La Biblioteca in mostra. Firenze: Mandragora, 2007. Maria Francesca Gallifante, Firenze, 2008.

Biblioteca Medicea Laurenziana. Il mondo degli aztechi nel codice fiorentino. Firenze: Mandragora, 2007. Maria Francesca Gallifante, Firenze, 2008.

Biblioth�que Royale, Brussels. Nic Peeters, 2018.

Bernhard Bischoff. Latin Paleography: Antiquity and the Middle Ages. Trans. D�ibh� O Cr�in�n, David Ganz. Cambridge: University Press, 1989.

Robert Black, Gabriella Pomaro. La Consolazione della Filosofia nel Medioevo e nel Rinascimento italiano/ Boethius' Consolation of Philosophy in Italian Medieval and Renaissance Education. Firenze: SISMEL Edizioni del Galluzzo, 2000. Biblioteche a Archivi 7.*

Giovanni Boccaccio. Illuminated Manuscripts: Boccaccio's Decameron. Paris, Biblioth�que de l'Arsenal, MS 5070. Ed. Edmond Pognon. Trans. J. Peter Tallon. Miller Graphics/ Crown Publishers, n.d.*

The Book of Kells. Reproductions from the Manuscript in Trinity College Dublin. Ed. Fran�oise Henry. New York: Alfred A. Knoepf, 1977.*

The Book of Kells. Ed. G.O. Simms. Dublin: Trinity College Library, 1961.

The Book of Kells: Proceedings of a Conference at Trinity College Dublin 6-9 September, 1992. Ed. Felicity O'Mahoney. Dublin: Trinity College Library, Scolar Press, 1994.

The Book Unbound: Editing and Reading Medieval Manuscripts and Texts. Ed. Sian Echard, Stephen Partidge. Toronto: Toronto University Press, 2005. MLA, New York, 2005.

Marisa Boschi Rotiroti. Codicologia trecentesca della Commedia: Entro e oltre l'antica vulgata. Roma: Viella, 2004. SDI, Firenze, 2017.

Beverley Boyd. Chaucer and the Medieval Book. San Marino; CA: The Huntington Library, 1973.

Leonard Boyle OP.Medieval Latin Paleography: A Bibliographical Introduction. Toronto: University Press, 1984.

Robert Branner. Manuscript Painting in Paris During the Reign of Saint Louis: A Study of Styles. Berkeley: University of California Press, 1977.*

Edel Bhreathnach & Bernadette Cunningham. Writing Irish History: The Four Masters and their World. Dublin: Wordwell, 2007. Bernard Meehan, Dublin, 2008.

Peter Brieger, Millard Meiss, Charles S. Singleton. Illuminated Manuscripts of the Divine Comedy. Princeton: University Press, 1969. Bollingen Series LXXXI. 2 vols: I, Text, II, Plates.*

Brigittine Manuscripts. Notes in Binder.*

Brunetto Latini. Li Livres dou Tresor. Barcelona: M.Moleiro Editor, 2000. Boxed Facsimile and accompanying volume with essays: L.I. Kisseleva, I.P. Mokretsova, W.B. Clark, I.P. Mokretsova, G.Z. Bykova, V.N. Kireyeva. 2 vols.* Facsimile volume stolen from library by an Italian Russian.

Brunetto Latino. Vente Ulrico Hoepli. Zurich. Two catalogues, one with Brunetto Latino, Il Tesoro, Treviso, 1474. 27-28 Nov. 1930, 21-22 Mai 1931.*

Fran�ois Bucher.The Pamplona Bibles. New Haven: Yale University Press, 1970. Facsimile. 2 vols: I. Text, II. Facsimile.*

The Bulletin of the Cleveland Museum of Art 50 (1963).

*Los Caballeros de Santiago. Collectio Hispanica. Sample of Facsimile. ArtCodex, Modena, n.d. Art Codex, Modena, 2008.

I Canzonieri della lirica italiana delle origine. Vol. III. Il Canzoniere Palatino, Biblioteca Nazionale Centrale di Firenze, Banco Rari 217, ex Palatino 418. Ed. Lino Leonardi. Firenze: SISMEL Edizioni del Galluzzo, 2000. Facsimile.*

The Calendar of St Willibrord. From MS Paris Lat. 10837. A Facsimile, with Transcription, Introduction and Notes. Ed. H.A. Wilson. The Bradshaw Society, 1918; The Boydell Press, 1998.*

The Cambridge Illuminations: Ten Centuries of Book Production in the Medieval West. Ed. Paul Binski and Stella Panayatova. London: Harvey Miller Publishers, 2005. Julie Dresvina, Cambridge, 2006.

Michael Camille.Image on the Edge: The Margins of Medieval Art. London: Reaktion Books, 1992. See also his essay on the Christina of Markyate St Albans Psalter, in Medievalism and the Modern Temper, shelved: Benedictine, BETH.

Adriano Cappelli. Cronologia, Cronografia e Calendario Perpetuo. Milano: Hoepli, 1952. Richard Mac Cracken, Acton, MA, 2008.

Adriano Cappelli.Lexicon Abbreviaturarum: Dizionario di Abbreviature latine ed italiane. Milano: Ulrico Hoepli, 1949. Richard Mac Cracken, Acton, MA, 2008.

Adriano Cappelli.Lexicon Abbreviaturarum: Dizionario di Abbreviature latine ed italiane. Milano: Ulrico Hoepli, 1985. 2 copies.

Roberto Cardini.Ortografia e consolazione in un corpus allestito da L.B. Alberti: Il codice Moreni 2 della Biblioteca Morenaiana di Firenze. Firenze: Leo S. Olschki, 2008. Provincia di Firenze, Firenze, 2008.

Mary Carruthers.The Book of Memory: A Study of Memory in Medieval Culture. Cambridge: Cambridge University Press, 2006. Teresa Morris, San Antonio, 2010.

Patricia Carter.Illuminated Alphabets. Tunbridge Wells, Search Press, 1992. Ann Gully, Tempe, 2008.

Patricia Carter.Illuminated Designs. Tunbridge Wells: Search Press, 1994. Ann Gully, Tempe, 2008.

Enzo Carli. The Choir Book Miniatures for Siena Cathedral. Florence: Edizioni I.F.I., 1991. Catharina Lindgren, 2000.

Enzo Carli. Les Tablettes peintes de la Biccherna et de la Gabella de l'ancienne R�publique de Sienne. Milano: Electa Editrice, 1951.

Annemarie Weyl Carr. Illuminated Manuscripts from the University of Michigan Library: The Byzantine East.

Cartantica. Il mostro mercato di stampe e disegni di maestri. Palazzo Corsini, Firenze, 1999. Firenze, 1999. Carmelina Rotundo, Firenze, 2006.

Catalogue of the Art of V-XVI Century European Manuscripts. St Petersburg: State Hermitage Museum, 2005. JBH, St Petersburg, 2005.

The Cathach of Colum Cille. An Introduction. Ed. Michael Herity and Aidan Breen. With Accompanying CD-ROM. Maire Herbert, Cork, Ireland. See ALEPH, Celtic Christianity,KHETH microforms.

The Last Voyage of Thomas Cavendish 1591-1592. Ed, David Beers Quinn. Chicago: University of Chicago Press, 1975. Studies in the History of Discoveries. Syracuse University, Florence, 2005.

St Chad and the Lichfield Gospels. Lichfield: Lichfield Cathedral, 2000. Mrs Pat Bancroft, Lichfield, 2000.

Celia Chazelle. The Codex Amiatinus and its "Sister" Bibles: Scripture, Liturgy, and Art in the Milieu of the Venerable Bede. Leiden: Brill, 2019. Commentarium 10. JBH, Review, Scriptorium.

Peter J. Chelkowski. Mirror of the Invisible World: Tales from the Khamseh of Nizami. New York: Metropolitan Museum of Art, 1975.*

Chaucer Ellesmere. Portfolio.

H.J. Chaytor. From Script to Print: An Introduction to Medieval Vernacular. New York: October House, 1967.

The Chester Beatty Biblical Papyri: Descriptions and Texts of Twelve Manuscripts on Papyrus of the Greek Bible. Ed. Frederic G. Kenyon. Fasciculus II. Gospels and Acts. Text, Fasciculus IV. Genesis. Text, Plates Pap. IV,V. London: Emery Walker Ltd, 1933-1936. 4 vols.*

The Chester Beatty Library. Michael Ryan, Charles Horton, Clare Pollard, Elaine Wright. Dublin: The Chester Beatty Library, 2001.* Bernard Meehan, Trinity College Library, 2012. 2nd copy.

The Christmas Story in Medieval and Renaissance Illuminated Manuscripts. Ed. Karl Kup. New York: Oxford University Press, 1956.

The Church and the Book. Ed. R.N. Swanson. Woodbridge: Boydell and Brewer, 2004. Studies in Church History 38. MLA, New York, 2006.

La civilt� del Libro e la stampa a Venezia. Testi sacri ebraici, cristiani, islamici dal Quattrocento al Settecento. Venezia: Libreria Sansoviniana, 27 maggio-29 luglio, 2000. Ed. Simonetta Pelusi.*

The Cloisters Apocalypse. An Early Fourteenth-Century Manuscript in Facsimile. Ed. Florens Deuchler, Jeffrey M. Hoffeld, Helmut Nickel. New York: Metropolitan Museum of Art, 1971. 2 vols, I. Facsimile, II. Commentaries.*

Il Codice Purpureo. Le 14 Tavole. Museo Diocesano Rossano, 1996. 2019.

Code x Amiatinus: San Salvatore, Monte Amiata:

La casula di San Marco papa. A c. Loretta Dolcini. Firenze: Opificio delle Pietre Dure e Laboratorio di Restauro, 1992. 2019.

Il Crocifisso di Abbadia San Salvatore. A c. Carlo Prezzolini. Chiusi pienza: Diocesi di Montepulciano, 2010. 2019.

La via Francigena e la Bibbia Amiatina. A c. Renato Stopani. De strata francigena XV/2, 2007. 2019.
____

Acqueforti di Guido Colucci. Florence: SACI, 2010. SACI, Florence, 2010.

I colori del divino: Firenze, Biblioteca Riccardiana 20 febbraio-19 maggio 2001. Ed. Giovanna Lazzi. Firenze: Edizioni Polistampa, 2001.

*La Commedia Dipinta: I concorsi Alinari e il Simbolismo in Toscana. Firenze: Alinari, 2002.

The Crafte of Lymmyng: Middle English Recipes for Painters, Stainers, Scribes and Illuminators. Ed. Mark Clarke. Oxford: Early English Text Society, 2016. EETS, O.S. 347. Florence, JBH, 2017.

*La Crea�on. Collectio Hispanica. Sample of Facsimile. ArtCodex, Modena, n.d. Art Codex, Modena, 2008.

Cr�nica Troyana. Ed. Pilar Garc�a Morencos. Madrid: Editorial Patrimonio Nacional, 1976.

I Danti Riccardiani: parole e figure. Ed. Giovanna Lazzi e Giancarlo Savino. Firenze: Edizioni Polistampa, 1996.

Dante Poeta Cristiano. Firenze: Societ� Dante Alighieri e Edizioni Polistampa, 2001. Includes Maria Grazia Ciardi Dupr� Dal Poggetto, "L'Inferno e la miniatura". Amalia Ciardi Dupr�, Firenze, 2002.

Giles Dawson, Laetitia Kennedy-Skipton. Elizabethan Handwriting 1500-1650, A Manual. New York: W.W. Norton, 1966.

Christopher de Hamel. The History of Illuminated Manuscripts. Oxford: Phaidon, 1986.*

Design and Distribution of Late Medieval Manuscripts in England. Ed. Margaret Connolly and Linne R. Mooney. York: York University, York Medieval Press, 2008. MLA, New York, 2009.

Brigitte Dekeyzer. Layers of Illusion: The Mayer van den Bergh Breviary. Ghent: Ludion, 2004. Nic Peeters, Antwerp, 2010.

Thomas Frognall Dibdin. Bibliotheca Spenceriana of the Books Printed in the Fifteenth Century and of many valuable first editions in the Library of George John Eal Spencer. Elibron Classics, 2003. Vol. IV in 2 vols. On 1474 Brunetto Latino, Tesoro, Trevisa editio princeps. JBH, 2008.

A Distinct Voice: Medieval Studies in honor of Leonard E. Boyle, OP. Ed. Jaqueline Brown and William P. Stoneman. Notre Dame: University Press, 1997.

Claire Donovan. The de Brailes Hours: Shaping the Book of Hours in Thirteenth-Century Oxford. London: The British Library. Page proofs.

The Complete Woodcuts of Albrecht D�rer. Ed. Willi Kurth. New York: Bonanza Books, 1946.

Drawings by Botticelli. Selected, Aldo Bertini. New York: Dover, 1968. The Great Masters of Drawing.*

Drawings of William Blake. Selected with Commentary by Sir Geoffrey Keynes. New York: Dover, 1970. JBH

Martha W. Driver. The Image in Print: Book Illustration in Late Medieval England and its Sources. London: The British Library, 2004. MLA, New York, 2005.

Marc Drogin. Medieval Calligraphy, Its History and Technique. New York: Dover, 1980.*

Richard Eales and Richard Gameson. Vikings, Monks and the Millennium: Canterbury in about 1000 A.D. Two Millennium Lectures. Canterbury: Canterbury Archeological Society, 2000.

David Hutchinson Edgar. Treasuring the Word: An Introduction to Biblical Manuscripts in the Chester Beatty Library. Dublin: Townhouse, 2003. M�ire Herbert, Cork, 2005.

The Ellesmere Miniatures of the Canterbury Pilgrims. Ed. Theo Stemmler. Mannheim: University of Mannheim, 1977. Poetria Mediaevalis 2

English Mezzotints from the Lennox-Boyd Collection. Exhibition 18 Febrary- 15 March 2002. New York: C.G. Borner, 2002.

EVA 2003 Florence: Electronic Imaging and the Visual Arts. Ed. Vito Cappellini, James Hemsley and Gerd Stanke. Bologna: Pitagora Editrice, 2003.

EVA 2003: Eletronic Imaging, the Visual Arts and Beyond. Jewish Museum London Proceedings, US-Europe-Israel Cooperation in 'Culture x Technology'. Harvard College Library & EVA Conferences International, 2003. James Hemsley, London, 2007.

EVA 2004 Florence: Electronic Imaging and the Visual Arts. Ed. Vito Cappellini and James Hemsley. Bologna: Pitagora Editrice, 2004.

EVA 2007 Florence: Electronic Imaging & the Visual Arts. Ed. Vito Cappellini and James Hemsley. Carmelina Rotundo, Firenze, 2007.

EVA 2008 Florence: Electronic Imaging & the Visual Arts. Ed. Vito Cappellini and James Hemsley. Bologna: Pitagora Editrice, 2008. James Hemsley, London, 2009.

EVA 2009 Florence: Electronic Imaging & the Visual Arts. Ed. Vito Cappellini and James Hemsley. Bologna: Pitagora Editrice, 9 James Hemsley, London, 2008.

The Florence State Archive: Thirteen Centuries of Historical Records. Ed. Rosalia Manno Tolu and Anna Bellinazzi. Florence: Nardini, 2002. Roberto Fuda, Firenze, 2010.

Exhibition of Italian Miniatures. 27 November 1978. London, Robert Douwma Ltd, 1978. Jonathan Arac, Princeton.

Facsimile of Oxford, Bodleian Library, MS Digby 86. Introduction, Judith Tschann and M.B. Parkes. Oxford: Early English Text Society, 1996. EETS, SS 16. Manuscript Commonplace Book.

'The Faddan More Psalter'. Archeology, Ireland 20 (Autumn 2006). Maire Herbert, Cork, 2006. Supplement, Bernard Meehan, Dublin, 2006, 2007.

Flemish Illuminated Manuscripts 1475-1550. Ed. Maurits Smeyers and Jan Van der Stock. Ghent: Ludion Press, 1996.*

Flemish miniatures. Royal Library of Bekgium/Biblioth�que National de France, 2011-12.. Nic Peeters, Antwerp, 2018.

Jaroslav Folda. Crusader Illumination at Saint-Jean d'Acre, 1275-1291. Princeton: University Press, 1976.*

French Illuminations. Portfolio.

Richard Gameson.Saint Augustine of Canterbury. Canterbury: Dean and Chapter, 1997.*

The Gawain Poet.Pearl, Cleanness, Patience and Sir Gawain. Reproduced from MS. Cotton Nero A.X. Oxford: Early English Text Society, 1923, 1971. Early English Text Society, 162.*

Giovanni Rucellai ed il suo zibaldone II. A Florentine Patrician and his Palace. Introduction, Nicolai Rubinstein, Essays by F.W. Kent, Alessandro Perosa, Brenda Preyer, Piero Sanpaolesi, Roberto Salvani. London: The Warburg Institute, 1981.*

Michael Gorman. The Manuscript Traditions of the Works of St Augustine. Firenze: SISMEL, Edizioni del Galluzzo, 2001.*

Paolo Graziani. La Morsura tonale diretta su ferro. Metodi incisori su ferro, caratteristiche e materiali. Paolo Grazziani, Calenzano, 2009.

Paolo Graziani. Immagini della Passione: Via Crucis in affresco nella chiesa di San Rocco in Larciano, Pistoia. 2006. 2016.

Paolo Graziani. Quohelet 'Solo un soffio di vento nell'immenso vuoto'. 7 aquaforte dedicato all'Ecclesiaste. n.d. Paolo Graziani, Calenzano, 2009.

Handschriften aus S�dostasien: Ausstellung der Orientabteilung der Staatsbibliothek Preussischer Kulturbesitz im Haus am L�tzowplatz, Berlin-Tiergarten, L�tzowplatz 9, vom 8. Januar bis 13 Februar 1977.

Robert Hellenga.The Sixteen Pleasures. New York: Dell, 1995. Autograph.

Herbarium Apulei, 1481; Herbolare Volgare, 1522. Boxed set. Milano: Edizioni Il Polifilo, 1979. Michael Calingaert, Siena, 2011.

Herrad of Hohenbourg. Hortus Deliciarum. Ed. Rosalie Green, Michael Evans, Christine Bischoff, Michael Curschmann. London: The Warburg Institute, 1979. 2 vols, Commentary, Plates.

Hill Monastic Library Project. Julian G. Plante. Progress Report VIII: Spain, Ethiopia, Malta, Austria (Revisited), 1974-1980. William F. Lanahan. IX. Germany and Portugal, June 1979-June 1980. Collegeville, MN: Hill Monastic Library, 1980.

Arthur M. Hind. An Introduction to a History of Woodcut. London: Constable, 1935; reprint, New York: Dover Publications, 1963. 2 vols.

Sandra Hindman and James Douglas Farquhar. Pen to Press: Illustrated Manuscripts and Printed Books in the First Century of Printing. University of Maryland, Johns Hopkins University, 1977.

The Hours of Jeanne d'Evreux, Queen of France. New York: Metropolitan Museum of Art, 1972. Quasi-facsimile.

Silvia Huober, Adolfo Pazzagli. Dalle opere di Albrecht D�rer: L'immagine della melancholia fra psicopatologia e arte. Firenze: Nicompe L.E, 2005. Silvia Huober, Firenze, 2007.

Iconografia Tassoniana. Lorenzo Rossetti. I Ritratti del Tassoni. Pietro Fulliatti. La Fortuna grafica della 'Secchia rapita'. Modena: Poligradfico Artioli, 1965. Boxed set. Michael Calingaert, Siena, 2011.

Incisioni di Grandi Maestri dal XV al XX Secolo: I Capolavori di Hokusai. XXIV Biennale Mostra Mercato Internazionale dell' Antiquariato, Firenze, Palazzo Corsini, Lungarno Corsini, 2005. Carmelina Rotundo, Firenze, 2006.

Incipit. Rivista di Calligrafia. Ed. Kathryn Shank Frate.

Insular Illuminations. Portfolio.

An Insular Odyssey: Manuscript Culture in Early Christian Ireland and Beyond. Ed. Rachel Moss, Felicity O'Mahoney and Jane Maxwell. Dublin: Four Courts Press, 2017. Reviewed, JBH, Scriptorium. Bruxelles, Biblioth�que Royale, 2018.

Shelved. KHETH:Introduction to Paleography. Centre for English Local History, West Sussex Record Office. CD.

'. . . io sono un archiviomane Carte recuperato dal Fondo Carlo Emilio Gadda. Firenze: Gabinetto Scientifico Letterario G.P. Vieusseux, 2003. Carmelina Rotundo, Firenze, 2006.

Italian Illuminations. Portfolio.

Irish Illuminated Manuscripts of the Early Christian Period. Introduction, James Johnson Sweeney. New York: UNESCO-Mentor, 1965.

Donald Jackson. La scrittura nei secoli. Trans. Linda Bertelli. Nsrdini Editore, 1988.

Charles Johnson and Hilary Jenkinson. English Court Hand A.D. 1066 to 1500, Illustrated Chiefly from the Public Records. Oxford: Clarendon Press, 1915. 2 vols, Part I: Text, Part II: Plates.*

Selma J�nsd�ttir.Illumination in a Manuscript of Stj�rn. Reykjavik: Almenna bokafelagi�, 1971.*

N.R. Ker. Books, Collectors and Libraries: Studies in the Medieval Heritage. London: Hambledon Press, 1985.

King Ren�'s Book of Love (Le Cueur d'Amours Espris), The National Library, Vienna. Ed, F. Unterkirchner. New York: Braziller, 1975.*

Ellen Kosmer. "Master Honor�: A Reconsideration of the Documents". In Gesta, International Center of Medieval Art 14 (1875), 63-68.*

J�nas Kristj�nsson. Icelandic Manuscripts: Sagas, History and Art. Trans. Jeffrey Cosser. Reykjavik: The Icelandic Literary Society, 1996.*

Jeanne E. Krochalis and Jean F. Preston. Teachers' Guide to Finding Western Medieval Manuscripts in North American Collections. Kalamazoo: Medieval Institute Publications, 1988.

Il lascito Tordi: Cataloghi. Comune di Firenze, Assessorato alla cultura, Biblioteca Comunale Centrale, 2003. Carmelina Rotundo, Firenze, 2006.

The Latin Manuscript Book: An Exhibition held on the Occasion of the Seminars in Latin Paleography Sponsored by the Division of the Humanities of the University of Chicago and the Medieval Academy of America, Summer 1973, Selected from the Collections of the University of Chicago Library. The Joseph Regenstein Library, July through September, 1973. Chicago: University of Chicago Library, 1973.

Les Hommes des Images: L'epopea dei Tesini dal Trentino per le vie del mondo. Ed. Ierma Sega. Trentino, 1998. Carmelina Rotundo, Firenze, 2006.

Mirella Levi D'Ancona. The Illuminators and Illuminations of the Choir Books from Santa Maria degli Angeli and Santa Maria Nuova in Florence. Florence: Centro Di, 1993. Vol. I. Alessandra Marchi, Firenze, 2001.

Mirella Levi D'Ancona. The Reconstructed "Diurno Domenicale" from Santa Maria degli Angeli in Florence. Florence: Centro Di, 1993. Vol. II. Alessandra Marchi, Firenze, 2001.

Libri nell'arte. Firenze: Scuola Fiorentina del Libro "Bernardo Cennini", n.d.*

Rosamond McKitterick. The Carolingians and the Written Word. Cambridge: University Press, 1989.

Margaret Manion.The Wharncliffe Hours. Sydney: The Australian Academy of the Humanities, Sydney University Press, 1972. Art Monograph 1. Ursula Betka, Sydney, 2003.

I Manoscritti datati della Biblioteca Riccardiana di Firenze. Ed. Teresa De Robertis and Rosanna Miriello. Firenze: SISMEL Edizioni del Galluzzo, 1997. Vol. I, MS 1-1000. Vol. II. 1001-1400. Biblioteche e Archivi 2,3.*

I Manoscritti datati della Biblioteca Nazionale Centrale di Firenze. Fondi Banco Rari, Landau Finaly, Landay Muzzioli, Nuove Accessioni, Palatino Baldovinetti, Palatino Capponi, Palatino Panciatichiano, Tordi III. Galluzzo, Firenze: SISMEL, 2011. JBH, Firenze, 2012.

Manoscritto n. 3. [Dante Alighieri, _La Commedia_] Citt� di Castello: SDI, Edimond, 1997. Firenze: SDI, 2017.

Manuale per l'integrazione con gli utenti del Web culture. Minerva 2008-2009.

Richard Marks and Nigel Morgan. The Golden Age of English Manuscript Painting 1200-1500. London: Chatto and Windus, 1981.*

Francesco Mascaro. Codex Amiatinus Dal Vallo di Adriano a Roma dal Monte Amiata a Firenze. Firenze, 2009. Francesco Mascaro, Monte Amiata, 2009.

Maria Paola Masini. La Miniatura, tecnica e materiali. Soprintendenza Speciale per il Polo Museale Fiorentino Sezione Didattica. Livorno: Sillabe, 2003. ADA, Firenze, 2003.

Masterpieces of the J. Paul Getty Museum. Illuminated Manuscripts. Los Angeles: The J. Paul Getty Museum, 1997. JBH

Medieval Manuscripts in the Norlin Library: A Summary Catalogue. Compiled, Julia Boffey, A.S.G. Edwards. Fairview, NC: Pegasus Press, 2002. Includes Otto F. Ege Portfolio of Manuscript Leaves.

Medieval Scribes, Manuscripts and Libraries: Essays Presented to N.R. Ker. Ed. M.B. Parkes and Andrew G. Watson. London: Scolar Press, 1978.

Medieval Studies: An Introduction. Latin Paleography, Diplomatics, Numismatics, Prosopography, Computer-Assisted Analysis of the Statistical Documents of Medieval History, Medieval Chronology: Theory and Practice, Medieval English Literature, Latin Philosophies in the Middle Ages, Tradition and Innovation in Medieval Art, Medieval Music in Perspective. Ed. James M. Powell. Syracuse: University Press, 1976.

The Medieval Woman: An Illuminated Book of Postcards. Ed. Sally Fox. Boston: Little,Brown and Company, 1991.

Aidan Meehan. The Celtic Design Book. London: Thames & Hudson, 2007. James Hemsley, London, 2008.

Millard Meiss. French Painting in the time of Jean de Berry: The Limbourgs and their Contemporaries. New York: George Brazillier, The Pierpont Morgan Library, 1974. 2 vols, Text, Plates.*

Bernard Meehan. The Book of Durrow: A Medieval Masterpiece at Trinity College Dublin. Dublin: Townhouse, 2000. Bernard Meehan, Dublin, 2005.

Bernard Meehan. The Book of Kells: An Illustrated Introduction to the Manuscript in Trinity College Dublin. London: Thames and Hudson, 2000. Bernard Meehan, Dublin, 2001.

Claudio Maria Messina. Guida ragionata alle librerie antiquarie e d'occasione d'Italia, 1992, con uno scritto di Umberto Eco. Roma: Vascello, 1992.

Bruce Metzger. Manuscripts of the Greek Bible: An Introduction to Paleography. New York: Oxford University Press, 1991.*

Millais. D'Agostino, Galleria d'arte, 2003

M.Moleiro. Brochures of Facsimile Editions. Portfolio.*

Monte Senario IX (2005). Elogio sul libro. ADA, Firenze, 2006.

William Morris: Ornamentation and Illustrations from The Kelmscott Chaucer. Introduction, Fridolf Johnson. New York: Dover, 1973. JBH

Shelved, KHETH: Bernard Muir. The Making of a Medieval Manuscript. Bernard Muir, Cambridge, 2008. CD

Antonio Mu�os. Le miniature del Codice Purpureo di Rossano pubblicata a Roma nel 1907. A cura di Martino A. Rizzo. Firenze: Coppini, 2019. Conferenza, Julia Bolton Holloway, "I Vangeli Purpurei",http://www.florin.ms/VangeliPurpurei.pdf

Antonio Natali. La Bibbia in bottega: Le scritture, l'antico, l'occasione. Firenze: Centro Di, 1991. Epigrammi 2.

J. Brody Neuenschwander. Order, Variety and Measure: The Creation of the Medieval Manuscripts. The Exhibition Gallery, Princeton University Library, 24 April through 4 October 1981.

Tatiana Nikolaeva Nikolova-Houston. Margins and Marginality: Marginalia and Colophons in South Slavixc Manuscripts During the Orttomon Period, 1393-1878. Dissertation, University of Texas at Austin, 2008. Tatiana Nikolova-Houston, Austin and Sofia, 2008.

Otto F. Ege Paleography Portfolio, University of Colorado, Boulder. Portfolio of Photograhs.

Erwin Panofsky. The Life and Art of Albrecht D�rer. Princeton: University Press, 1954.

Matthew Paris. The Illustrated Chronicles: Observations of Thirteenth-Century Life. Ed. Richard Vaughan. Cambridge: Corpus Christi College/ Alan Sutton, 1993.*

M.B. Parkes. Scribes, Scripts and Readers: Studies in the Communication, Presentation and Dissemination of Medieval Texts. London: Hambledon Press, 1991.

Persian Miniatures from Ancient Manuscripts. Introduction, Basil Gray. New York: Mentor-UNESCO, 1962.

Gaston Phoebus. Illuminated Manuscripts: Medieval Hunting Scenes. Paris, Biblioth�que Nationale, MS fran�ais 616. Ed. Gabriel Bise, Trans. J. Peter Tallon. Miller Graphics, n.d.*

Emma Pirani. Gothic Illuminated Manuscripts. London: Hamlyn, 1970.

Piers Plowman. A Facsimile of Bodleian Library, Oxford, MS Douce 104. Ed. Derek Pearsall and Kathleen Scott. Cambridge: Brewer, 1992. Illuminations in colour.

Chiara Pilocane.Frammenti dei pi� antichi manoscritti biblici italiani (secc. XI-XII): Analisi e edizione facsimile. Quaderni di Materia giudaica 2. Firenze: Giuntina, 2004. Daniel Vogelman, Firenze, 2005.

Phillip J. Pirages. Catalogue 46

Pontificale di Bonifacio IX. Sample of Facsimile Edition. Modena: ArtCodex, n.d. Art Codex, Modena, 2008.

Jean Porcher. "French Gothic Illuminations". Pp. 72-81

Jan Potocki. Manoscritto trovato a Saragozza. Trans. Anna Devoto. Milano: Adelphi Edizioni, 1965.

The Princeton University Library Chronicle 38 (1977), Robert H. Taylor Collection. Ed. Robert J. Wickenheiser. Includes John V. Fleming, "Medieval Manuscripts in the Taylor Library", 107-119.

Jean Preston and Laetitia Yeandle. English Handwriting 1400-1650. An Introductory Manual. Binghamton: Medieval and Renaissance Texts and Studies, 1992.*

Les probl�mes pos�s par l'�dition critique des textes anciens et m�di�vaux. Ed. Jacqueline Hamesse. Louvain-la-Neuve: Universit� Catholique de Louvain, 1992. Includes C. Luna, "Problemi di reportatio: Goffredo di Fontaines", pp. 237-290. See Marguerite Porete, BETH.

Bernard Quaritch Ltd. Bookhands of the Middle Ages. London: Bernard Quaritch Ltd, 1984. 2 copies.

Bearnard Quaritch. Early Books, October 2002. Carlo Steinhauslin, Firenze, 2003.

RA 17 (1987). Magazine for the Friends of the Royal Academy. Article on Age of Chivalry, "A Glorious Pageant", medieval manuscripts.*

Carole Rawcliffe. 'Written in the Book of Life': Building the Libraries of Medieval English Hospitals and Almhouses'. Offprint. Alexandra Johnson, Wellesley, 2007.

Reading from the Margins: Textual Studies, Chaucer, and Medieval Literature. Ed. Seth Lerer. San Marino, CA: Huntington Library, 1996.

Ricordo di Valerio Volpini. Atti del Congresso del 10 febbraio 2003. Reproduces book covers. Fano: Fondazione Cassa di Risparmio. Carmelina Rotundo, Firenze, 2006.

Rivista di Storia della Miniatura 1-2 (1996-1997), Atti del IV Congresso di Storia della Miniatura "Il codice miniato laico: rapporto tra testo e immagine", Cortono, Sala dei Convegni di Sant'Agostino, 12-14 novembre, 1992. Firenze: Centro Di, 1997.*

Alan Robinson. Sense Tailored to Size in the New Testament. South Brent: Syon Abbey, 1989.*

Romanica: Arte e liturgia nelle terre di San Geminiano e Matilde di Canossa. Paolo Golinelli, ecc. Modena: Franco Cosimo Panini 2006-7. Rita Severi e Paolo Golinelli, Verona, 2007.

Beryl Rowland. Animals with Human Faces: A Guide to Animal Symbolism. Knoxville: University of Tennessee Press, 1973.

Scase, Wendy. Visible English, Graphic Culture, Scribal Practice, and Identity, c. 700-c.1500. Brepols, Turnhout 2022 (Utrecht Studies in Medieval Literacy, 54). 24 cm. XIX + 408 p. Ill., index, �110,99, ISBN 978-2-503-59842-0. Scriptorium 2023

Paola Semoli. Codici miniati camoldolesi nella Biblioteca Comunale "Rilliana" di Poppi e nella Biblioteca della Citt� di Arezzo. Poppi: Edizioni delle Biblioteca Comunale Rilliana, 1986. Quaderni della Rilliana 2. Judy e Sandro Basso, 2002.

Kathryn Shank Frate. So Wrote the Friar/ Cos� scrisse il frate. 2 copies. Kathryn Shank Frate, Staranzano, 2002.

Colette Sirat. Hebrew Manuscripts of the Middle Ages. Ed. and trans. Nicholas De Lange. Cambridge: University Press, 2002. Ida Zatelli, 2003.

Sotheby's. Catalogue of Western Illuminated Manuscripts, The John Carter Brown Library, Monday, 18 May 1981.

Patrizia Stoppacci e Maria Cristina Parigi. Libros Habere: Manoscritti francescani in Casentino. 1 aprile-15 luglio 1999, Castello dei Conti Guidi di Poppi. Firenze: Edizioni Polistampa, 1999. Quaderni della Rilliana 21. Judy e Sandro Basso, 2002.

Stephen H.A. Shepherd. The Ashmole Sir Ferumbras_: Translation in Holograph._ From The Medieval Translator. Cambridge: Brewer. 1989.

William St Clair.The Political Economy of Reading. The John Coffin Memorial Lecture in the History of the Book 2005. London: School of Advanced Study University of London, 2005.

I Tesori dell'Arte: Il Patrimonio mondiale dell'Unesco. National Geographic, 2007.

I Tesori della Biblioteca Nazionale Centrale di Firenze. Firenze: Nardini Editore, 1989. Le Grande Biblioteche d'Italia.*

Marcel Thomas. The Golden Age: Manuscript Painting at the time of Jean, Duke of Berry. New York: George Braziller, 1979.

S. Harrison Thomson. Latin Bookhands of the Later Middle Ages, 1100-1500. Cambridge: University Press, 1969.*

James Thorpe. A Noble Heritage: The Ellesmere Manuscript of Chaucer's Canterbury Tales. San Marino, CA: The Huntington Library, 1972.

Rodolphe T�pffer.Il segno e l'avventura. Firenze: Polistampa, 2002

*Il Tolomeo. Collectio Hispanica. Sample of Facsimile. ArtCodex, Modena, n.d. Art Codex, Modena, 2008.

Fabio Tombari, 1899, Fano, 1999: I libri di Fabio Tombari. Fano, 1999. Carmelina Rotundo, Firenze, 2006.

Conversazioni: I segnali della natura. Una giornata di studi su Fabio Tombari. Fano: Biblioteca Federiciana, 1989. Carmelina Rotundo, Firenze, 2006.

Fabio Tombari. Tutta Frusaglia. Ancona: il lavoro editoriale, 1999. Carmelina Rotundo, Firenze, 2006.

La Torre di Boezio. Pavia: Torchio de'Ricci, 1983. 35/530 numbered copies.*

Treasures of the Library: Trinity College, Dublin. Ed. Peter Fox. Dublin: Trinity College Library with the Royal Irish Academy, 1986. Bernard Meehan, Dublin, 2003.

Les tr�s riches heures du Duc de Berry. Paris: Les Editions Nomis, n.d.

Tristan and Isolde, Vienna, National Library MS 2537. Illuminated by the Master of Bedford, from the Library of the Duc de Berry. Ed. Dagmar Thoss, Gabriel Bise. Miller Graphics/ Crown Publishing.*

Turfanforschung. Berlin-Brandenburgische Akademie der Wissenschaften, 2002.

Turner e Constable. Milano: Mondadori, 2006.

Un clic tra arte e vita. Magazine photo essay on Islamic miniatures matched with contemporary photographs.*

Uomini, bestie e paesi nelle miniature Laurenziana, 11 aprile-10 agosto 1987. Firenze: Biblioteca Medicea laurenziana, CRF, 1987. 2016.

Vivarium in Context. Vicenza: Centre for Medieval Studies Leonard Boyle, 2008. Luciana Cuppo Csaki, Vicenza, 2009.

Martin Wackernagel. The World of the Florentine Renaissance Artist: Projects and Patrons, Workshop and Art Market. Princeton: Princeton University Press, 1981. Syracuse University, Florence, 2005.

Forms of Transcendance: The Art of Roger Wagner. Ed. Chris Miller. Carlyle: Piquant, 2009.

Kurt Weitzmann. Illustrations in Roll and Codex: A Study of the Origin and Method of Text Illustration. Princeton: University Press, 1947/1970.

Kurt Weitzmann. Late Antique and Early Christian Book Illuminations. New York: George Braziller, 1977.*

John Williams. Early Spanish Manuscript Illumination. New York: George Braziller, 1977.*

Johann Joachim Winckelmann. Ausgewahlte Schriften. Leipzig: Im Insel Verlag, n.d. [1918, inscription]

Print-Making:

L'Atelier Lacouri�re-Fr�laut: Una stamperia a Montmartre. Ed. Laura Gensini. Firenze: Edizioni il Bizonte, n.d. Georgio Nencetti, Montebeni, 2004.

Rodolfo Ceccotti.Glossario per l'incisore/ A Printmaker's Glossary/ Glossario para el Grabador. Firenze: Il Bisonte, 2002. Rodolfo Ceccotti, Firenze, 2002.

Enzo della Monica, Galleria Il Bisonte, 12 gennaio-2 febbraio 2002. Firenze, Il Bisonte, 2002.

Bookbinding: 1850 Bazzani 2000. Fano, 2000. Carmelina Rotundo, Firenze, 2006.

Calligraphy:

Portfolio of Materials from Augusto Fiorani Workshop.

Photography

Annuaire G�n�ral et International de la Photographie. Vols. V, VI. Ed. M. Marc le Roux. Paris: Plon, 1896, 1897. Gianfilippo Massangioli, Regello, 2009.

Asahi Pentax Annual. Tokyo, 1978. American League, Florence, 2002.*

Anne M. Lyden. Railroad Vision: Photography, Travel and Perception. Los Angeles: The Paul J. Getty Museum, 2003. Syracuse University, Florence, 2005.

Phototextualities: Intersections of Photography and Narrative. Ed. Alex Hughes, Andrea Noble. Albuquerque, University of New Mexico Press, 2003. MLA, New York, 2005.

Stimmungsbilder aus der Heide. 50 Illustrationen - 8 Kunstbeilagen, Literarischie Beitrage. Hamburg: Nordwestdeutscher Kunstverlag, n.d.

See also Jonathan David and Richard B. Holloway, Together Let Us Sweetly Sing, shelved in GIMEL; Albums on Florence, Fiesole, shelved in PE; Mediatheca Exhibitions and Websites: Florence in Sepia; Karen Graffeo, Let Us Now Praise the Roma.

Handcrafts:

Life Drawing:

George B. Bridgman. Bridgman's Complete Guide to Drawing from Life. New York: Sterling Publishing, 1952. Arizona State University, Tempe, 2004.

Restoration:

Nicholas and Karin Mander. Owlpen Manor. Owlpen Manor, 1997.

Cuisine:

Hans Karl Adam. Zufriedene Gaste. Mainz, 1982. Gerardo Kraft, Firenze, 2007.

Ikea, alimenti e Svezia. Svezia: Ikea, 2006. Gianfilippo Massangioli, Regello, 2011.Cyrille de Lamarche. Les produits de la laiterie beurre et fromage, lait st�rilis�. Paris: Henri Gautier Editeur, n.d. Gerardo Kraft, Firenze, 2007.

Anton Mosimann. Naturally. London: Ebury Press, 1991. American League, Florence, 2002. Cookbook.

Eugeniusz Wirkowski. Cooking the Polish-Jewish Way. Warsaw: Interpress Publishers, 1988. American League, Florence, 2002.

Lacquer:

Tomo Yoshino. Japanese Lacquer Ware. Tokyo: Japan Travel Bureau, 1963. American League, Florence, 2002.

Palekh-Village of Artists. Moscow: Progress Publishers, 1997.

Textiles:

Henrik v. Achen. Norske Frontaler fra Middelalderen i Bergen Museum/ Norwegian Medieval Altar Frontals in Bergen Museum. Bergen: Universitet, 1996.

Eileen M. Bolton.Lichens for Vegetable Dyeing. Ed. Karen Leigh Casselman and Julia Bolton Holloway. McMinnville, OR: Robin and Russ Handweavers, 1991.

Iris Brooke. A History of English Costume. London: Methuen, 1968. Yvonne e Nello Boni, Mournemouth, 2006.

Karen Leigh Casselman. Craft of the Dyer: Colour from Plants and Lichens of the Northeast. Toronto: University of Toronto Press, 1980. Autograph. Karen Leigh Casselman, Nova Scotia.

Decorative Arts of Coptic and Islamic Egypt. Kelsey Museum of Archeology, The University of Michigan, Ann Arbor. May 8-August 23, 1981.

Elizabethan Embroidery. Victoria and Albert Museum. London: Her Majesty's Stationary Office, 1948.

Katrin S. Flechsig. Miniature Crafts and Their Makers: Palm Weaving in a Mexican Trown. Tucson: University of Arizona Press, 2004. MLA, New York, 2006.

Margaret B. Freeman. The St Martin Embroideries: A Fifteenth-Century Series Illustrating the Life and Legend of St Martin of Tours. New York: The Metropolitan Museum of Art, 1968.

Andrea M. Heckman. Woven Stories: Andean Textiles and Rituals. Albuquerque: University of New Mexico Press, 2003. MLA, New York, 2004.

Dora Heinz. Medieval Tapestries. New York: Crown Publishers, 1965.

Francine Nicolle.Boutis et Piqu�s de �a collection Cabanel. Aix-en-Provence: Edisud, 2005. 2021.

Francine Nicolle. Picqures de Marseille et vermicules. Aix-en-Provence: Edisud, 2005. 2021.

Kay Staniland. Embroiderers. London: British Museum Press, 1991. Medieval Craftsmen. Silvana Toppetti. Punto Assisi. Assisi. Editrice Minerva, 1999.

Elsa Williams. Bargello: Florentine Canvas Work. New York: Van Nostrand Reinhold Company, 1967. Autograph. Judy Basso, Virginia, 2002.

Interior Decorating/ Domestic Architecture/ Housekeeping:

Wendelle Garrett.Classic America: The Federal Style and Beyond. New York: Universe, 1992. Syracuse University, Florence, 2005.

E. Gradman and M. Marthaler. Styles de meubles. Lausanne: Librairie Payot, n.d. Elisa Dapples, Firenze, 2009.

Vincent Tripaud. Ocres et finitions � al chaux: Endits d�coratifs, stucs et tadelaki. Aix-en-Provence: Edisud, 2004. 2021.

Henry Lionel Williams and Ottalie K. Williams. America's Small Houses. New York: A.S. Barnes, 1964. Syracuse University, Florence, 2005Carpentry and Cabinetry:

Edward W, Gregory. The Furniture Collector: An Introudction to the Study of English Styles of the Seventeenth and Eighteenth Centuries. London: Herbert Jenkins, n.d. Lisa Morelli Adimari, 2010.

N. Hudson Moore.The Old Furniture Book. New York: Frederick A. Stokes, 1903. Lisa Morelli Adimari, Firenze, 2010.

Print-Making:

L'Atelier Lacouri�re-Fr�laut: Una stamperia a Montmartre. Ed. Laura Gensini. Firenze: Edizioni il Bizonte, n.d. Georgio Nencetti, Montebeni, 2004.

Rodolfo Ceccotti.Glossario per l'incisore/ A Printmaker's Glossary/ Glossario para el Grabador. Firenze: Il Bisonte, 2002. Rodolfo Ceccotti, Firenze, 2002.

Enzo della Monica, Galleria Il Bisonte, 12 gennaio-2 febbraio 2002. Firenze, Il Bisonte, 2002.

Paper Marbling:

Gabriele Gr�nebaum. How to Marbleize Paper. New York: Dover, 1984.

Bookbinding:

Bookbinders' Finishing Tools from P & S Engraving. Catalogue, 2002.

W.J.E. Crane. Bookbinding for Amateurs Being Descriptions of the Various Tools and Appliances Required and Minute Instructions for their Effective use. London: L. Upcott Gill, n.d. Steel engravings throughout.

Harold Curwen. Printing. Harmondsworth: Penguin, 1955.

Jane Greenfield.The Care of Fine Books. New York: Nick Lyons Books, 1988.

Arthur Johnson. The Thames and Hudson Manual of Bookbinding. London: Thames and Hudson, 1978.

Calligraphy:

Portfolio of Materials from Augusto Fiorani Workshop.

Frank Steeley. Alphabets. Bacon's Excelsior Drawing Publications. London: G.W. Bacon, n.d.

Gardens and Gardening: [shelved in TAU]

Library Catalogue: ZAYIN, Biblioteca e Bottega Fioretta Mazzei, 'English' Cemetery, Florence, Italy

**ALEPH**=Bible Commentaries/ Hebraism, Islam/ Alphabet, Babylonian/Egyptian, Hebrew Bible, Greek Testament, Bible, Early Christianity, Desert Fathers, Greek/Russian Orthodoxy, Latin Christianity, Celtic Christianity, Anglo-Saxon Christianity, Hagiography, Medieval, Renaissance Bible, Women in Christianity, Liturgy/Cathechism/Magisterium, Church Today, Modern Hagiography/Biography || Children
**BETH**=Modern Contemplative Theology, Newer Orders, Modern Communities, Anglican || Monastic Orders: Benedictine, Brigittine, Carmelite, Carthusian, Dominican, Franciscan/ Clarissan, Servites || Medieval Studies, Women in Middle Ages, Beguine, Anchoress, Hermit, Julian of Norwich, Oblates of Santa Francesca Romana, Pilgrimage, Lollard, Quaker, etc. || Comparative Religions
**GIMEL**=Modern Languages: French, Spanish, || Russian, Portuguese, German || Dictionaries, Hebrew, Greek, etc., Grammars, Style Handbooks, Encyclopaedias || Florence's Political Theologians: Don Giulio Facibeni, Giorgio La Pira, Fioretta Mazzei, Pietro Parigi, Don Lorenzo Milani, Giannozzo Pucci, Amicizia Ebraico-Cristiana|
**PE**=Classics, Greek, Latin, Medieval Latin, Proven�al: Italian Literature: Brunetto Latino, Dante Alighieri; Italian History; Italian Travel; Italian Art, in Sala Bessarion above the arch.
**DALETH**=Icelandic and British Isles' Literature: Icelandic, Irish, Welsh, Arthurian, Old English, Anglo-Norman, Middle English, Drama, Chaucer, Langland, Pearl/Sir Gawin/St Erkenwald, Renaissance, Seventeenth Century, Eighteenth Century, Williaam Blake, Nineteenth Century, Walter Savage Landor, Robert Browning, Elizabeth Barrett Browning, Frances, Thomas Adolphus, Anthony Trollope, Arthur Hugh Clough, Nathaniel and Sophia Peabody Hawthorne, George Eliot, Henry James || Twentieth-Century, Samuel Beckett, James Joyce, Poetry (Twentieth-Century shelved above Nineteenth Century)
**HE**=Trauma, Women, Australian, African-American, Native American, Jew, Roma || Anglo-Florentines, English, American German, Polish || Criticism
**VAU**=Music, Theatre, Dance || Glorney Bolton, Eileen Bolton, Julia Bolton Holloway publications
ZAYIN=Travel || Art History || Codicology/ Paleography || Handcrafts
**KHETH**=Electronic and Microform Library, e-books on-line, CDs in library, microfilms of medieval and nineteenth-century manuscripts, slides, etc.
**LAMED**= Education, in Office
**TET**=Offprints, Journals, etc.
**SHIN**=Swiss Archives of the 'English' Cemetery, upstairs in Swiss archive room
**TAU**='English' Cemetery || Cemeteries || Books by Persons Buried Here || City and Book Conferences on the English Cemetery || Gardens, in Office

****FLORIN WEBSITE � JULIA BOLTON HOLLOWAY, AUREO ANELLO ASSOCIAZIONE, 1997-2022: MEDIEVAL: BRUNETTO LATINO, DANTE ALIGHIERI, SWEET NEW STYLE: BRUNETTO LATINO, DANTE ALIGHIERI, & GEOFFREY CHAUCER || VICTORIAN : WHITE SILENCE: FLORENCE'S 'ENGLISH' CEMETERY || ELIZABETH BARRETT BROWNING || WALTER SAVAGE LANDOR || FRANCES TROLLOPE || || HIRAM POWERS || ABOLITION OF SLAVERY || FLORENCE IN SEPIA || CITY AND BOOK CONFERENCE PROCEEDINGS I, II, III,IV, V,VI,VII || MEDIATHECA 'FIORETTA MAZZEI' || EDITRICEAUREO ANELLO CATALOGUE || FLORIN WEBSITE || UMILTA WEBSITE || LINGUE/LANGUAGES: ITALIANO, ENGLISH || VITA New: Dantevivo || White Silence

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