last names beginning with Sca-Scz (original) (raw)

America's Distinguished Artists

a national registry of historic artists

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Deceased American artists and artisans of note who created representational art are indexed in this catalogue by last name in alphabetical order. There are references to Resource Library texts and those from other sites. Click on letters below to access the alphabetical index.

Bentley Schaad from Resource Library article (not solely dedicated to this artist) also see Robert Bentley Schaad from Anderson Art & Appraisals

Meade Schaeffer from Resource Library article (not solely dedicated to this artist) also see Meade Schaeffer from Wikipedia

(above: Frederick Ferdinand Schafer, Morning on Mirror Lake, Yosemite Valley, Unknown date, oil on canvas, 30 x 50 inches, Private collection, Portland, Oregon. Public domain, via Wikimedia Commons*)

(above: Frederick Ferdinand Schafer, Old Roscoe on the Truckee River, c. 1885, oil on canvas, 30 x 20 inches, Birmingham Museum of Art, Gift of Dr. and Mrs. M. Bruce Sullivan in memory of Evalina Brown Spencer, wife of Mr. William Spencer III. Public domain, via Wikimedia Commons*)

Morton Livingston Schambergfrom Resource Library essay (not solely dedicated to this artist by a named author) also see Morton Livingston Schamberg from Wikipedia

Artwork by Morton Livingston Schamberg

Rudolf Scheffler from Resource Library essay (not solely dedicated to this artist by a named author) also see Rudolf Scheffler from Find A Grave Memorial

Johann Carl Scheibelerfrom Resource Library essay (not solely dedicated to this artist by a named author)

Edwin Scheierfrom Resource Library article (not solely dedicated to this artist) also see Edwin Scheierfrom Wikipedia

Mary Scheier from Resource Library article (not solely dedicated to this artist) also seeMary Scheier from Wikipedia

Francis H. Schell from Resource Library article (not solely dedicated to this artist) also see Francis H. Schell from The Becker Collection

Susan Gertrude Schellfrom Resource Library article (not solely dedicated to this artist) also see Susan Gertrude Schell from Gratz Gallery & Conservation Studio

Joe Scheuerlefrom Resource Library article (not solely dedicated to this artist) also see Joe Scheuerlefrom Wikipedia

Edwin Scheierfrom Resource Library article (not solely dedicated to this artist) also see Edwin Scheierfrom Wikipedia

Mary Scheier from Resource Library article (not solely dedicated to this artist

Alice Schille from Resource Library essay (dedicated solely to this artist by a named author)

(above: Alice Schille (1869-1955), Porto Rican Mother and Child, 1916, Special Exhibition Catalogue City Art Museum Saint Louis: The Eleventh Annual exhibition of selected paintings by American artists Opening September 3, 1916". Series 1916. No 17. Public domain, via Wikimedia Commons)

(above: Henry Schile, Feeding the Swans in Central Park, c.1875, lithograph, hand-colored, Heritage Auctions. Public domain, via Wikimedia Commons*)

Wilhelm Schimmelfrom Resource Library article (not solely dedicated to this artist) also see Wilhelm Schimmel from Woodcarving Illustrated

Mathilde Schley from Resource Library essay (dedicated solely to this artist by a named author)

Albert H. Schmidtfrom Resource Library article (dedicated solely to this artist)

Charles Schmidt from Resource Library essay (not solely dedicated to this artist by a named author)) also see Charles (Carl) Schmidt from Internet Antique Gazette

Elmer G. Schmidtfrom Resource Library biography dedicated to this artist by a named author

Katherine Schmidtfrom Resource Library article (not solely dedicated to this artist) also see Katherine Schmidt from Smithsonian American Art Museum

Paul A. Schmitt from Resource Library essay (not solely dedicated to this artist by a named author) also see Paul Anton Schmitt from Oakland Wiki

Carl Heinrich Schmolzefrom Resource Library essay (not solely dedicated to this artist by a named author)

Samuel L. Schmuckerfrom Resource Library article (dedicated solely to this artist)

Henry Schnakenbergfrom Resource Library article (not solely dedicated to this artist) also see Henry Schnakenbergfrom Gustavus Quarterly

Bernhard Schneider from Resource Library article (not solely dedicated to this artist) also see Bernhard Schneider from The Museum of Wisconsin Art

(above: Bernhard Schneider (1845-1907), Landschaft am Rande eines Waldes, 1876. Public domain, via Wikimedia Commons)

Jacques Schnier from Resource Library article (not solely dedicated to this artist) also see Jacques Schnier from California Digital Library

Herman Schnitzmeyerfrom Resource Library article (dedicated solely to this artist)

Walter Elmer Schofieldfrom Resource Library essay (not solely dedicated to this artist by a named author) also see Walter Elmer Schofield from Wikipedia

(above: Walter Elmer Schofield, The Powerhouse, Falls Village, Connecticut, c. 1914, oil on canvas, Art Institute of Chicago, Walter H. Schulze Memorial Collection. Public domain, via Wikimedia Commons*)

(above: Walter Elmer Schofield, Across the River, 1904, Carnegie Museum of Art. Public Domain, via Wikimedia Commons*)

Fritz Scholder from Resource Library article (dedicated solely to this artist) also see Fritz Scholder from Wikipedia

John Scholl from Resource Library article (not solely dedicated to this artist) also seeJohn Scholl from Wikipedia

Frank E. Schoonoverfrom Resource Library articles (dedicated solely to this artist)

(above: Frank Schoonover, Hopalong Takes Command, 1905, oil on canvas, 30 x 20 inches, Delaware Art Museum, 1942: bequeathed to Delaware Art Museum by Joseph Bancroft. Public domain, via Wikimedia Commons*)

Jim Schoppertfrom Resource Library article (dedicated solely to this artist)

Karl Schrag from Resource Library essay (not solely dedicated to this artist by a named author) also see Karl Schrag from Annex Galleries Fine Prints

Georges Schreiberfrom Resource Library article (not solely dedicated to this artist) also see Georges Schreiberfrom D. Wigmore Fine Art, Inc.

Charles Schreyvogel from Resource Library article (not solely dedicated to this artist) also seeCharles Schreyvogelfrom Wikipedia

Artwork by Charles Schreyvogel

Alfred H. Schrofffrom Resource Library biography dedicated to this artist by a named author

Hans Schulerfrom Resource Library article (not solely dedicated to this artist) also see Hans K. Schulerfrom Wikipedia

George Schultz from Resource Library essay (not solely dedicated to this artist by a named author) also see George F. Schultz from Scanlan Fine Arts Gallery

Artwork by George Schultz

Charles M. Schulzfrom Resource Library article (not solely dedicated to this artist) also see Charles M. Schulz from Charles M. Schulz Museum

Christian Schusselefrom Resource Library essay (not solely dedicated to this artist by a named author) also see Christian Schussele from Wikipedia

Artwork by Christian Schussele

Donna Norine Schusterfrom Resource Library article (not solely dedicated to this artist) also see Donna Schusterfrom Laguna Art Museum

(above: Donna Schuster, O'er Waiting Harp Strings, 1921, oil on canvas, 30 x 30 inches, Laguna Art Museum. Gift of Catherine Jackson. Image courtesy of Laguna Art Museum.)

Donna Schuster, a significant figure in early 20th-century American art, distinguished herself through her vibrant and expressive paintings that captured the essence of California's landscapes and cultural scenes. Born in 1883 in Aurora, Illinois, Schuster demonstrated a passion for art from an early age. She pursued formal training at the Art Institute of Chicago and later studied with renowned artists in Paris, where she was exposed to the avant-garde art movements of the time.

Schuster's choice of subject matter reflected her fascination with the dynamic and diverse landscapes of California. Her paintings often depicted the bustling streets of Los Angeles, the tranquil coastal views of Laguna Beach, and the picturesque scenes of California's missions. She was particularly interested in capturing the play of light and color in these settings, which became a hallmark of her style.

One of the defining characteristics of Schuster's art was her adeptness at capturing the vibrant atmosphere and cultural diversity of California. Influenced by both Impressionism and Post-Impressionism, she employed a bold, energetic brushstroke and a vibrant color palette to convey the vitality and spirit of her subjects. This approach allowed her to imbue her paintings with a sense of immediacy and movement, inviting viewers to experience the scene alongside her.

Schuster's passion for painting was driven by a deep appreciation for the beauty and energy of her surroundings. She believed in the power of art to capture fleeting moments and evoke emotional responses from viewers. Through her paintings, Schuster sought to celebrate the rich tapestry of life in California, from its natural landscapes to its cultural heritage.

Beyond her technical skill and artistic vision, Schuster's paintings were also a reflection of her personal experiences and interests. She was actively involved in the artistic community of Southern California, where she participated in exhibitions and collaborated with other artists. Her interactions with fellow artists and her engagement with the local culture influenced her artistic development and inspired new creative directions in her work.

Throughout her career, Schuster's dedication to capturing the essence of California's landscapes and cultural scenes earned her critical acclaim and recognition within the artistic community. Her works were exhibited widely and received numerous awards and honors. Today, Schuster's paintings continue to resonate with viewers for their vibrant energy, technical proficiency, and evocative portrayal of early 20th-century California life.

In conclusion, Donna Schuster's decision to paint California's landscapes and cultural scenes was driven by a deep-seated passion for capturing the beauty and vitality of her surroundings. Her paintings serve as a testament to her artistic vision, technical skill, and enduring legacy as a pioneering female artist in early 20th-century American art, whose works continue to inspire and captivate audiences today.

Note: The preceding brief essay was generated by AI, based from our online materials, and edited by us in July 2024.

Anton Schutz from Resource Library essay (not solely dedicated to this artist by a named author) also see Anton Schutz from Terra Foundation for American Art;

Remington Schuylerfrom Resource Library essay (not solely dedicated to this artist by a named author) also see Remington Schuyler from David Saunders

Frederick Schwankovsky from Resource Library article (not solely dedicated to this artist) also see Frederick John Vrain Schwankovsky from California Watercolor Gallery

Andrew T. Schwartzfrom Resource Library article (not solely dedicated to this artist) also see Andrew T. Schwartzfrom RIT Libraries, Rochester Institute of Technology

William S. Schwartzfrom Resource Library article (not solely dedicated to this artist) also see William Schwartz from M. Christine Schwartz Collection

(above: Rudolf Schwarz, Heraldic Architectural Sculpture Group, west gable,Turnverein gymnasium building, Indianapolis, c. 1899, Photo: Wikipedia Saves Public Art, CC by 2.0)

Conrad Schwieringfrom Resource Library article (not solely dedicated to this artist) also see Conrad Schwieringfrom Wikipedia

Earnford Sconhoftfrom Resource Library article (not solely dedicated to this artist)

Clyde Eugene Scottfrom Resource Library article (dedicated solely to this artist)

David Winfield Scott from Resource Library article (not solely dedicated to this artist) also see David Winfield Scott from Washington Post

H. Winfield Scottfrom Resource Library article (not solely dedicated to this artist) also see Harold Winfield Scott from Pulp Artists

John White Allen Scott from Resource Library article (not solely dedicated to this artist) also see John White Allen Scott from Wikipedia

Artwork by John White Allen Scott

Julian Scott from Resource Library essay (not solely dedicated to this artist by a named author) also see Julian A. Scottfrom Wikipedia

Artwork by Julian Scott

William Edouard Scott from Resource Library essay (partially dedicated to this artist by a named author) also see William Edouard Scott from The Johnson Collection, LLC

(above: William Edouard Scott,Frederick Douglass Appealing to President Lincoln and His Cabinet to Enlist Negroes, 1943, mural at the Recorder of Deeds building, 515 D St., NW, Washington, D.C, Public domain, via Wikimedia Commons*

Royal Lacey Scovillefrom Resource Library article (dedicated solely to this artist)

Bob Scriverfrom Resource Library article (not solely dedicated to this artist) also see Robert "Bob" Macfie Scriver from Wikipedia

Janet Scudder from Resource Library essay (not solely dedicated to this artist by a named author) also see Janet Scudder from Wikipedia

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