last names beginning with Sua-Szz (original) (raw)

America's Distinguished Artists

a national registry of historic artists

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Deceased American artists and artisans of note who created representational art are indexed in this catalogue by last name in alphabetical order. There are references to Resource Library texts and those from other sites. Click on letters below to access the alphabetical index.

Carl Sublett from Resource Library article (dedicated solely to this artist)

Jimmy Lee Sudduthfrom Resource Library article (not solely dedicated to this artist) also see Jimmy Lee Sudduth from Wikipedia

Thomas Sully from Resource Library article (not solely dedicated to this artist) also see Thomas Sully from Wikipedia

(above: Thomas Sully, Gypsy Maidens, c. 1839, watercolor on paper, 16 1/2 x 14 1/2 inches, Purchased with funds given by Mr. and Mrs. Leonard L.Milberg, Brooklyn Museum. Public domain, via Wikimedia Commons*)

(above: Thomas Sully, Portia and the Merchant of Venice, 1836, oil on wood panel (recto and verso), 22.37 x 17.93 inches, Cincinnati Art Museum. Public domain, via Wikimedia Commons*)

Charles Frederick Surendorf from Resource Library essay (not solely dedicated to this artist by a named author) also see Charles Frederick Surendorf from Bodega Bay Heritage Gallery

Julia Suski from Resource Library article (not solely dedicated to this artist) also seeJulia Suski from Densho Encyclopedia

E. H. Suydam from Resource Library essay (dedicated solely to this artist by a named author)

James A. Suydamfrom Resource Library article (dedicated solely to this artist)

(above: James Augustus Suydam, Long Island, 1862, oil on canvas, Private collection. Public domain, via Wikimedia Commons*)

Emma Lavinia Swanfrom Resource Library article (not solely dedicated to this artist) also see Emma Swan from Bert Gallery

Maude L. Swanfrom Resource Library biography dedicated to this artist by a named author

Paul Swan from Resource Library essay (not solely dedicated to this artist by a named author) also see Paul Swanfrom Gary Comenas

Luke Swank from Resource Library article (dedicated solely to this artist)

Carl Sweezy from Resource Library article (not solely dedicated to this artist) also see Carl Sweezy from Wikipedia

Alice Swett from Resource Library essay (not solely dedicated to this artist by a named author)

Florence Alston Williams Swift from Resource Library article (not solely dedicated to this artist) also see Florence Alston Williams Swift from Fine Arts Museums of San Francisco

James Swinnertonfrom Resource Library essay (not solely dedicated to this artist by a named author) also see James Guilford Swinnerton from Online Nevada Encyclopedia

H. Vance Swope from Resource Library article (not solely dedicated to this artist)

John Swope from Resource Library article (dedicated solely to this artist)

James Brade Swordfrom Resource Library essay (not solely dedicated to this artist by a named author) also see James Brade Sword from Oxford Gallery

(above: James Brade Sword, Wish We Could Go Play, 1883, oil on canvas, 24 x 15 1/2 inches, Keno Auctions. Public domain, via Wikimedia Commons*)

Maltby Sykes from Resource Library article (dedicated solely to this artist)

George Gardner Symons from Resource Library essay (not solely dedicated to this artist by a named author) also see George Gardner Symons from Laguna Art Museum

(above: George Gardner Symons (1861-1930),Fishing Village, St. Ives, n.d., oil on canvas, 25.2 x 30.1 in. Private collection. Public domain, via Wikimedia Commons)

George Gardner Symons, a notable American painter of the late 19th and early 20th centuries, distinguished himself through his evocative landscapes and cityscapes that captured the essence of urban and rural America. Born in Chicago in 1863, Symons developed a keen interest in art from a young age and pursued formal training at the School of the Art Institute of Chicago. His early career was marked by his exploration of various artistic styles, from Impressionism to Tonalism, which would later shape his distinctive approach to painting.

Symons' choice of subject matter encompassed a wide range of scenes, reflecting his fascination with both natural and urban landscapes. His paintings often depicted the bustling streets of Chicago, the tranquil rivers and lakes of the Midwest, and the majestic vistas of the American West. He was particularly drawn to the interplay of light and atmosphere in these settings, which became a central theme in his art.

One of the defining characteristics of Symons' art was his mastery of color and composition. Influenced by the Impressionist movement, he employed a vibrant and expressive palette to capture the transient effects of light on his subjects. His brushwork was dynamic and energetic, imbuing his paintings with a sense of movement and life that invited viewers to experience the scene alongside him.

Symons' passion for painting was driven by a deep appreciation for the beauty and diversity of the American landscape. He believed in the power of art to evoke emotion and capture the essence of a place, and he sought to convey the unique character and spirit of America through his paintings. His works often celebrated the rich tapestry of natural and cultural heritage found across the country, encouraging viewers to develop a deeper connection with their surroundings.

Beyond his technical skill and artistic vision, Symons' paintings were also a reflection of his personal experiences and observations. He traveled extensively throughout the United States, sketching en plein air and capturing the nuances of each region's distinct geography and atmosphere. This firsthand knowledge of America's diverse landscapes informed his paintings and imbued them with a sense of authenticity and emotional resonance.

Throughout his career, Symons' dedication to capturing the essence of America's landscapes and cityscapes earned him critical acclaim and recognition within the artistic community. His works were exhibited widely across the United States and received numerous awards and honors. Today, Symons' paintings continue to resonate with viewers for their vivid portrayal of American life, technical proficiency, and enduring appreciation for the natural and built environment.

In conclusion, George Gardner Symons' decision to paint a wide range of subjects was driven by a deep-seated passion for capturing the beauty and diversity of America's landscapes and cityscapes. His paintings serve as a testament to his artistic vision, technical skill, and enduring legacy as a masterful painter whose works continue to inspire and evoke a sense of wonder in viewers around the world.

Note: The preceding brief essay was generated by AI, based from our online materials, and edited by us in July 2024.

Stanislaw Szukalski from Resource Library article (not solely dedicated to this artist) also see Stanislaw Szukalskifrom Archives Szukalski

Return to TFAO's:Distinguished Artists catalogue

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