The Problem of Interpreting the Image on the State Seal of the City of Kuznetsk (1694) in the Context of the Old Russian Artistic Tradition (original) (raw)

The Attribution of the Seal with Coat of Arms of the Galagan Family from the Pushkin State Museum of Fine Arts

Anastasia Pedko

Journal of historical philological and cultural studies, 2017

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Russian History Painting and the Problem of “National” in Russian Art as Reflected in the Russian Press of the 1860s

Maria Chukcheeva

Actual Problems of Theory and History of Art, 2020

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Personification of the Russian State in the Medallic art of the 19th – beginning of the 20th century in Problems of History, Philology and Culture. №3, 2017 // Образ государства Российского в медальерном искусстве XIX – начала XX века в Проблемы истории, филологии, культуры. №3, 2017

2017

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IMAGES OF THE URBAN IDENTITY OF THE REPUBLIC’s CAPITAL CITY IN THE STRUCTURE OF RUSSIAN FEDERATION (THE CASE OF SARANSK)

Вестник Удмуртского университета. Социология. Политология. Международные отношения, 2021

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Towards the Attribution of the Euphrosyne’s Seals with Image of the Savior from Novgorod and Polotsk

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Byzantine and Rus’ Seals (Proceedings of the International Colloquium on Rus’-Byzantine Sigillography Kyiv, Ukraine, 13–16 September 2013), edited by Hlib Ivakin, Nikita Khrapunov, and Werner Seibt. Kyiv, 2015. 340 pp.

Nikita Khrapunov

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The Image of Russia’s Past in Drawings of Residents: Possibilities and Limitations of the Method

Valentina Rubtsova

The Image of Russia’s Past in Drawings of Residents: Possibilities and Limitations of the Method, 2024

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Artistic and aesthetic features of the image of the province in modern Ukrainian literature

Олена Романенко

Sinopsis: tekst, kontekst, medìa, 2024

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Vergazov R. Architectural details from the Sultanuizdag. The issue of attribution, dating and stylistic features of the capitals (in Russian) 2017

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From the History of the Evolution of the State Seal of France in the Time of Napoleon (In Russian)

Andrey Mitrofanov

ISTORIYA, 2023

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Роль «Зубовского института» (Российского института истории искусств) в деле сохранения древнерусской живописи / The role of the "Zubovsky Institute" (Russian Institute of Art History) in the preservation of ancient Russian painting

Svetlana V. Ivanova, Светлана Валерьевна Иванова

Вестник Санкт-Петербургского университета технологии и дизайна. Серия 2. № 2, 2021

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Symbolism in Russian Painting of the Early 20th Century: the Vitality of Plastic Expressiveness

Victoria Voskresenskaya

Art & Culture Studies

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Iconography of the Image of Prince Alexander Nevsky in Soviet Book Engravings

Pan-Art

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The artistic image of the ukrainian folk costume in the genre portrait of ukrainian artists (Russian-ukrainian war of 2022)

Svitlana Dolesko

Collection of scientific works “Notes on Art Criticism”

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The iconography of Kiev and Kiev Pechersk Lavra at the end of the XVII – early XIX century: the basic terms in the research and their significance meaning

Вісник Національної академії керівних кадрів культури і мистецтв, 2018

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Orthodox Images in the Urban Imaginary of Veliky Novgorod / Православные образы в городском воображаемом Великого Новгорода

Journal of Visual Theology

Journal of Visual Theology / Визуальная теология, 2024

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Проблема стиля в историографии русского искусства XVIII века / A problem of style in historiography of Russian art of 18th Century

Вестник МГХПА, 2021

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ГОСУДАРСТВЕННЫЙ СТАТУС РУССКОГО СТИЛЯ В АРХИТЕКТУРЕ КОНЦА XIX — НАЧАЛА ХХ В. КАК СРЕДСТВО ФОРМИРОВАНИЯ ОБЛИКА ВЕЛИКОЙ ДЕРЖАВЫ

Solovieva Anna, Tatiana Semichevskaya

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TO THE ISSUE OF THE IDENTIFICATION OF THE COINS OF THE BANATE OF SEVERIN WITH THE IMAGE OF THE MAN’S FIGURE AND A CROSS IN THE SHIELD UNDER THE CROWN [in Ukrainian].

Vasyl Orlyk / Василь Орлик

The Ukrainian Numismatic Annual , 2018

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On the Development of the Image of a Monastery in Russian Art of the 14th–16th Centuries

Юлия Бузыкина

Actual Problems of Theory and History of Art, 2016

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Seals of the Ancient East from finds in Russia and Ukraine / Древневосточные печати из находок в России и Украине

Лушин Виктор / Viktor Lushin, Alеxandrа Lushinа

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Following the Traditions of Old Masters in Ukrainian Realist Painting (on the Example of the Works of V. Kostyrko, E. Ravsky, O. Glazunov)

Ruslana Bezuhla

Vìsnik Deržavnoï akademìï kerìvnih kadrìv kulʹturi ì mistectv/Vìsnik Nacìonalʹnoï akademìï kerìvnih kadrìv kulʹturi ì mistectv, 2024

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The Art of repetition: Printed sources of the XVIII–XIX century Ukrainian icons from the Ponamarchuk family collection [in Ukrainian]

vitalii tkachuk

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Art Policy of the State Duma of the Russian Empire

Denis Yanchenko

European Researcher, 2012

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The Influence of the Reformation Iconography on Ukrainian Art and the Question of Prototype Determining

Aktualʹnì pitannâ gumanìtarnih nauk, 2024

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1000 Years of Ukrainian Seal: Exhibition Catalogue, ed. Yurii К. Savchuk (Kyiv 2013), 496 pp. + ill. (in Ukrainian and English)

Nikita Khrapunov

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The transformation of the communicative function of art in the context of the history of art in Tomsk

Anastasiya Belous

Vestnik Tomskogo gosudarstvennogo universiteta, 2015

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Creativity of Vladyslav Mamsykov (1940–2020) in the context of national art during the late Soviet time

Galyna Sklyarenko

2022

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«Советский»: знак качества или жупел? (К вопросу о формировании исторических образов недавнего прошлого в современной массовой культуре) “The Soviet”: Quality brand or bogey? (Concerning the history reflection in Russian mass culture)

Алексей Святославский

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Posters of Knyhospilka publishing house: research problems (based on fonds of Fine Arts Department of V. I. Vernadskyi National Library of Ukraine

2020

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On Attribution of a Painting by an Unknown Dutch Painter of the 17th Century from the Collection of the State Historical Museum (Moscow) / К вопросу об атрибуции картины неизвестного голландского живописца XVII века из собрания Государственного исторического музея (Москва)

Svetlana Sharko, Художественная Культура

Шарко С.Ю. К вопросу об атрибуции картины неизвестного голландского живописца XVII века из собрания Государственного исторического музея (Москва) // Художественная культура. 2023. № 3. С. 228–239. https://doi.org/10.51678/2226-0072-2023-3-228-239.

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Вострикова Н.К. К вопросу об атрибуции картины «Портрет купчихи Юрьиной» // Музейный вестник. Выпуск XI. Смоленск, 2020. С. 63-

Natalia Vostrikova

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«Печать Святослава» из Унжи: археологический контекст / “Svyatoslav’s seal” from Unzha: archaeological context

Vitaly Scherbakov

«Печать Святослава» из Унжи: археологический контекст / “Svyatoslav’s seal” from Unzha: archaeological context, 2018

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The symbol of the Soviet era: history of the monument to Otto V. Kuusinen in Petrozavodsk

Valentina Volokhova

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Symbolism in Russian Painting of the Early 20th Century: the Vitality of Plastic Expressiveness / Символизм в отечественной живописи начала ХХ века: витальность пластической выразительности

Victoria Voskresenskaya, Художественная Культура

Воскресенская В.В. Символизм в отечественной живописи начала ХХ века: витальность пластической выразительности // Художественная культура. 2022. № 4. С. 108–139. https://doi.org/10.51678/2226-0072-2022-4-108-139.

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