Julie Dash: Introduction (original) (raw)

THE GULLAH KALEIDOSCOPE Daughters of the Dust (1991) by African American film director and writer Julie Dash

Anne-Marie Paquet-Deyris

2006

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L.A. Rebellion. Creating a New Black Cinema

Jan-Christopher Horak

2011

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“We Too, Are America: Illusions and the Myth of ‘National’ Studios”

Frances Gateward

Quarterly Review of Film and Video, 2013

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Signifyin' and Intertextuality: Killer of Sheep and Black Independent Film

Inez Hedges

Socialism and Democracy, 2007

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Clapping Back: Black Female Film Directors Reclaiming the Gaze in the Mainstream Film Industry

Susuana Amoah

2018

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Religion, Sexuality and the Pregnant Body in the

Carol B . Duncan

2016

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Food, Feelings and Film: Women's Power in "Like Water for Chocolate"

Carole Counihan

Food, Culture, and Society, 2005

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History and Myth: Postcolonial Dimensions

Dr. Sayan Dey, ARTI NIRMAL

Vernon Press, USA and Spain, 2021

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Hard Labour: Religion, Sexuality and the Pregnant Body in the African Diaspora

Carol B . Duncan

Journal of the Motherhood Initiative for Research …, 2005

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Dark Water: Rememory, Biopower, and Black Feminist Art

Stephanie Troutman Robbins

Taboo: The Journal of Culture and Education

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Oi1f.Alison.Butler..Womens.Cinema..The.Contested.Screen

Ольга Карась

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One of Dese Mornings, Bright and Fair,/Take My Wings and Cleave De Air": The Legend of the Flying Africans and Diasporic Consciousness

Wendy W. Walters

Melus, 1997

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DLB384 Twenty-first Century Brazilian Writers Paulo Lins.pdf

Giulia Riccò

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Sound and Feminist Modernity in Black Women’s Film Narratives

Geetha Ramanathan

Feminisms, 2015

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Fighting Amnesia as a Guerilla Activity: Poetics for a New Mode of Being Human

Karen Gagne

2006

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Hospitable Vision: Some Notes on the Ethics of Seeing Film

S Brent Plate

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Through the Prism of Slave Art: History, Literature, Memory, and the Work of P

Jason R Young

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Science-women: arcane knowledge and African spirituality in independent African-American cinema of the 1990s

Haseenah Ebrahim

African and Black Diaspora: An International Journal, 2018

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Daughters of the Dust (Julie Dash, 1991), le récit d’esclave revisité

Delphine Letort

Amnis [En ligne], 8 | 2008

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"Outing the Black Feminist Filmmaker in Julie Dash's ILLUSIONS"

Judylyn S Ryan

Signs: Journal of Women in Culture and Society, 2004

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From Colorism to Conjurings: Tracing the Dust in Beyoncé's Lemonade

Cienna Davis

Taboo: The Journal of Culture and Education, 2018

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TabooFall2017.pdf

Jeanine Staples

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Re-viewing the tropical paradise : Afro-Caribbean women filmmakers /

Haseenah Ebrahim

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Framing Black Performance: SELMA and the Poetics of Black Performance

Courtney R Baker

Camera Obscura, 2020

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Caryl Phillips and the Caribbean as Multicultural Paradigm

Benedicte Ledent

2007

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Caribbean Cinematic Créolité

Gilberto Blasini

Black Camera: An International Film Journal, 2009

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Women Directors Have Made Some of the Greatest Films Ever. Here Are 11 You Might Not Know.

Shalon van Tine

Left Voice

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Media Ventriloquism (Introduction)

Jaimie Baron

Media Ventriloquism: How Audiovisual Technologies Transform the Voice-Body Relationship, 2021

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L.A Rebellion : vers une redéfinition de la représentation cinématographique africaine-américaine Merrine VANHILLE Mémoire de master 2.

Merrine Vanhille

2020

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This Shoal Which is Not One: Island Studies, Performance Studies, and Africans Who Fly

Rebecca Schneider

Island Studies, 2020

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Twenty-First Century British Novelists

Tom Ue, FRHistS

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DLB384_21st Cent Brazilian Writers_Ricardo_Aleixo - Paulo Moreira.pdf

Paulo Moreira

Dictionary of Literary Biographies, 2019

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Commercial Counterhistory: Remapping the Movement inLee Daniels’ The Butler

Leigh Anne Duck

Journal of American Studies

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"Working Women and Rape Myths in Turkish Cinema between 1923 1996" in FILM, PHILOSOPHY AND RELIGION

Bariskan Unal

Vernon Press, 2022

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Reading Race

zouhir fernane

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Aidi and Marable, _Captives and Narratives_ in Black Routes to Islam (Palgrave 2009

Hisham Aïdi

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Disguising Blackness: Critical Voices in New Hollywood Cinema

Bowdoin Journal of Cinema

Bowdoin Journal of Cinema, 2022

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Review of Pink-Slipped: What Happened to Women in the Silent Film Industries?

Luci A Marzola

Film Quarterly, 2018

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The Caribbean Allegory of Mami Wata: A Decolonial Reading of Gendered “Plantation Memories” within Contemporary Jamaican Fiction, In: Susan Roberson (ed.): Essays: Exploring the Global Caribbean. Newcastle upon Tyne: Cambridge Scholars Publishing, 2013, 2-19.

Dr. Martina Urioste-Buschmann

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Book Review of "Black to Nature: Pastoral Return and African American Culture

Katie Hogan

Ecozon@: European Journal of Literature, Culture and Environment

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