original ) (raw )Anatole Upart, ARTH 23808/1 COSI Mellon Museum Seminar ETCHED & INCISED: RENAISSANCE & BAROQUE PRINTMAKING IN EUROPE AND BEYOND, Spring 2019, University of Chicago
Bridget Madden , Anatole Upart
2019
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Invention, Origin and Dedication: Republishing Women's Prints in Early Modern Italy
Evelyn Lincoln
Making and Unmaking Intellectual Property, ed. M. Biagioli, P. Jaszi, M. Woodmansee, 2011
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From Artist to Audience: Italian Drawings and Prints from the 15th Through 18th Centuries
Sara Pattiz
2016
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Some Italian Importers of British Prints in the 1780s, in «Print Quarterly», xxxix, 4, December 2022, pp. 412-422.
Giorgio Marini
Print Quarterly, 2022
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Review: Lisa Pon, Raphael, Durer, and Marcantonio Raimondi Copying and the Italian Renaissance Print
Larry Silver
The Art Book, 2004
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The Use and Reuse of Printed Illustrations in 15th-Century Venetian Editions
Cristina Dondi
Studi di storia, 2020
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Review of Bernadine A. Barnes, Michelangelo in Print: Reproductions as Response in the Sixteenth Century in Renaissance Quarterly, vol. 63, no. 4, Winter 2010, pp. 1385-1387.
Madeleine Viljoen
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ITALIAN PRINTS AT CORSHAM: A SCHOLARLY CATALOGUE
Cristina Molina Barón
2019
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Placing Prints: New Developments in the Study of Early Modern Print, 1400-1800, The Courtauld Institute of Art, 12-13 February 2016
Bryony Bartlett-Rawlings , Naomi Lebens
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Letters & Lines: Text and Image in Northern Renaissance & Baroque Prints
Phillip Earenfight
2014
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History Rewritten. Francesco Guicciardini's Storia d'Italia and Fiammetta Frescobaldi. In: The Art of Publication from the Ninth to the Sixteenth Century, ed. by Samu Niskanen with the assistance of Valentina Rovere, IPM, 93 (Turnhout, 2913), pp. 347-370.
Giovanna Murano
The Art of Publication from the Ninth to the Sixteenth Century, ed by Samu Niskanen, 2023
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Scaffolding Folengo: Sites, Artifacts, and the Rise of Macaronic Design in Print Culture
Stefano Gulizia
Folengo in America, ed. Massimo Scalabrini (Ravenna: Longo, 2012), pp. 153-195.
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Artists and the antique in fifteenth century Italy: some of the archaeological background to the early printed book trade
Michael Vickers
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Glory of the Renaissance Italian Manuscripts and Miniatures
Dr. Jörn Günther Rare Books , Mireia Castaño
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Parmigianino’s Printmaking
Aleksandra Koutny-Jones
Print Quarterly, 2005
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Review: Jurkowlaniec and Herman, eds. The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries (London: Routledge, 2021), in HNAR: https://hnanews.org/hnar/reviews/the-reception-of-the-printed-image-in-the-fifteenth-and-sixteenth-centuries-multiplied-and-modified/)
Arthur J . DiFuria
Historians of Netherlandish Art Reviews, 2021
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• Disegno versus Disegno stampato: printmaking theory in Vasari’s Vite_2012
Barbara Stoltz
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Book Review: Evelyn Lincoln, The Invention of the Italian Renaissance Printmaker (New Haven, 2000)
Pamela O Long
Technology and Culture, 2001
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Reproducible Media in the Fifteenth Century, Mostly Italian
Arne R Flaten
Post-Medieval, 2012
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Framed in Fifteenth-Century Florence
Suzanne Boorsch
Metropolitan Museum Journal, 2002
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Review : S.Karr Schmidt, Interactive and Sculptural Printmaking in the Renaissance (2018)
Evelyn Lincoln
2019
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“Difference, Repetition, and Utopia: European Print’s New Worlds” in Crossing Cultures: Proceedings of the 31st International Congress of the History of Art, Melbourne, 13-18 January 2008 (Melbourne UP, 2009), pp. 244-250.
Christopher P . Heuer
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Accident or Strategy. The Collecting of Drawings in 16th and 17th Century Italy
Flavia Barbarini , Mary Vaccaro
2023
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9 entries in The Paper Side of Art: Eight Centuries of Drawings and Prints in the Collections of the Museum of Fine Arts – Hungarian National Gallery, Budapest, eds. Kinga Bódi and Kata Bodor, Budapest 2021
Zoltán Kárpáti
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Music-printing in late sixteenth- and early seventeenth-century Florence: Giorgio Marescotti, Cristofano Marescotti and Zanobi Pignoni
Tim Carter
Early Music History, 1990
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Studying Drawings of the Italian Trecento
Giada Damen
Art and Experience in Trecento Italy, 2018
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Bert W.Meijer, Il disegno veneziano 1580–1650: ricostruzioni storico‐artistiche. Florence: Leo S. Olschki, 2017. 596 pp. €120. ISBN: 978‐88‐222‐6503‐6 (hb)
Jörg Zutter
Renaissance Studies, 2019
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Fifteenth and Sixteenth-Century Northern European Prints at the Museum of New Zealand Te Papa Tongarewa
Annika Sippel
2012
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"Selling Stories and Many Other Things In and Through the City: Peddling Print in Sixteenth-Century Florence and Venice", Sixteenth-Century Journal, XLII, 2011, n. 3, pp. 737-759
Rosa Salzberg
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Printing music in Italy around 1700: Workshop practices at the Silvani firm in Bologna
Huub van der Linden
Papers of the Bibliographical Society of America, 2015
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“A Renaissance without Order: Ornament, Single-sheet Engravings, and the Mutability of Architectural Prints,” Journal of the Society of Architectural Historians (2012)
Michael Waters
Journal of the Society of Architectural Historians, 2012
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PAINTING AND ~ EXPERIENCE IN FI.FTEENTH CENTURY ITALY A primer in the social history qfpictorial sryle SECOND EDITION
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Book Review: Gustina Scaglia, Francesco di Giorgio: Checklist and History of Manuscripts and Drawings in Autographs and Copies from ca. 1470 to 1687 and Renewed Copies (1764-1839) (Bethlehem, PA and Cranberry, NJ: Lehigh University Press and Associated University Presses, 1992)
Pamela O Long
Technology and Culture, 1993
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Review, The Printed Media in Fin-de-siècle Italy. Publishers, Writers, and Readers
Morena Corradi
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Printing and Misprinting: A Companion to Mistakes and In-House Corrections in Renaissance Europe (1450-1650), ed. Geri Della Rocca de Candal, Anthony Grafton, and Paolo Sachet, Oxford 2023
Marta Celati , Geri Della Rocca de Candal , Grigory Vorobyev , Anna Dlabačová , Paolo Sachet , Jan Hillgärtner , Veronika Sladka , Amy Lidster , Pavel Sladek , Caroline Duroselle-Melish
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