The original latino gangsta or how Hollywood created the urban jungle (original) (raw)
THE ORIGINAL LATINO GANGSTA OR HOW HOLLYWOOD CREATED THE URBAN JUNGLE IN IL PARLAGGIO
Jason Ramirez
2021
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López-Calvo, Ignacio, Latino Los Angeles in Film and Fiction. Tucson: University of Arizona Press, 2011. Print. 239 pages
Nicholas Birns
TRANSMODERNITY: Journal of Peripheral Cultural Production of the Luso-Hispanic World, 2012
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The Rebel of Chicano Cinema: Anglo-Mexican Intertextuality in Robert Rodriguez’s Films
Noelia Gregorio-Fernández
Informes USA, 2014
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Latino Los Angeles in Film and Fiction: The Cultural Production of Social Anxiety ‐ by López‐Calvo, Ignacio
Ignacio López-Calvo
Bulletin of Latin American Research, 2013
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Borders, batons locos and barrios: Space as Signifier in Chicano Cinema.
Catherine Leen
NUI Maynooth Papers in Spanish, Portuguese and …, 2004
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Latinos and Otherness: The Films of Gregory Nava
Josef Raab
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Latinidad and masculinidad in Hollywood scripts
Ana Liberato
Ethnic and Racial Studies, 2009
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Lin-Manuel Miranda: New Articulations of Latinidad in the Hollywood Imagination
Noelia Gregorio-Fernández
Camino Real: Estudio de las Hispanidades Norteamericanas, 2022
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ARTICLE: LACRIT V SYMPOSIUM; CLASS IN LATCRIT: THEORY AND PRAXIS I A WORLD OF ECONOMIC INEQUALITY; BORDER CROSSINGS; Making Evil: Crime Thrillers and Chicano Cinema
Juan Velasco
2001
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Commodifying Black Latinidad in US Film and Television
Isabel Molina-Guzman
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Magical Realism and the Function of Space in Contemporary Chicano Cinema: Bedhead and Spy Kids
Noelia Gregorio-Fernández
Post Script: Essays in Film and the Humanities, 2014
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“The Most Notorious Sucker-Trap in the Western Hemisphere”: The Tijuana Story (Leslie Kardos, 1957) and Mythologies of Tijuana in American Cinema
Stephanie Fuller
Journal of American Studies, 2014
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Imagining Hollywood from the Outside In: A Conversation with Celestino Deleyto on From Tinseltown to Bordertown: Los Angeles on Film
Regina Longo
Film Quarterly
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Not your mother's Latinas : film representations for a new millennium
Jeannie Patrick
2009
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Review of Barrueto, Jorge J. (2013) 'The Hispanic Image in Hollywood: A Postcolonial Approach'
Noelia Gregorio-Fernández
Camino Real Journal, 2015
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Review of Meléndez, A. Gabriel. (2013) 'Hidden Chicano Cinema: Film Dramas in the Borderlands'
Noelia Gregorio-Fernández
Atlantis, 2015
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2013 "Reel Latinas? Race, Gender, and Asymmetric Recognition in Contemporary Film," in Politics, Groups, and Identities, 1(2): 181-198.
Inés Valdez
2013
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Derision and desire: the ambivalence of Mexican identity in American literature and film
Juan Alonzo
2003
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New Representations of Difference: Mexican Filmmakers in New York City
Luis Bernardo Quesada Nieto
CUNY Academic Works, 2021
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Cinematic Representations of Homegirls: Echo Park vs. Hollywood in Allison Anders’s Mi Vida Loca.
Ewa Antoszek
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Thrown into the Melting Pot: Representations of African Americans in Scorsese's Gangs of New York and Taxi Driver
Anna-Lena Oldenburg
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Allison Anders and the 'Racial "Authenticity" Membership-Test': Keeping Mi vida loca/My Crazy Life (1994) on the Borders of Chicano Cinema
Professor Thea Pitman
iMex Revista: México Interdisciplinario / Interdisciplinary Mexico, 2012
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(2012) ‘New Latin American film: Addressing the negative culturescapes and glocalising transnational problem’, Crítica Contemporánea. Revista de Teoría Política, (Montevideo), 2 (November), 119-129. (Invited paper).
Estela Valverde
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Understanding the voice behind The Latino Gangsters
Dr./Dra.Mauren Navarro-Castillo
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REVIEW, Contemporary Hispanic Cinema: Interrogating the Transnational in Spanish and Latin American Film, ed. Stephanie Dennison. Revista de Estudios Hispánicos XLVIII.3
Sarah Thomas
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Reviewed Work(s): Mexico City in Contemporary Mexican Cinema by David William Foster
Salvador Oropesa
Arizona Journal of Hispanic Cultural Studies, 2003
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From El Mariachi to El Rey: Robert Rodriguez and the Transformation of a Microbudget Filmmaker into a Latino Media Mogul
Zachary Ingle
2015
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Black Los Angeles: South Central plays itself
Julia Si
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“You are Alright, But…”: Individual and Collective Representations of Mexicans, Latinos, Anglo-Americans and African-Americans in Steven Soderbergh's Traffic in Quarterly Review of Film and Video, 22(3), 211-224
deborah shaw
Quarterly Review of Film and Video, 2005
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"Hollywood Goes Latin. Spanish-Language Cinema in Los Angeles". Edited by María Elena de las Carreras and Jan-Christopher Horak. 2019.
Maria Elena de las Carreras
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David Riker frames New York City: Gazing at the Latin American Immigrant in La ciudad [The City]
Manuel F Medina
Raído, Dourados, MS (Brazil), 2010
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Codings of Blackness in Mexican Cinema: An Analysis of La Negrada
Ebony Bailey
PALARA
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Cholas and Chicas, Spitfires and Saints: Chicana Youth in Contemporary U.S. Film
Amanda Martinez Morrison
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The Cinematic Favela: The Common and the Singular
Reut Shuker
The Cinematic Favela: The Common and the Singular, 2015
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Latinos in US Film Industry
Beatriz Peña Acuña
Journal of Alternative Perspectives on Social Sciences, 2010
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